Profound Dimensions Ofisi ka Chang-zhi Xie

Moralo oa Profound Dimensions Ofisi ka Chang-zhi Xie ke mohlodi oa khau e hlomphehang haholo ya 2023 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

BoronseKa Hare· 2023

Profound Dimensions Ofisi

ka Chang-zhi Xie

Moreki: Y·UN Design Co., Ltd.

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Ka Hare

9,256

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #149152

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Profound Dimensions Ofisi

Ha ho nahanwa ka sebopeho sa khutlonnetsepe se selelele sa sebaka, le tlhokahalo ya ho fihlela merero e mengata ya ho amohela, lipuisano, pontshong, dijo tse bobebe, le boithabiso ba basebetsi ho latela ditlhoko tsa tshebediso e reretsweng, sebaka kaofela se totobatsa tlhophiso e bulehileng, ka karolo ya pele e sutuweng kantle ka ho feta mithara e le nngwe ho eketsa botebo bo ka sebediswang, le ka moralo o ikgethang wa facade ho theha setshwantsho sa lebitso le ikgethileng le ho matlafatsa tlhahiso ya lebitso.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Profound Dimensions Ofisi ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Profound Dimensions Ofisi e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Profound Dimensions Ofisi e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This project involves a single-story commercial space with an actual interior area of about 30 square meters.
In consideration of the long rectangular shape of the space, and the need to meet the multiple purposes of reception, discussions, exhibition, light food, and staff recreation according to the intended usage needs, the overall space emphasizes an open configuration, with the front section pushed out by more than one meter to increase the usable depth, and with a distinct facade design to create an exclusive brand image and enhance brand recognition. The interior décor combines movable furniture, lighting, ladder track, continuous surface shapes and a bar area to versatilely define the functions of individual units, making for a comfortable space that allows for versatile and dynamic use, juxtaposed with a transparent and open view. The interior features an understated yet distinctive industrial style, and the rich sensory layers from top to bottom and from left to right are gradually outlined in a blend of shades of gray and warm-colored wooden texture.
Boholo le Phuthelo: 33.058m2
Theknoloji ya Tlhahiso: On account of the spirit of energy conservation and waste reduction, the materials selected for the whole project require minimum processing, low levels of formaldehyde and mostly recyclable basic materials, such as bake-finished sheet metal in celadon for the facade, plywood staining for the large cabinets under the interior beams, and a Wood Wool Cement Board (WWCB) foundation for sound and heat insulation, followed by bevel-cut rusted steel and surface stone for the bar, metal mesh for the staircase handrails and hangers, and special paint for the walls with a swashbuckling treatment, etc. In addition to shaping the obvious style of the space, the project also takes into account the details of refinement and the characteristics of different materials.
Phephetso ya Moralo: The overall appearance is a bold break from the standard commercial facade image, combined with custom lacquered sheet metal components in celadon, into a container-like industrial ambience, and the window high bar is also integrated with hardware components, built-in top cover, folding windows, countertops and other multi-functional use. The top cover is also covered with imitation cement film, which can be used as a notice board when closed.
Dipatlisiso: The large display cabinets against the interior walls seemingly stretch upward, but in fact, they are made of continuous materials to cover and beautify the huge structure, subtly eliminating the sense of spatial confinement. The staircase line of the upper floor is kept at the turn of the staircase, which not only lightens the staircase, but also allows light and shadow to flow freely. The front half of the interior removes the ceiling shade, which on the one hand raises the visual height through the shadows of the lines, and on the other hand connects the various parts of the space with each other using gray paint.
Kgothaletso: The design is inspired by nature, minimalism, and simplicity, while avoiding the modernism of excessive decoration and contrasting colors.
The three dimensional space conveys the harmony and contrast of structure and proportion through the characteristics of materials, construction techniques, and volume, while the color logic of juxtaposing wood colors in light and dark shades of gray, subtly endows the space a constant frequency with excellent inclusiveness, ensuring that even if people stay in the space for a long time, they still have a comfortable and stress-free perception in the interior space.
Nako ya Projeke: The project finished in July 2022 in Taoyuan City, Taiwan.
Tsamaiso ya Mosebetsi: In consideration of the activity patterns and functional use frequency, the front section of the space echoes the entrance foyer with a slight height difference, which in turn highlights the window opening at the waist level of the facade; it resembles the creative main visual of a café or a high-stool bar. In addition, the long row of glass tiles on the left side of the facade draws light and shadow in, and the deliberate convergence of light bands that encircle the first and second floors at night, as well as the backlit store sign illumination effect, offering an entertaining initial sensory exploration for visitors.
Litlotla tsa Setshwantsho: CCH IMAGE STUDIO