Fs418 Tafole ya ho Ngola ka Felix Schwake

Moralo oa Fs418 Tafole ya ho Ngola ka Felix Schwake ke mohlodi oa khau e hlomphehang haholo ya 2025 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara ya Ofisi.

BoronseFenitjhara ya Ofisi· 2025

Fs418 Tafole ya ho Ngola

ka Felix Schwake

Moreki: Confidential Individual Project

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Fenitjhara ya Ofisi

26,019

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #161978

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Fs418 Tafole ya ho Ngola

FS418 ke tafole ya ho ngola e etselitsoeng tshebediso ofising ya poraevete. Sebopeho sa yona se le seng se hopotsa lebota le tiileng la mmabole. Tafole e entswe ka dipolangwana tsa mmabole tsa Carrara tse boholo ba disentimetara tse 2, tse nang le bokaba bo boreledi, tse kopantsweng ka matsoho, mme ka hare ho hahiloe ka kota e tiileng ya ash e phethiloeng ka lacquer e ntsho. Sebaka sa ho boloka disebediswa tsa ho ngola le ditokomane se patiloe ka hare ho 'mele wa tafole, hammoho le disokete tsa motlakase, HDMI le marang-rang. Holo ya tafole e ka hulelwa ho sebedisi ho bontsha sebaka sa polokelo le disokete. Mesele e dula e patiloe, e leng hore holo e dule e hloekile ebile e se na mathata.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Fs418 Tafole ya ho Ngola ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Fs418 Tafole ya ho Ngola e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Fs418 Tafole ya ho Ngola e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This desk boasts a monolithic, minimalist design akin to a solid marble block. It uniquely conceals storage space for writing tools and paperwork, as well as sockets for charging electronic devices like mobile phones or laptops within its body. The retractable writing surface keeps essentials accessible yet hidden, ensuring a tidy, clutter-free workspace. This design maintains the desk's pure, clean aesthetic, free from visible cables and everyday office mess, even during regular use.
Boholo le Phuthelo: The table dimensions are 2400 mm in width, 1000 mm in depth, and 750 mm in height. The table has a triangular shape, providing spacious interior storage. The outer edges of the table measure 20 mm, while the thickest part is 280 mm.
Lithegi: Forest Walk, abstract design, marble desk, custom furniture, interior design, functional art, Carrara marble, handcrafted furniture, executive desk, luxury office furniture
Theknoloji ya Tlhahiso: The table is crafted from marble selected personally from a quarry in Carrara. It features a lightweight construction using 2cm marble slabs with a honed surface, all assembled by hand. The interior is made of hand-selected solid ash wood, finished with black lacquer. The table includes technical features such as HDMI, RJ45, and two power sockets. The design is custom-made in terms of size, features, and materials to suit the specific project requirements.
Phephetso ya Moralo: The hardest part was maintaining the vision of a forest walk experience through various spatial impressions abstract and non-specific enough to leave room for imagination. This allows viewers and users to anticipate these natural spaces genuinely. The focus was on exploring the concept of "space" itself. Balancing the abstract representation while ensuring functional design required overcoming creative and technical obstacles, such as material limitations and production capabilities.
Dipatlisiso: The research for this project was qualitative, aiming to find a marble pattern that fits the "Forest Walk" theme. The objective was to identify a marbling that mimics the look through forest branches. Methodology included extensive visual analysis and material sampling. Data collection involved visiting multiple quarries in Carrara, with the primary tools being visual inspection and photography. Participants included the client and the artist. Results showed that the selected marble met aesthetic and functional criteria, satisfying both stakeholders. Insights revealed the importance of material authenticity in enhancing thematic design. This research impacted the final work by ensuring a seamless integration of natural aesthetics into functional design, influencing both business outcomes and design standards.
Kgothaletso: My vision was to depict the user's life, highlighting the everyday work process and making it conscious. I aimed to focus on the actual goal of working. Typically, electronic devices with their cables, along with pens and papers, ... demand visual attention and cause distractions. I aimed to create a space where one can dive into creativity without interruption, yet without compromising the functionality of a workspace. Everything should be readily available but discreet. Undisturbed working.
Nako ya Projeke: The search for the perfect marble for this project was the most time-consuming part. The goal was to find a marbling pattern that, fitting the theme, resembled a view through the branches of a forest canopy. The extensive search paid off, and both the client and the artist were very satisfied with the final result, "Forest Walk." The total duration, including planning and consultation, was one year.
Tsamaiso ya Mosebetsi: The table functions like a regular desk. While seated, the user can pull the tabletop towards themselves to reveal the storage space and the built-in sockets. This allows for easy charging of devices like laptops or iPhones. The tabletop can then be fully closed, with only the necessary amount of cable visible thanks to the integrated cable management system. Excess cables remain hidden inside the table.

Additionally, containers lined with fine aniline leather can be removed from the table. These include document trays, pen holders, and storage compartments for office supplies such as staplers, paper clips, and hole punches.
Diphatente: Felix Schwake
Litho tsa Sehlopha: Felix Schwake
Litlotla tsa Setshwantsho: Image #1: Photographer / Creator (Designer) Felix Schwake, Forest Walk Desk, 2024.
Image #2: Photographer / Creator (Designer) Felix Schwake, Forest Walk Desk, 2024.
Image #3: Photographer / Creator (Designer) Felix Schwake, Forest Walk Desk, 2024.
Image #4: Photographer / Creator (Designer) Felix Schwake, Forest Walk Desk, 2024.
Image #5: Photographer / Creator (Designer) Felix Schwake, Forest Walk Desk, 2024.
Video Credits: Creator (Designer) Felix Schwake, Forest Walk Desk, 2024.

All rights are reserved by Felix Schwake.