Aura Sebaka sa ho Nwela Diente ka Kacper Gronkiewicz

Moralo oa Aura Sebaka sa ho Nwela Diente ka Kacper Gronkiewicz ke mohlodi oa khau e hlomphehang haholo ya 2020 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

TšepeKa Hare· 2020

Aura Sebaka sa ho Nwela Diente

ka Kacper Gronkiewicz

Moreki: Kacper Gronkiewicz

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Ka Hare

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #93021

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Aura Sebaka sa ho Nwela Diente

Aura ke bar ya diente e fumanehang fatshe la pele la moaho wa lekgolo la leshome le metso e robong la dilemo, o teng bohareng ba Warsaw. Ka hare ho na le dimetara tse dipentagonal tse 25, mme sebaka se seholo se na le bophahamo ba dimetara tse 4.8. Boronse bo phatsimang le bo se nang phatsimo bo kgahlanong le dikapete tse bopeha bo bonolo tse aletsweng lebota le leholo. Dintho tsa boronse di sebediswa bakeng sa maparo, ditafole tse phahameng le mabone a masesane a lefapha, mme dipoleiti tsa gauda di kwahetse counter ya dino, e emeng hodima motheo wa marble. Sehlopha sa masoba fatshe se tshwere ditafole tse entsweng ka ho ikgethang tse nang le bophahamo bo boraro, e le hore sebaka sena se senyenyane se ka sebediswa e le cafe motshehare le e le bar bosiu.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Aura Sebaka sa ho Nwela Diente ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Aura Sebaka sa ho Nwela Diente e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Aura Sebaka sa ho Nwela Diente e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Gronkiewicz contrasted polished and mat, veneered and raw brass with soft patterned carpets lining the wall. To optimise the venue's limited space a set of holes was designed in the floor for several combinations of custom made big and small tables. Bringing gold into interior, the architect installed various brass fixtures throughout the space, from the shelves to the high tables and slim lighting pendants. Golden plates are also used to top off the drinks counter, which perches on a mismatch marble base. Velvet upholstered seats and cobalt blue toilet complement the red hues of the floor and vintage barstools.
Boholo le Phuthelo: Area of the premises - 25sqm, height of a main space - 4,8m. Combination of 3 small (50cm in diameter) and one large (100cm in diameter) tables are possible. The height of tables may be adjusted to high, medium and low level.
Lithegi: Aura, bar, cocktail, Warsaw, carpet, interior, gold, custom-made
Theknoloji ya Tlhahiso: Minor craft services of the area encouraged architect to use customized solutions. Arched benches were made by the craftsman next door while stone slabs cladding the bar came from a stonemason based on one of Warsaw cemeteries and are the leftovers of his commissions. Its scales cladding bar's rear wall are posed on 5 mm steel shelves - invisible yet resilient. A shabby mint green background of original nineteenth century walls was yet raised by the painter from neighbourhood. The blue walls and vaulted ceilings were finished with water resistant blue paint and instead of a wallpaper Gronkiewicz used old carpets to paste up the main wall. All this involved prototyping and none of this would be possible without local contractors.
Phephetso ya Moralo: The small premises (25sqm/80sqf) implied a very careful functional layout. The bar consist of the clients' area, bartenders open and hidden working space, toilet, technical facility and a storage for beverages on the off-sight mezzanine. Designer had to adjust the set of holes in the floor according to existing 19th century layout of steel supporting beams and yet obtain ergonomic distances between fixed tables, stools and benches.
Dipatlisiso: Together with investors designer tried to make out how people would use the place in the daytime, evening and by night keeping in mind natural lighting conditions and the downtown location. They based on Investors curriculum from other similar places as well as the observations made in neighbourhood bar, cafe and vegan patisserie. They came up with few sets of tables dedicated to specific time of the day and provided dimmable light to transform the place from a daily cafe to a bar or even a small concert venue. Table tops not in use are hanging on the walls as decoration.
Kgothaletso: First inspiration came from Franz West's sofas upholstered with old carpets and exhibited in Kassel during Documenta X in 1997. This unconventional use of private second-hand objects gave a hint of cosiness to the public space. An idea appealed to the Investor who had inherited some old family carpets and this pushed architect toward Moroccan imagery - Marrakesh vibrant marketplaces and villa Majorelle Gardens. In his formal language Gronkiewicz was also largely inspired by Giorgio de Chirico paintings. The name of the bar relates to latin aurum - gold and also to a colour of bourbon based drinks served here.
Nako ya Projeke: The project was executed in Warsaw in January 2019 and rendered to public in June 2019.
Aura is set on the ground floor of a former tenement house of Jochwet Taubenhaus that was built in the 19th century in the very centre of Warsaw. It has survived German bombings during Second World War. There has been several kinds of business ran in the small corner premises on the ground level of the building since then - all left some history in the walls which Gronkiewicz wanted to evoke.
Tsamaiso ya Mosebetsi: Architect elaborated the unique system of tubes inserted in the floor where the custom made tables can be slotted into and set at various heights to respond to different use of the space during the day and by night. The design does not freeze the space, on the contrary, it opens it for interaction. To maximize customers space and enhance the view on the street Gronkiewicz got rid of windowsills and replaced it with upholstered benches.
Diphatente: Copyrights belong to Kacper Gronkiewicz
Litlotla tsa Setshwantsho: Photographers: Łukasz Kuś, Magda Rzeszot, 2019