Дизајн Embrace Zidna slika za određenu lokaciju аутора Supernova Art Embassy је високо цењени добитник веома престижне награде 2021 Гвоздена награда A' Design Award у категорији такмичења Ликовна уметност и уметничке инсталације.
ГвозденаЛиковна уметност· 2021
Embrace Zidna slika za određenu lokaciju
аутор: Supernova Art Embassy
Клијент: Memorandum Project
Добитник награде Гвоздена награда A' Design Award у категорији Ликовна уметност
Верификовани добитник награде
Верификујте статус награде за #121349Дизајн
О дизајну Embrace Zidna slika za određenu lokaciju
Zagrljaj je zidna slika naslikana na fasadi zgrade u Sterlitamaku, izrađena za konkretnu lokaciju. Zidna slika je visoka 27 metara i široka 15 metara, sa oslikanom površinom od 405 kvadratnih metara. Korišćene su fasadne boje i valjci za bojenje, a fasadne dizalice omogućile su slikanje na visini. Umetnički rad je trajao tri nedelje. Prikazana priča priseća se vojnika 170. sterlitamačke pešadijske divizije koji je otišao na front sa srebrnim džepnim satom i obećao da će se vratiti sa njim. Njegovi posmrtni ostaci i sat pronađeni su 2015. godine i doneti kući njegovoj supruzi.
Признање
О награди Гвоздена награда A' Design Award
Embrace Zidna slika za određenu lokaciju је добитник Гвоздене награде A' Design Award, престижног признања које се додељује добрим дизајнима који испуњавају професионалне и индустријске захтеве очекиване од добро осмишљених творевина. Добитници Гвоздене награде показују велико умеће, високу специјализацију, стручно разумевање и креативне способности својих твораца. Очекује се да Embrace Zidna slika za određenu lokaciju буде високо цењена, дивљена и вољена творевина која је практична и иновативна. Овај дизајн награђен Гвозденом наградом A' Design Award уграђује најбоље праксе индустрије и има компетентна техничка својства повезана са знањем и талентом. Захваљујући темељности, Embrace Zidna slika za određenu lokaciju заслужује поштовање и осмишљен је да пружи побољшања квалитета живота која помажу да свет буде бољи.
Иза дизајна
Комплет за медије
Заслуге, чланови тима и технички детаљи које је обезбедио дизајнер.
- Јединствене карактеристике
- The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.
Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown. - Димензије и паковање
- Height 27 m, width 15 m, total artistic painting square 405 sq.m
- Ознаке
- mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
- Технологија производње
- Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
- Дизајнерски изазов
- 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
- Истраживање
- Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.
Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners. - Инспирација
- The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"
In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him. - Трајање пројекта
- The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.
There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks. - Ток рада
- Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.
It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings. - Патенти
- Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
- Чланови тима
- Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina - Заслуге за фотографије
- Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.
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