Spark Mosebetsi wa Mantlha: Gitare ea Motlakase ea Maeto ka Maxwell Brazo

Moralo oa Spark Mosebetsi wa Mantlha: Gitare ea Motlakase ea Maeto ka Maxwell Brazo ke mohlodi oa khau e hlomphehang haholo ya 2022 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Disebediswa tsa Mmino.

BoronseSesebediswa sa Mmino· 2022

Spark Mosebetsi wa Mantlha: Gitare ea Motlakase ea Maeto

ka Maxwell Brazo

Moreki: Maxwell Brazo

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Sesebediswa sa Mmino

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #126635

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Spark Mosebetsi wa Mantlha: Gitare ea Motlakase ea Maeto

Mongolo oa Buka: Spark ke gitare ea motlakase ea maeto e etselitsoeng ho nka bonolo le ho hlahisoa lapeng. Mmele, molala, le fretboard li hatisoa ka mokhoa oa fused filament fabrication ho sebelisoa liathole tsa lehong tse hlaphollotsoeng le motsoako oa aramid ho e-na le lehong le thata. Likarolo tsa motlakase le tsa mochine li fumaneha habonolo, 'me kopanyo e sebelisa mokhoa oa terene o sa hlokeng ho solareloa. Spark e phethiloe ka mekhoa ea setso, ho kenyeletsoa ho khoahlanngoa, ho beoa ha li-fret, le ho koaheloa ka lacquer ea nitrocellulose. Bridge e tsitsitseng e se nang hlooho e boloka botelele bo felletseng ba scale ka har'a sebopeho se kopantsoeng.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Spark Mosebetsi wa Mantlha: Gitare ea Motlakase ea Maeto ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Spark Mosebetsi wa Mantlha: Gitare ea Motlakase ea Maeto e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Spark Mosebetsi wa Mantlha: Gitare ea Motlakase ea Maeto e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Focuses on sustainability, accessibility, and adaptability through use of computer aided design software and at-home manufacturing. Fully printed guitar body, neck, and fret board using alternatives to hardwoods. Recycled plastic and wood fiber composites used are able to be fully finished and assembled using simple and standard methods. All electrical and mechanical components are domestically sourced and widely available.
Boholo le Phuthelo: Product Dimensions: Width 133.35mm (5.25in) x Depth 57.15mm (2.25in) x Height 768.35mm (30.25in), Scale Length: 25.5in, Fret-Board Radius: 9.5 - Modern C Neck Profile - Single Coil & Humbucker Passive Pickups
- Body/Neck/Fretboard (Timber-fill/Nylon AF80 Aramid)
- Headless Fixed Bridge and Double-Ball End Combo Headpiece
- Angled Switch Tele Titanium Control Plate
- Neck Plate (Bolt-On Style)
- Electrosocket Jack Mount
- Low Profile Truss Rod
- Stainless-Steel Hardware and Threaded Inserts
- Solderless Wiring System
Lithegi: Guitar, Electric, Travel, 3D Printed, Sustainablity, Instrument, Music, Design
Theknoloji ya Tlhahiso: Realized through Computer-Aided Design and Fused Filament Fabrication technologies. Domestically sourced electrical and mechanical components. Finished using traditional methods (sanding, seating frets, binding, nitrocellulose lacquer finish, etc.).
Phephetso ya Moralo: Bio-composite filaments used, while recyclable and or compostable, do not provide adequate structural support for full-scale stringed instruments under tension. Complications with recycled wood-fiber composite filaments required research and testing of additional materials with more effective mechanical properties. Key attributes considered were creep resistance (resistance against deformation under long-term load), tensile strength, elongation at break, density, and ease of printing.
Dipatlisiso: Initial research into fundamental basics and history of electric guitar construction was crucial to ensure a playable end product. Standardized dimensions of classic high-end models helped to provide a familiar aesthetic and a framework to work within, and use of widely available and popular components to inform the overall design. Influenced by concepts such as compact modularity, right to repair, and the future of at-home manufacturing.
Kgothaletso: An exploration to replicate traditional luthier processes through new-age methods of small scale manufacturing and the pursuit of material alternatives for guitar-making. Informed by the idea that making a guitar should be more accessible and experiential; the vision for a transformative guitar able to be printed and assembled at home, inspired by vintage Fender, Steinberger, La Baye 2x4, and lap steel guitars.
Nako ya Projeke: The continuation of thesis work while at Rochester Institute of Technology, this project has spent some time in design and development. Prototyping done in 2021 and final working model and process book to be completed in 2022. Based out of Litchfield, Connecticut.
Tsamaiso ya Mosebetsi: Printable and playable, an innovative solution to cost-effectively produce and assemble your own guitar using recyclable materials, encompassed within a compact full-scale travel silhouette.
Litlotla tsa Setshwantsho: Image #1: Creator Maxwell Brazo, 2022.
Image #2: Creator Maxwell Brazo, 2022.
Image #3: Creator Maxwell Brazo, 2022.
Image #4: Photographer Maxwell Brazo, 2022.
Image #5: Creator Maxwell Brazo, 2022.