The Opposite Pokello ya Diaparo tse Lohilweng ka Yishu Yan

Moralo oa The Opposite Pokello ya Diaparo tse Lohilweng ka Yishu Yan ke mohlodi oa khau e hlomphehang haholo ya 2024 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Feshene, Diaparo le Mese.

SileveraFeshene· 2024

The Opposite Pokello ya Diaparo tse Lohilweng

ka Yishu Yan

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Feshene

664,173

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #157237

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le The Opposite Pokello ya Diaparo tse Lohilweng

The Opposite ke pokello ya diaparo tse lohilweng tsa banna le basadi e etseditsweng ho apesetswa ka ditsela tse ngata. Pokello ena e entswe ka mekgwa e se nang ho seha le e se nang ditshila, kahoo ha ho lesela le lahlwang. Ho loha ka dijithale ho sebediswa ho theha dibopeho tse tenyetsehang tsa dintlha tse tharo le meaho ya diaparo e fetohang. Dintho tse tswang diaparong tse pedi di ka fapanyetswa le ho kopanngwa ka ditsela tse fapaneng, e leng se dumellang moapari e mong le e mong ho iketsetsa setaele sa hae. Moralo wa boholo bohle o lekana batho ba bangata ba boemo bo mahareng. The Opposite e botsa dipotso ka maikutlo a tlwaelehileng mabapi le diaparo tsa banna le diaparo tsa basadi.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

The Opposite Pokello ya Diaparo tse Lohilweng ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. The Opposite Pokello ya Diaparo tse Lohilweng e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. The Opposite Pokello ya Diaparo tse Lohilweng ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: "The Opposite", a unisex fashion knitwear collection, aims to create a new concept of modern garments with multiple wearing methods. It features the zero-cut, zero-waste, highly adaptable, flexible wearability and longevity of the design through highlighting sustainable design thinking and digital design attributes. The stylish items in the two outfits can be easily interchanged and matched. Rather than focusing on providing a figurative silhouette or identity, the collection is more concerned with the inclusion of the product to the user. It intends to explore the process of confrontation and cooperation between contradictory elements through the development of flexible knitted structures and changeable garment constructions, questioning the common notions of men's and women's wear, and Eastern and Western clothing.
Boholo le Phuthelo: This garment is an all-size design and will fit most people of average build.
Lithegi: Fashion Design, Knitwear, Multiple Wearing Methods, Unisex Design, Digital Knitting, Sustainable Design, Zero-waste, Zero-cut, Adaptative Design
Theknoloji ya Tlhahiso: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA. Research related to the design project is being continued.
Phephetso ya Moralo: The special three-dimensional knitted structure shows a unique surface texture effect and deformation ability, but it also creates a problem for the composition and relative stability of the garment structure. This is both a challenge and an opportunity. This flexible and versatile nature provides unlimited possibilities for the continuous development of this design.
Dipatlisiso: This design research is exploratory and practice-led in nature. The proposed design offers a new approach to innovative fashion that integrates surface design and construction design through a digital knitting process, which bridges the gap between modern knitting technology and fashion design. Textile structural research-led design allows clothing design to be no longer limited by the inherent framework, i.e., gender, identity, etc., but rather to look back at the matter of wearing itself, i.e. the interaction between clothing and the body. Both objective and subjective evaluation were involved. The results of a series of performance tests have evolved into serval formulas and a design database that provide quantifiable and predicate criteria for upcoming designs.
Kgothaletso: The inspiration comes from the visiting experience of the AUDIO ARCHITECTURE exhibition at 21_21 Design Sight in Tokyo, Japan. There was one unique exhibit in the exhibition a special song. The song's lyrics present various contradictory words, such as structure and surface, chaos and order, sound and silence, to discuss the dynamic relationship between audio and architecture. It inspires me that, many items seem the opposite, such as artificial and natural, body and soul, or, knit and purl, however, are they opposites? Or are they an ultimate whole? As a Chinese idiom says "Seek common ground while reserving differences". This point of view may offer one possible approach for global humanity to face the contemporary dilemma of the post-epidemic era.
Nako ya Projeke: This project was essentially completed in Hong Kong, China in 2019. Relevant research for design development has been published in Science Citation Index journals and obtained a China Utility Model Patent. The collection has been exhibited at the Asian Art Museum, in San Francisco, USA.
Tsamaiso ya Mosebetsi: The identity of both the designer and the user in this design is fluid. The designer plays as also a researcher and an engineer, involved in all aspects of design, development, and production. Meanwhile, the stylish items of the collection can be easily interchanged and re-matched, thus the user is encouraged to re-generate his/her style continuously. The essential concept determines the interaction of this design is always in a dynamic process of development and innovation.
Litho tsa Sehlopha: Academic adviser: Kinor Jiang & Jinyun Zhou
Litlotla tsa Setshwantsho: Image #1-5: Photographer: Joseph, Raysee Media/ Model: Sofia Korobova