King Boat Musiamo wa Setso ka Pingtung County Government and C.M.Chao

Moralo oa King Boat Musiamo wa Setso ka Pingtung County Government and C.M.Chao ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Khauta oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Meaho, Dikaho le Dibopego.

KhautaMeaho· 2026

King Boat Musiamo wa Setso

ka Pingtung County Government and C.M.Chao

Moreki: C.M.Chao. Architect & Planners

Mohlodi oa Moputso oa Khauta oa A' Design Award Mokhahleong oa Meaho

50,260

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #174503

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le King Boat Musiamo wa Setso

King Boat ke musiamo wa setso o nehetsweng ho Moketjana wa Sekepe sa Morena (King Boat Ceremony), o fumanehang Donggang, Taiwan. Mohaho ona wa mekato e mehlano o na le sefahleho se sesweu se ahilweng hodima motheo o kang maqhubu o hopotsang lewatle. Sefahleho sa kantle se koahetswe ka konkreite e matlafaditsweng ka fibere ya kgalase (glass fiber reinforced concrete), e kgethilweng ka lebaka la sebopeho sa yona le ho hanyetsa letswai le mongobo. Mela e menathaneng le mamati a kenang ka hare a isa atriamong e bohareng e koahetsweng ka mesh ya aluminium e otlolotsweng, e sefang lesedi le modumo. Setshwantsho sa boholo bo felletseng sa Sekepe sa Morena se bontshitswe tlasa lesedi la tlhaho, mme sethala se hodima marulelo se fana ka pono ya boemakepe.

Kamohelo

Mabapi le Moputso oa Khauta oa A' Design Award

King Boat Musiamo wa Setso ke mohapi oa Moputso oa Khauta oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo ea maemo a pele, e ntle ka ho makatsa le e ikhethang. Bahapi ba Khauta ke lintho tse hlahisitsoeng tse nang le mehopolo e mecha haholo, tse shebileng pele le tse khanyang ka ho foufatsa, tse bontšang botsebi, bohlale le bokhoni ba baqapi ba tsona. King Boat Musiamo wa Setso e lebelletsoe ho ba mohopolo o babatsoang haholo, o thehang mekhoa e mecha le o moholo, o tlisang boleng bo sa kang ba bonoa. Moralo ona o hapileng Moputso oa Khauta oa A' Design Award ke mosebetsi o tsosang maikutlo, o hlomphehang, o tlisang molemo o moholo le o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. King Boat Musiamo wa Setso e hlahisa maikutlo a matla a takatso, e tsosa tjantjello, e khothalletsa boqapi mme e re khahlisa.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The building's form is inspired by a traditional king boat, with a five-story white facade atop a wave-like base symbolizing the sea. Folded lines and recessed entries mimic ocean swells, leading to a central atrium with aluminum mesh panels that ripple like waves. Inside, a 1:1 King Boat replica is displayed, bathed in natural light. The rooftop observatory offers views of Donggang Harbor. The museum's five exhibitions invite visitors to explore marine beliefs, parades, and boatbuilding rituals, celebrating Taiwanese folk religion.
Boholo le Phuthelo: The five-story structure includes four levels of exhibition space arranged to follow the ceremonial procession of the King Boat Ceremony, with five permanent thematic galleries: Marine Beliefs, Divine Patrol, Regional Ceremonies, Sacred Boat Building, and The Donggang Festival. The third floor houses the museum's centerpiece 42-foot-long, 12-foot-wide King Boat replica, viewable from a 360-degree elevated viewing platform. The roof features a skylight and observation deck, reinforcing the building's vertical movement and layered storytelling.
Lithegi: King Boat Culture, Donggang, Cultural Museum, Local Revitalization, King Boat Ceremony, Taiwanese Folk Ritual
Theknoloji ya Tlhahiso: The facade is clad in glass fiber reinforced concrete, chosen for its textured finish, durability, and resistance to salinity and humidity, ideal for a coastal climate. Its surface reflects sunlight like shimmering waves, resonating with the harbor context. The atrium is enveloped by expanded aluminum mesh, offering both acoustic and light-filtering functions. A predominantly white color palette, paired with natural materials and glass windows, allows natural light to interact with surfaces, emphasizing the building's temporal and spiritual dimensions.
Phephetso ya Moralo: The biggest challenge was translating a deeply religious, ritual-based, and localized practice into an architectural language that modern audiences could understand and feel. The architect engaged in continuous dialogue with local elders and cultural scholars, extracting symbolic elements, such as the dragon's eye, wave lines, and procession routes, and converting them into spatial form and lighting gestures. The building had to be more than a container for culture; it had to be a bridge for cultural exchange, making that transformation the core design mission.
Dipatlisiso: The Pingtung King Boat Museum, Taiwan's first dedicated to the King Boat Ceremony, reinterprets maritime beliefs as a 'living museum.' Its exterior mimics a king's boat riding waves, with flowing walls and dragon-eye openings that tell spiritual stories day and night. The centerpiece is a 1:1 King Boat replica suspended in the atrium, bathed in natural light. The design blends light, materials, and acoustics with sustainable features like natural ventilation. It’s a cultural, educational, and tourism hub, honoring tradition while inspiring future heritage.
Kgothaletso: The design begins with the traditional maritime faiths of Asia. Located in Donggang, the Pingtung King Boat Museum is Taiwan's first cultural center for the King Boat Ceremony. Inspired by the triennial ritual, the architecture transforms spiritual and oceanic imagery into a vessel of history and faith, linking local identity with future vision. Embracing the idea that 'life is culture, and culture is life,' the museum serves as a living space that bridges religion and daily life, sparking cultural renewal and community vitality.
Nako ya Projeke: The project finished in December 2024 in Taiwan.
Tsamaiso ya Mosebetsi: By transforming traditional culture into a modern space, the museum becomes a hub for education, community, and tourism. It welcomed over 200,000 visitors in its first month, becoming a Donggang landmark. Beyond exhibits, it preserves oral history, teaches traditional crafts, and trains festival guides, making culture tangible and engaging. More than design, it's a cultural movement, sparking heritage continuity and innovation rooted in place and tradition.
Litho tsa Sehlopha: Pingtung County Government, C.M.Chao. Architect & Planners
Litlotla tsa Setshwantsho: C.M.Chao. Architect & Planners