Yearning for Home Tshebetso ya Mantlha: Moralo wa Kahare ya Ntlo ya Bodulo ka Yu Lung Lee

Moralo oa Yearning for Home Tshebetso ya Mantlha: Moralo wa Kahare ya Ntlo ya Bodulo ka Yu Lung Lee ke mohlodi oa khau e hlomphehang haholo ya 2022 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.

TšepeKa Hare· 2022

Yearning for Home Tshebetso ya Mantlha: Moralo wa Kahare ya Ntlo ya Bodulo

ka Yu Lung Lee

Moreki: HOLY Design

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Ka Hare

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #130542

Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Yearning for Home Tshebetso ya Mantlha: Moralo wa Kahare ya Ntlo ya Bodulo

Mongolo wa Buka: Yearning for Home ke kahare ya ntlo ya bodulo eo hape e tshehetsang tshebediso ya mosebetsi. Peo ya pele e ne e butswe, ho siilwe kamore e le nngwe e hokahantsweng le kamore ya bobedi, e le hore sebaka se utlwahale se le seholo haholwanyane. Pente e mmala o moputswa wa semente e koahela lebota la thelevishene le menyako ya ho phunya ya kamore ya ho robala, kamore ya polokelo le ntlo ya boithekiso ya baeti, mme e bontsha maemo a fetohang a leseli le moriti. Meaho e sekamehileng e nolofatsa dithupa le dikolomo, ha bobeng bo bolelele bo hlomelwa bakeng sa mantsiboya. Counter le tafole ya dijo e sekameng di sebetsa jwalo ka dibaka tsa mosebetsi. Marako a bolokehileng a tshwara pokello ya bonono ya moreki.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Yearning for Home Tshebetso ya Mantlha: Moralo wa Kahare ya Ntlo ya Bodulo ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Yearning for Home Tshebetso ya Mantlha: Moralo wa Kahare ya Ntlo ya Bodulo e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Yearning for Home Tshebetso ya Mantlha: Moralo wa Kahare ya Ntlo ya Bodulo e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: The overall spatial broke the rules of traditional residences by knocking through the initial base; only one bedroom area that connects the secondary bedroom is built, allowing the stricture to be more expansive. The private area applied a trap door and cement paints in shades of grey to reflect the television wall of the living room. This space is required for commercial use; therefore, the public area is planned using diagonal methods and placed with counters and dining tables as working tables, allowing the user to maintain a private area within the open-end space.
Boholo le Phuthelo: Applied with curve designs in many ways to soften beam-columns and area division; also, the mottled grey cement paints are used on the television wall towards the trap doors of the bedroom, the storage room, and the guest bathroom. The cement paint also shows different layers of lights and shadows according to the angle of the sunlight. The sofa wall is intermediated with a semi wooden cabinet that embedded wires and electric sockets to satisfy storage needs. Curved designs are applied and extended throughout the television wall and the beam columns.
Lithegi: Cement paints, lighting transparent, rust-imitated bricks, trap door designs, curved-shape decorating.
Theknoloji ya Tlhahiso: Hardware elements, cement paints, wooden pieces, lightings, dimming roller shades, double-layered sheers, melamine overlay plywood, rust-imitated bricks, hexagonal bricks, through methods, laminate hard plastic sheet in grey tones.
Phephetso ya Moralo: To perfectly match the client beloved 20-times-20 sized tiles, the height of the counter is designed to be 80 centimeters. This ingenuity has perfectly fit the sizes of most imported tiles, while the appropriate height has balanced the public area visually without creating abrupt and towering feelings.
Dipatlisiso: The entryway is embedded with wooden and hardware-made shelves to hang up outer clothes, helmets, and others; a low wooden stool is placed aside to make the shoe-wearing progress more comfortable. Commercial demands are required; therefore, the public area is equipped with two working areas. Embedded electric sockets on the floor have allowed users to work more freely and conveniently. A hallowed area is designed below the counter side; it is specially planned for the client to place the robot vacuum. The ingenuity has allowed the robot to clean the public area without being restricted freely.
Kgothaletso: Instead of the traditional ways for spatial arrangements, this design is made as an open-end space. The preserved walls, the trap door design, the curves, and the color contrast echo each other; meanwhile, the expansive window has brought in sunlight that outlines the pureness of white, grey, and tones of wood. The designer has given back simplicity to this gallery-like residence, allowing each vista and corner to be appreciated and enjoyed by users.
Nako ya Projeke: The project started in April 2020 and finished in August 2020 in Daxi Township, Taoyuan City.
Tsamaiso ya Mosebetsi: The public area is designed as an open-end area, while a counter and a diagonal dining table slash working table are placed as the center of the room. The walls of the space are also preserved for the client art collection to be hung up. Arc-shaped designs have prevented the dull feeling of right angles, and linear lightings are embedded to create a lively atmosphere during the night. Furthermore, cabinets are placed along the traffic flow behind the sofa to develop spatial transparency; the cabinet is an intermediary and a container to store books.
Litho tsa Sehlopha: Yu-Lung Lee, Szu-Hui Wang
Litlotla tsa Setshwantsho: Chuang-Chieh Chiu