El_Masnad Mosebetsi wa Sehlooho: Kapete ya ho Dula Fatshe ka Sana Alabdulwahed

Moralo oa El_Masnad Mosebetsi wa Sehlooho: Kapete ya ho Dula Fatshe ka Sana Alabdulwahed ke mohlodi oa khau e hlomphehang haholo ya 2016 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara.

SileveraFenitjhara· 2016

El_Masnad Mosebetsi wa Sehlooho: Kapete ya ho Dula Fatshe

ka Sana Alabdulwahed

Moreki: Sana Alabdulwahed

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Fenitjhara

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #47459

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le El_Masnad Mosebetsi wa Sehlooho: Kapete ya ho Dula Fatshe

Mongolo wa Buka: El_Masnad ke kapete ya ho dula fatshe e etselitsoeng likamore tsa bolulo. Moralo ona o nka sethehisi sa letsoho, ntlha ya bohlokoa ya setso malapeng a Saudi, 'me o se sebedisa e le ntho ya mantlha ya karolo ya ho dula, athe likarolo tse ling tsohle tsa setulo se tloaelehileng li tlosoa. El_Masnad e boloka basebedisi ba haufi le fatshe, kahoo ho dula ho utloahala ho le monate le ho itlhaloseng. Likarolo tsena ha li na tsela e tsitsitseng eo li shebaneng le eona, 'me li ka kopanngoa ka mekhoa e mengata. Mokotla o phahameng wa foemo o etsoa ka mokhoa wa ho seha ka sesebelisoa se chesang sa likhutlo tse hlano, mme o phuthetsoe ka felt e rokiloeng, joalo ka kapete e phuthiloeng.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

El_Masnad Mosebetsi wa Sehlooho: Kapete ya ho Dula Fatshe ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. El_Masnad Mosebetsi wa Sehlooho: Kapete ya ho Dula Fatshe e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. El_Masnad Mosebetsi wa Sehlooho: Kapete ya ho Dula Fatshe ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Armrests, traditionally, initiates nodes where the space is highly activated in Saudi Arabia. El_Masnad uses armrest as the main component for seating unit and neglect all other parts of a seating device. El_Masnad brings the users close to the ground, so it is much more playful and intuitive for this demographic. It allows the Sitting behaviors to emerge organically and intuitively in many different configurations.
Boholo le Phuthelo: For one set, a pair of two pieces: w 335cm X d 180cm X h 30cm
For two sets, two pairs of two pieces, four pieces: w 470cm X d 180cm X h 30cm
Weight: 12 kg
Lithegi: outdoor, livingroom, carpet, local
Theknoloji ya Tlhahiso: Manufacturing includes:
5-axis hot wire milling for filling foam.
CNC stitching on felt for generated pattern design.
The upholstery roll up around the foam like the traditional way of rolling a carpet. Felt was used as contemporary alternative material for traditional wool carpets.
El_Masnad is not made of any hard material that may create an obstacle in the space. It rather made with soft materials where circulation can take place.
Phephetso ya Moralo: One of the most difficult challenges was finding Saudi women willing to participate in taking pictures. The Second challenge was to see the demographic dramatic lifestyle changes as an outsider, which is critical to synthesize the research findings for the design outcome. Lastly, was Understanding the relationship between the designers, makers and consumers.
Dipatlisiso: Perception of Saudis: The appropriate perception of personal space in the Arab world is when there is a strong eye and physical contact while conducting conversation, therefore, the pieces fit together, interlocking making contact easy and intuitive. Arab appreciate complex geometrical forms, and a boxy forms may look naïve, Therefore, the traditional armrest outline was converted into an irregular polygon. Arab view forms with considering the harmonious interplay of forms, so the perception of balance is achieved when two of non-linear El-Masnad are put together.
Kgothaletso: We, Saudi’s end up sitting on the ground every time though there is a typical seating device in the living room. This sparked my curiosity, and inspired to create a the living room that is intuitive for us.
El Masnad design embraces the floor as a living space and it celebrates the Middle Eastern leisure culture.
Nako ya Projeke: el-Masnad was made for a thesis study at Art Center College of Design in Pasadena, CA, U.S.A. It was part of the Master program in Environmental design, in Furniture and Fixtures track.
Thesis started with winter term of 2014 and ended by the end of the Spring 2015. The first prototype was presented at the graduate show on April 18th of 2014.
Tsamaiso ya Mosebetsi: The orientation:
The development of new technologies, like tablets, eliminates the need for seating units in the living room to face t.v. wall. Therefore, the layout of El_Masnad coming together, is not oriented and does not have a direction. It integrates multiple users doing different activities.
The height:
El_Masnad is close to the ground, so it is playful and intuitive for this demographic. It makes the space feels higher.
The posture:
Sitting behaviors emerges organically and intuitively in all different situations. In addition, the users intuitively adapt new sitting position as time goes by.
The angle:
El_Masnad emphasizes the front angle for reclining instead of what is typical of using the side angle to address the variable reclining angles.