Ishidaya Reschorente ea Majapane ka Atsushi Kawaguchi

Moralo oa Ishidaya Reschorente ea Majapane ka Atsushi Kawaguchi ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

BoronseKa Hare· 2026

Ishidaya Reschorente ea Majapane

ka Atsushi Kawaguchi

Moreki: Ishidaya

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Ka Hare

6,937

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #180958

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Ishidaya Reschorente ea Majapane

Ishidaya ke reschorente ea Majapane e teng seterekeng se bohareng ba Hanoi. Morero ona o sebelisa Taisho Roman, e leng nako eo litso tsa Majapane le tsa Bophirimela li ileng tsa kopana, e le moralo oa ona, e le motsamaisi lipakeng tsa botle ba Majapane le sebopeho sa Bophirimela sa mohaho. Sebopeho sa lehong se ka holim'a khaontara se kopanya kaho ea setso le jeometri ea Art Deco 'me se sebetsa e le karolo ea bohlokoa ea ho bonoa. Ho e-na le ho ba mokhabiso feela, se bopa temohisiso ka leseli le maikutlo a fetohang. Sephetho ke sebaka se laoloang se lokelisang litšupiso tsa setso 'me se fana ka tlhaloso e hlakileng ea ho ja ha kajeno Hanoi.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Ishidaya Reschorente ea Majapane ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Ishidaya Reschorente ea Majapane e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Ishidaya Reschorente ea Majapane e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
Boholo le Phuthelo: Renovation of existing buildings
Lithegi: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
Theknoloji ya Tlhahiso: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
Phephetso ya Moralo: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
Dipatlisiso: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
Kgothaletso: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
Nako ya Projeke: The project started in August 2024 in Hanoi and finished in April 2025.
Tsamaiso ya Mosebetsi: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
Litlotla tsa Setshwantsho: All photos / HIROYUKI OKI