Stone Plant Sculpture Mosebetsi wa Sehlooho: Setshoantsho sa Serapa ka Udo Hubert Dagenbach

Moralo oa Stone Plant Sculpture Mosebetsi wa Sehlooho: Setshoantsho sa Serapa ka Udo Hubert Dagenbach ke mohlodi oa khau e hlomphehang haholo ya 2017 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara ya Seterata.

SileveraFenitjhara ya Seterata· 2017

Stone Plant Sculpture Mosebetsi wa Sehlooho: Setshoantsho sa Serapa

ka Udo Hubert Dagenbach

Moreki: Glasser and Dagenbach

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Fenitjhara ya Seterata

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Mohlodi oa Khau ea Netefaditsweng

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Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Stone Plant Sculpture Mosebetsi wa Sehlooho: Setshoantsho sa Serapa

Mongolo wa Buka: Setshoantsho sa Semela sa Lejwe ke serapa se se nyenyane se etsuwang jwaloka khupu e lekanyang disentimithara tse 130 ka 130 ka 130. Karolo e nngwe ke poloko ya lejwe la limestone la mehla ya Jurassic, e sekilweng kwarong e ka boroa ho Jeremane. Diphateng tsa lejwe tse bonahalang di betlilwe le ho phulusiwa ho fana ka ponahalo ya bogolo. Karolo e nngwe e entswe ka dimela tse nne tsa yew, tse fahlilweng ho fihlela boholong ba ho qetela kamora ho lengwa. Mola o ka bang o thwathwadileng o tshwaya moo lejwe le semela di kopanang teng. Moralo ona ke tlhaloso ya Yuropa ya direrapa tsa Zen tsa Sejapane. Khupu ena e eme holim'a jarete e bataletseng mme e hloka tlhokomelo e tlase.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

Stone Plant Sculpture Mosebetsi wa Sehlooho: Setshoantsho sa Serapa ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Stone Plant Sculpture Mosebetsi wa Sehlooho: Setshoantsho sa Serapa e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Stone Plant Sculpture Mosebetsi wa Sehlooho: Setshoantsho sa Serapa ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Two companies asked for a series of gardens, objects which show the possibilties combining their products. Jurrasic limestones and plants. So we created the idea for the most minimalistic garden, a european interpretation of Japanese Zen Gardens. Forming a cube with a pruned yew and a limestone. The joint between both is defined by an almost diagonal line through the cube.
Two materials - plant and stone - a simple shape.
Boholo le Phuthelo: The stone plant sculpture forms a cube of 130 x130 x 130 cm. It consists of Lime stone and Yew hedge plants which are planted close to the stone to form the intended cube together. The stone is placed on a concrete foundation.
Lithegi: minimal garden, minimalistic garden, garden sculpture, cube garden, plant stone, land art, minimal art, jurrasic marble, limestone, yew
Theknoloji ya Tlhahiso: One part of the garden cube is produced from a piece of Jurrasic marble, also called limestone. It was produced in a South German Quarry of the Franken Schotter Company. It was cut out of a raw block. The standing side and the side facing the plants are diamond saw cut. The visible surfaces are chisselled and brushed, what gives it a aged look. The other half is planted from four Taxus baccata, yew, from Bruns Nursery which have been properly pruned to the final size after planting.
Phephetso ya Moralo: It was a challenge not to choose a solution which looked too natural and showed expectable designs. So we have struggled to be maximum minimalistic, showing a clear, simple solution that immediately could be understood by the international guests of the nursery and the United World College. To do less than could be possible is the most challenging step. Our fear that strong frosts could cool down the stone so much that the plants will be harmed and killed by it did not come true even in the high mountains of Armenia
Dipatlisiso: The request of two companies to do a work with the products they produce needed a research on similar projects. We found that doing this in a expectable and already common way would not give a good impression. So we found that the solution should be reduced to message they want to tell their clients with this action: "Our products fit together very well". By keeping it simple the impression is stronger.
Kgothaletso: Since long time I searched for a European equivalent of Japanese Garden designs. Finally the minimalistic ideas of the Bauhaus period gave a hint what could be possible. The suggested project is one out of a series of projects which we have done in this way. Whilst Japanese Gardens often use the scale 1:3 to reflect a real landscape in a new and abstract way, this project does not reflect any landscape and does not use any scale. It is the maximum reduction of a garden ending up as a sculpture.
Nako ya Projeke: The project started in 2002 as a joint venture between the Franken Schotter Quarry and the Bruns nursery. After its realization in 2003 it stood in Bad Zwischenahn, North Germany, in front of the adminitrative office of Bruns Nursery. In 2015 the project was moved to The United World College in Dilijan Armenia, where it is installed now permanently at the Prince of Wales avenue.
Tsamaiso ya Mosebetsi: The garden cube needs low maintenance. The hedges should be properly pruned 3 times a year to show a perfect impression.
The stone needs a yearly cleaning with simple water by using a high pressure cleaner. The placement on a flat piece of lawn is essential to make it work visualy.
Diphatente: all copyrights belong to Udo Dagenbach, glasser and dagenbach, 2006
Litho tsa Sehlopha: Draftswoman: Katrin Weincke
Installation: Bruns Nursery
Stone works: Franken Schotter Quarries
Litlotla tsa Setshwantsho: Image #1 Udo Dagenbach, garden cube, 2007
Image #2 Udo Dagenbach, garden cube, 2007
Image #3 Udo Dagenbach, garden cube, 2007
Image #4 Udo Dagenbach, garden cube, 2007
Image #5 Udo Dagenbach, garden cube, 2007