Frequency Mochini wa ka tlung ka Sebastián Ángeles

Moralo oa Frequency Mochini wa ka tlung ka Sebastián Ángeles ke mohlodi oa khau e hlomphehang haholo ya 2026 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara.

SileveraFenitjhara· 2026

Frequency Mochini wa ka tlung

ka Sebastián Ángeles

Moreki: Sebastián Ángeles

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Fenitjhara

29,979

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #174011

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Frequency Mochini wa ka tlung

Frequency ke pokello ea fenitšhara e fokolang e nang le setulo sa phomolo, lampi, setulo, le tafole e nyenyane, e 'ngoe le e 'ngoe e bululetsoeng ke maqhubu a molumo a amanang le pholiso le tekano ea maikutlo. E entsoe ka aluminium e benyang, likarolo tsena li entsoe ho sebelisoa lisebelisoa tse bonts'ang molumo le mohlala oa dijithale, ebe li hlephisoa ka mekhoa ea setso ea ho qhibilihisa. Pokello ena e fetola maqhubu a molumo a sa tšoaroeng hore a fetohe libopeho tse tšoaroang, tse betliloeng tse memang ho kopanela ha menlate le khokahano ea maikutlo.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

Frequency Mochini wa ka tlung ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. Frequency Mochini wa ka tlung e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. Frequency Mochini wa ka tlung ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Frequency 2.0 fuses sound frequency aesthetics with sensory and emotional well-being. Featuring a lounge chair, lamp, chair, and side table, all crafted in polished aluminum, each piece reflects specific healing frequencies. The collection blends experimental design, artisanal tradition, and cutting-edge technology, creating sculptural objects that elevate emotional perception through tactile and visual resonance.
Boholo le Phuthelo: 432Hz Lounge Chair: approx. 850 x 600 x 700 mm
741Hz Lamp: approx. 300 x 300 x 450 mm
396Hz Chair: approx. 760 x 550 x 530 mm
528Hz Side Table: approx. 470 x 180 x 210 mm
All pieces are made of aluminum and finished by hand.
Lithegi: Healing sound design, Emotional resonance furniture, Cymatics in design, Aluminum craftsmanship, Mexican design heritage, Ergonomic sculptural pieces, Limited edition furniture, Wellness and design, Sound visualization, Sensory furniture interaction
Theknoloji ya Tlhahiso: The Frequency collection is an experimental design proposal that combines art and functionality, drawing inspiration from sound frequencies to promote healing and well being. Using advanced technology, such as sound visualizers, the ergonomic shapes of the pieces were designed to adapt to the body, creating a balanced emotional and physical experience. The use of aluminum, crafted with artisanal techniques, not only highlights the tradition of pre Hispanic metallurgy enriched by Spanish influence but also explores the contemporary possibilities of this noble material. These limited edition sculptural objects stand out for their technical precision and their ability to bring a sense of calm and harmony to the spaces they inhabit. This innovative collection reflects a balance between tradition and technology, achieving unique furniture pieces that connect design with profound emotions and cultural heritage.
Phephetso ya Moralo: The main challenge was materializing invisible sound frequencies into ergonomic and symbolic forms. Internally, the design had to balance cultural references and modern aesthetics. Externally, aluminum casting required precise execution to maintain both structural integrity and surface quality, blending experimental methods with traditional metalwork to achieve emotional resonance.
Dipatlisiso: Experimental design research translated sound frequencies into visual and ergonomic forms using sound visualizers. Focused on emotional healing through interaction, the project mapped frequencies such as 432Hz and 741Hz into material patterns. Research participants reported enhanced sensory and emotional response. The study bridges aesthetics, psychology, and artisanal techniques for well-being through design.
Kgothaletso: The idea is to explore how the intangible, like sound, can be transformed into a physical and perceptible form. Inspired by the transformative power of healing sound frequencies, Frequency 2.0 explores how resonance can be translated into physical form. Drawing from cymatics and spiritual acoustics, the project visualizes frequencies like 432Hz and 741Hz through sound visualizers, creating objects that channel emotional balance and clarity. The inspiration lies in creating emotional connections through sensory interaction and intentional form.
Nako ya Projeke: The project began in January 2024 and concluded in May 2025 in Mexico City. Frequency 2.0 was presented in June 2025 as a continuation of Sebastian Angeles’ exploration of the relationship between sound and matter.
Tsamaiso ya Mosebetsi: Each piece invites tactile and emotional interaction. The chairs’ ergonomic shapes adapt to the body, offering comfort and symbolic resonance. The lamp creates ambient calm through diffused light, while the side table’s surface evokes harmony. Aluminum amplifies sensory cues with subtle vibrations, reinforcing the connection between user, space, and sound-based intention.
Litho tsa Sehlopha: Sebastian Angeles
Litlotla tsa Setshwantsho: Image #1: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #2: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #3: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #4: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #5: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.