Leaf Tafole ya Lehlakoreng ka Ariane Rosa

Moralo oa Leaf Tafole ya Lehlakoreng ka Ariane Rosa ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara.

BoronseFenitjhara· 2026

Leaf Tafole ya Lehlakoreng

ka Ariane Rosa

Moreki: AR Architecture and Design

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Fenitjhara

6,269

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #182803

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Leaf Tafole ya Lehlakoreng

Tafole ya Lehlakoreng ya Leaf e kopanya sebaka sa tshehetso le kganya e kopantsweng ya tikoloho. Sebopeho sena se hlophisitswe ho potoloha motheo wa lehong o sebopeho sa halofo ya bolo, moo thupa e tshesane ya tshepe e phahamang ho tshehetsa bokaholimo bo kang teraye bo etseditsweng dintho tsa letsatsi le letsatsi. Ka hodima bokaholimo, karolo ya tshepe e sebopeho sa lekala e sireletsa mohlodi wa lebone o sebediswang ka ho ama o hlahisang kganya e phatlaladitsweng. Sebopeho sena se supa dibopeho tsa dimela moo kutu e tshehetsang lekala le sefang kganya. Ka ho kopanya lehong, tshepe le kganya, moralo ona o sebetsa e le tafole ya lehlakoreng le mohlodi wa kganya ka hare ho dibaka tsa kahare.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Leaf Tafole ya Lehlakoreng ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Leaf Tafole ya Lehlakoreng e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Leaf Tafole ya Lehlakoreng e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Leaf Side Table is a sculptural furniture piece where support surface and light become a single gesture. A solid wood hemispherical base anchors the composition while a slender metallic stem rises to support a tray-like top. Above it, a golden leaf discreetly shelters a touch-activated light source. By combining Brazilian artisanal sensibility with contemporary restraint, the design transforms an everyday side table into a subtle lighting object and a quiet focal presence within interior spaces
Boholo le Phuthelo: Leaf Side Table. Dimensions 300 mm W x 300 mm D x 600 mm H. Materials solid wood for base and tray top and metal for structural stem and leaf element. Integrated touch activated LED light concealed beneath the metal leaf. Designed as a compact side table combining support surface and ambient lighting. The hemispherical wooden base provides stability while the slender vertical metal stem supports the top and lighting element.
Lithegi: Leaf side table, sculptural side table, illuminated side table, Brazilian design furniture, wood and metal furniture, touch light furniture, contemporary side table, artistic furniture design, ambient lighting furniture
Theknoloji ya Tlhahiso: Leaf combines traditional woodworking with precise metal fabrication. The hemispherical base and tray-like top are crafted from solid wood, shaped and finished to emphasize the natural grain and tactile quality of the material. A slender metal stem provides structural continuity between the elements. The upper metal leaf is fabricated in thin metal and integrates a discreet touch-activated LED module beneath its surface, allowing soft ambient illumination while preserving the visual lightness of the composition.
Phephetso ya Moralo: The main challenge was achieving a visual balance between sculptural expression and functional clarity. The design required integrating a light source without compromising the purity and lightness of the form. Another difficulty was translating an organic, nature-inspired concept into a structure that could be realistically produced using wood and metal. The process involved refining proportions and structural relationships so the object could appear delicate while remaining stable and technically feasible.
Dipatlisiso: Qualitative design research aimed to explore the relationship between furniture, light, and everyday rituals. The objective was to create a small object capable of combining functional support and ambient lighting in a single gesture. The methodology involved form studies, material exploration, and spatial observation of how side tables are used in domestic environments. Concept sketches and iterative modeling were used as research tools. The results revealed the potential of merging surface and light, generating a more intimate and meaningful interaction with everyday furniture.
Kgothaletso: Leaf was inspired by the symbolic presence of nature in Brazilian daily life and by the quiet rituals that take place around small domestic objects. Its composition recalls a botanical structure: a stem rising from the ground and sustaining a leaf that shelters light. This gesture reflects the coexistence of strength and delicacy typical of tropical landscapes, while also evoking cultural moments of gathering, offering, and sharing that often unfold around simple supporting surfaces.
Nako ya Projeke: The Leaf Side Table project began in 2025 in Santa Catarina, Brazil, where the initial concept and design development were carried out. The project is currently in the design phase, with ongoing refinement of form, materials, and lighting integration as part of the preparation for future prototyping and production.
Tsamaiso ya Mosebetsi: Leaf Side Table is designed for simple and intuitive interaction. The tray like top provides a surface for small everyday objects such as books glasses or personal items. Above it a metal leaf discreetly shelters a light source that is activated by touch. This gesture turns the object into a soft source of ambient light creating a calm atmosphere. By combining support surface and illumination in one piece the design simplifies use while enriching the experience of the space.
Litlotla tsa Setshwantsho: Laila Dutra