Device of Perception Setsi sa Boitlhaloso ka Yuting Zhang

Moralo oa Device of Perception Setsi sa Boitlhaloso ka Yuting Zhang ke mohlodi oa khau e hlomphehang haholo ya 2022 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Meaho, Dikaho le Dibopego.

BoronseMeaho· 2022

Device of Perception Setsi sa Boitlhaloso

ka Yuting Zhang

Moreki: Yuting Zhang

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Meaho

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #138650

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Device of Perception Setsi sa Boitlhaloso

Device of Perception ke setsi sa boitlhaloso Mexico City, se behiloeng pakeng tsa sebaka sa histori se nyenyane le ntlafatso ea khoebo e phahameng. Setsi sena se koahela sebaka se ka bang 4500 square meters mme se na le holo ea lipuo, theatre e nyenyane, sebaka sa pontšo, liofisi, sebaka sa polokelo le cafe. Patlelo e tsenoloa e kenelletseng e arola moaho ho tsoa seterateng se phethahetseng mesebetsi mme e sebetsa joalo ka katoloso ea sethala sa ka hare. Marulelo a mong le a mong a tower e khutšoanyane a sothiloe karolo ea kotara, a etsa gallery ea sechaba e sothehileng e nang le maponts’o a hlophisitsoeng a toropo. Concrete e matlafatsoang le tšepe e senyehang ea leholimo li sebelisitsoe.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Device of Perception Setsi sa Boitlhaloso ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Device of Perception Setsi sa Boitlhaloso e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Device of Perception Setsi sa Boitlhaloso e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Boholo le Phuthelo: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Lithegi: cultural center, gallery, theater, exhibition
Theknoloji ya Tlhahiso: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Phephetso ya Moralo: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Dipatlisiso: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Kgothaletso: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Nako ya Projeke: 2017 in Mexico City
Tsamaiso ya Mosebetsi: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Litho tsa Sehlopha: Yuting Zhang
Litlotla tsa Setshwantsho: Yuting Zhang