Lasso Masela A Khabisitsoeng ka Cristina Orozco Cuevas

Moralo oa Lasso Masela A Khabisitsoeng ka Cristina Orozco Cuevas ke mohlodi oa khau e hlomphehang haholo ya 2014 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Masela, Theksitjha, Dipaterone le Diaparo.

BoronseMasela· 2014

Lasso Masela A Khabisitsoeng

ka Cristina Orozco Cuevas

Moreki: Cristina Orozco Cuevas Studio

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Masela

23,184

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #30204

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Lasso Masela A Khabisitsoeng

Lasso joalo ka tlhaloso ke ropo e telele e nang le noose e tsamayang pheletsong e le ngoe. Sebakeng sa ho bululeloa ho; lesela lena ke litholoana tsa. E na le ho ama ka kotloloho le botle bo ikhethang ntle le litselana tse ikhethileng tse bobebe e le hore leseli le fete butle ha bonolo. Ke halofo ea indasteri - halofo e entsoe, e lohiloeng ka masenke a elektroniki le ho khaoloa ka letsoho. Morero ona o motle haholo ebile o sebelletsa ke pompong mme e bile e 'ngoe ea liqholotso le ho sibolla mosebetsi oa ka oa ho ba moqapi oa masela. Morero ona o bua ka serendipia, ho khoptjoa, ho sibolloa ha menyetla, fortuity le kotsi.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Lasso Masela A Khabisitsoeng ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Lasso Masela A Khabisitsoeng e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Lasso Masela A Khabisitsoeng e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: half industrial - half crafted, designed with textile CAD software, woven in jacquard electronic looms and cut by hand. It is woven industrially, but cut by hand which gives job to machines and external people. It forms vertical channels as a kind of fray where the light can pass through very sofltly. The frays are crafted processes and lasts months. A fabric with this kind of processes in the industry mills is nearly impossible but not that much.
Boholo le Phuthelo: Widths available: 1.40 m and 2.80 m. Rapport repeat: 35 cm width x 25 cm height. Uses: lamps, pillows, bedscarfs and decorative curtains. As a finish ironing the loose fur brings more volume and the frayed channels are more obvious. It is of massive production and the loose yarns are strongly moored with a tafeta special weave union.
Lithegi: Jacquard, textile, decoration, fabric, lasso, half indusrtrial, half handmade, fur
Theknoloji ya Tlhahiso: All polyester dyed yarns woven in Jacquard electronic looms. The floated yarns are cut manually by a special tool we call knife shutter. The weave technique is very old (double fabric). However the important aspect is how I applied the weaves interlaced in order to be viable to be produced and not just as a prototype as good productivity performance. The special tool developed reminded textile engineers old techniques to make corduroy.
Phephetso ya Moralo: At the beginning the aim was to develop a fabric with square bags. It would have little bags to put inside tools or jewelry. After weaving and testing different techiques, this came up as a serendipity all of it. There were more than 10 previews designs to get to the final lasso fabric. The weaves interaction result was floats in warp and weft. To cut the yarns in vertical and horizontal, we developed a special tool that works as a long shuttle knife to have a better and faster production. It was an enormous challenge to have it accomplished as a product and to convince the mill that it would work.
Dipatlisiso: The research was completely experimental. Textile engineers were afraid that using this technique on industrial looms could not work, specially the machines weaving. The process of cutting the loose yarns was hard in order to bring a product that because of the hand crafted process would not be so expensive that would not work with the market prices. Besides the lead time to deliver a roll of this product within 3 weeks at least. Since warping process till the client's door. The cut part can be done by external workers so other people get a job.
Kgothaletso: I named it lasso as a long rope with a running noose at one end. This project can be described as: experimentation. This fabric started with the research of something very different from the result. More than inspiration this project is about having luck, stumbling upon, chance discovery, fortuity and accident. It is a piece of hard work, research, mulish and not withdraw.
Nako ya Projeke: The project started in March, 2012 and ended in September, 2012.
Tsamaiso ya Mosebetsi: It has a special appearance as it seems as an extra application or embroidery upon the fabric but in fact it is woven like that. People always want to touch first than see the furry yarns. If there is light behind the soft feeling is quite special and light passes through the frayed parts. This kind of textile can replace goose feathers.
Litho tsa Sehlopha: Cristina Orozco Cuevas