Ori Setulo sa Accent ka Manish Maheshwari

Moralo oa Ori Setulo sa Accent ka Manish Maheshwari ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Fenitjhara.

BoronseFenitjhara· 2021

Ori Setulo sa Accent

ka Manish Maheshwari

Moreki: Manish Maheshwari

Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Fenitjhara

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Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #114797

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Ori Setulo sa Accent

Ori ke setulo sa accent se bululetsweng ke bonono ba origami le ka sebopeho sa lekhasi la palm le nang le maqhwabi. Moralo o fetolela ho mena pampiri hore e be ho mena tshepe. Tshepe e tshesane e nang le galvanize e fa setulo matla le ponahalo e bobebe, e kang pampiri, mme e loketse tshebediso kantle. Lehong le sebediswa feela boemong ba ho dula le mokokotlong wa setulo ho ntlafatsa boiketlo ba ho dula. Dibolo le di-magnet li kopanya likarolo tse menahaneng hore e be ntho e le nngwe ka phethelo e hloekileng. Setulo se a menahana bakeng sa ho paka hantle le ho romellwa. Mebala e nkuwa ho tsa sunflower (letsoku la letsatsi). Boholo ba yona ha e sa menahane ke 880 mm ka bophahamo le 950 mm ka bophara (diameter).

Kamohelo

Mabapi le Moputso oa Boronse oa A' Design Award

Ori Setulo sa Accent ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. Ori Setulo sa Accent e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. Ori Setulo sa Accent e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Origami, the Japanese art of paper folding, is an ancient art form that converts paper into 3d objects. Based on this principle, the Ori chair derives its concept. The design translates paper folding into metal folding and, ultimately, a unique piece of furniture.
Boholo le Phuthelo: Folding metal comes with its own set of challenges to achieve ergonomically comfortable seating. The idea behind the chair using the origami technique was to ease the packaging and delivery. The Ori Chair can be easily folded up and packed into a small box, considerably reducing the volume of the package. It uses simple mechanisms to attach into one piece giving it a crisp and clean finish. 880mm(h) x 950mm(dia.) are the unfolded chair's dimensions.
Lithegi: Origami, foldable, ergonomics, metal, minimal, nature-inspired
Theknoloji ya Tlhahiso: The sturdy but thin metal used in the chair is galvanised to take on the harsh outdoors while visually being light as paper. Metal being a cradle-to-cradle material propagates sustainable development. Wood is used as moderating material to provide the comfort of seating instead of the harshness of the metal. Its use is restricted only to crucial parts, including the seating and backrest of the chair.
Phephetso ya Moralo: The Ori chair challenged our 7 years of experience working with metal since combining metal with origami techniques in itself is a challenge. Working on relieving pressure at the ridges by bringing in the right slit dimension and connecting the bridge between two slits to avoid sheer in metal proved strenuous. Break-through was about getting it right for an individual to bend manually by hands. It became essential to hit the sweet spot for the number of folds to get perfect ergonomics which finally came through trials and errors.
Dipatlisiso: The structure of a ruffled palm leaf is uniquely formed in nature. The broad circular leaf spanning up to 5ft in diameter originates from one thin branch. This plant leaf inspires the shape and form of the Ori chair. Origami technique became the yin yang fit for translating the ruffled palm leaf form into an ergonomically designed furniture piece. The chairs' colours are derived from the sunflower, making it a stark piece of art as well.
Kgothaletso: The Ori chair is a translation of the art of Origami into metal folding and, ultimately, a unique piece of furniture. It uses the colour combinations of a Sunflower. Bright yellow expresses a bold presence of the chair as an art piece. The trend of earthen finishes and materials are primarily used in architecture, interior, and landscape design. The colours blended with minimal design flares draw attention while complementing confined interiors or outdoor space.
Nako ya Projeke: The project research started in 2020 and was finished in 3 months
Tsamaiso ya Mosebetsi: The Ori chair uses a mechanism based on the principle of origami. It uses simple tools like bolts and magnets to assemble itself into a useable piece of furniture.
Litho tsa Sehlopha: Designer: Manish Maheshwari
Project director: Piyush Maheshwari
Litlotla tsa Setshwantsho: Image #1: Photographer: Dhiram Patel
Image #2,#3,#4,#5: Photographer: Manish Maheshwari , Editing: Roshni shah
Illustrator: Roshni Shah
Video Credits: Dhiram Patel