Moralo oa Kabootar Khaneh Vila ka Nima Keivani ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Meaho, Dikaho le Dibopego.

BoronseMeaho· 2021

Kabootar Khaneh Vila

ka Nima Keivani

Moreki: Keivani Architects

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Meaho

15,299

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #123994

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Kabootar Khaneh Vila

Khiupu e hlwekileng ho fokotsa tshusumetso tikolohong ya yona mme marulelo o thekellang o kenyellelitswe ka sephiri ka morao ho marako, karolo ya sebaka sa ka hare e ile ya abetswa linonyana, e susumelletswe ke matlo a linonyana a nalane. Libaka tsa ka hare li bopilwe ho potoloha letlaka moo linonyana li phelang teng, ho theha papadi ya dikarolo tse kgethollang le diphapang tsa maemo libakeng, hammoho le moralo wa marenene a ka hare. Esitana le mafasetere a mohaho a hlophisitswe ho latela papadi ya dikarolo tsa ka hare. Hape ka hare ho mohaho, thepa ya lehong e sebedisitswe ho theha maikutlo a tlhaho.

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Kabootar Khaneh Vila ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Kabootar Khaneh Vila e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Kabootar Khaneh Vila e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Perhaps what sets this building apart is its new look at biophilic architecture, Architects have always paid attention to the use of plants and light and water. But this house has become a place for more interaction; birds. This is a house for humans and birds. In this respect, inspired by Iranian historical dovecotes, a part of interior space was dedicated for this purpose.The interior spaces is formed around the patio where the birds live, by creating cross-sectional play and level differences in the spaces, as well as the special design of the stairs and the holes inside it.
Boholo le Phuthelo: Field area 332 square meters (24.5 meters of length, 13.5 meters of Width), Ground floor area is 67 square meters, total built area 210 square meters, the buildings Height 10.6 meters.
Lithegi: villa, Biophilic architecture, home, Keivani Architects, Nima Keivani, Sina Keivani, Iranian architecture, residential, minimalism, minimal architecture
Theknoloji ya Tlhahiso: All the wood used in the construction of the building, such as the facade and sloping roof are made of old wood recycled from the old buildings of the place. The rocks used in landscaping are sedimentary rocks in the village that were collected and used in the site. A form of sloping roof was used in this building that had not been used before. In fact, the sloping roof are hidden behind the walls to maintain the cubic and minimalist form of the building. And rainwater is collected on the roof surface by drainage and utility pipes. And is used for irrigation of site plants
Phephetso ya Moralo: The main challenges of the design team were how to create an atmosphere where humans can live together with birds but in kind of coexistence such a way that the independence, peace, and security of each is not lost. On the other hand, it must be made an interaction space between birds and different spaces inside the human house to affect the mood of the residents. Another challenge was the very limited budget that led the architects to a minimalist work.
Dipatlisiso: The main strategy was to bring characteristics of the natural world into built spaces. as well as establishing a visual relationship, for example between light vs shadow.To achieve this goal, the design team began extensive studies on the traditional architecture of the region and finally decided to search more about historic pigeon houses in Iran. comprehensive research was conducted on the architecture of the indigenous houses of the region, such as air circulation, how to deal with climatic issues, spatial arrangement diagrams, vertical and horizontal connections such as stairs, corridors, screens.
Kgothaletso: the basic concept of the design was to create a space for co-existence between humans and birds. After visiting the project site, the architecture team noticed the widespread presence of birds there. they decided to design a house where people could live next to them. inspired by Iranian historical dovecotes, a part of interior space that acts as a patio due to the use of glass material and the transparency around it. The interior spaces is formed around the patio. the also inspired from sections, voids and stairs of traditional architecture
Nako ya Projeke: The project designed in August 2017 in Shirgah Mazandaran IRAN and the construction finished in September 2018 in Tehran.
Tsamaiso ya Mosebetsi: The windows are arranged according to the interior section game. In addition to creating different sequences of view and the outside perspective, we will see the light radiating from different angles, and consequently playing the dance of light with a change in the angle of incidence. The staircase box is designed in such a way to be different in each floor, it has evolved into an exciting space. a window opens to the staircase from one of the bedrooms so that the user can see a larger window facing the outside of the staircase that allows one to view the tree from the other side of the courtyard.
Diphatente: copy right by Keivani Architects 2019
Litho tsa Sehlopha: Principal Architects: Nima Keivani & Sina Keivani
Graphic: Sahar Najafi & mahsa Kiani & Azin Hadizadeh
client: Masoud Adnani
construction manager: Masoud Adnani
Project Manager: Nima Keivani & Sina Keivani
BIM Manager: Sina Keivani
Litlotla tsa Setshwantsho: Image #1: Photographer Deed studio, facade, 2019. Image #2: Photographer Deed studio, facade, 2019. Image #3: Photographer Deed studio, Interior space, 2019. Image #4: Photographer Deed studio, Interior space, 2019. Image #5: Photographer Deed studio, Interior space, 2019.