Дизајн Grand Egyptian Museum Korporativni identitet аутора Rana Gaber је високо цењени добитник веома престижне награде 2020 Златна награда A' Design Award у категорији такмичења Графички дизајн, илустрација и визуелна комуникација.
ЗлатнаГрафика· 2020
Grand Egyptian Museum Korporativni identitet
аутор: Rana Gaber
Клијент: Rana Hossam
Добитник награде Златна награда A' Design Award у категорији Графика
Верификовани добитник награде
Верификујте статус награде за #100110Дизајн
О дизајну Grand Egyptian Museum Korporativni identitet
Grand Egyptian Museum je korporativni identitet za muzej drevnih egipatskih artefakata. Logotip je sastavljen od pet hijeroglifa koji se čitaju kao Egipat, spojenih u geometrijsku i jednostavnu formu. Izduženi pravougaoni oblik inspirisan je kartušom, okvirom koji označava kraljevsko ime. Crna je primarna boja, jer su obale Nila nazivane Crnom zemljom. Sekundarne boje inspirisane su drevnim egipatskim nakitom. Roboto je glavni tipografski font, jer se njegovi uglovi i krivine poklapaju sa onima u logotipu. Razvijen je i eksperimentalni sistem signalizacije.
Признање
О награди Златна награда A' Design Award
Grand Egyptian Museum Korporativni identitet је добитник Златне награде A' Design Award, огромно престижног признања које се додељује првокласним, дивним и изванредним дизајнима. Добитници Златне награде изузетно су иновативне, визионарске и блиставо задивљујуће творевине које одражавају геније, мудрост и умеће својих дизајнера. Очекује се да Grand Egyptian Museum Korporativni identitet буде високо хваљен, трендсетерски и монументалан изум који доноси беспримерну вредност. Овај дизајн награђен Златном наградом A' Design Award спектакуларно је, поштовано дело које у великој мери користи и помера границе уметности, науке, дизајна и технологије. Grand Egyptian Museum Korporativni identitet ствара интензивна осећања жеље, буди страст, подстиче креативност и фасцинира нас.
Иза дизајна
Комплет за медије
Заслуге, чланови тима и технички детаљи које је обезбедио дизајнер.
- Јединствене карактеристике
- While maintaining the use of ancient Egyptian design aesthetics as an inspiration, a logo was created using five hieroglyphs that read Egypt. They were combined together to create this geometrical yet simple look and feel. The elongated rectangular shape is inspired by the cartouche; a frame indicating that the text enclosed is a royal name. Black is the primary color because ancient Egyptians referred to the banks of the Nile as the Black Land. The secondary colors were inspired by colorful ancient Egyptian jewelry designs. Lastly, an experimental signage system was developed
- Димензије и паковање
- The aspect ratio of the logo is 6:2.3. The letter 'E' form the logo was used as a measuring unit. Roboto was chosen as the main typeface as it is a very modern and simple font. To add to this it is somehow geometrical. the angles and the curves of the font are the same angles and curves of the logo type. This similarity creates harmony and consisitincy
- Ознаке
- Visual Identity, Logo, Branding, Typography, Signage system
- Технологија производње
- Exploring different visual languages to develop a logo and a signage system that is inspired from the hieroglyphs.
- Дизајнерски изазов
- Capturing the essence of the history with all it’s reverence was challenging enough. But the true Everest of this project was bridging the gap between the past and present. To bring that history with all its pretense into today’s world, required a deep dive into what is relatable. The research showed that most modern interpretations of ancient Egypt end up looking comical or simply a caricature.
If I were to avoid that pitfall, the design had to be simple. This was a case of less is more. In order to be relatable in today’s world the answer had to be Simplicity.
Tremendous time and effort went into carrying the complexity of the history within the folds of a simple modern design. Finding that common ground was at the heart of the creative/research challenge. - Истраживање
- My research process depends entirely on the subject matter. Thus every project dictates the path I take to best understand the subject. The goal is not learn about an idea. Therefore the challenge lies in finding the purest, simplest meaning behind it.
My research journey for this project had to begin with spending a lot of time with the curators of the original museum. A masterpiece in it's own right with a rich history beyond a century old. I also invested many hours of study with the resident Egyptologists, archaeologists and guides. People who dedicated their lives to becoming that history. They were the key as they helped me understand the ancient Egyptian hieroglyphs, their deeper meanings and even how to pronounce them. To know how a language sounded paints a mental image in itself. They taught me how to make sentences out of hieroglyphs. I then buttressed this new knowledge by doing my own readings, including 'Egyptian Grammar' by Sir Alan Gardiner.
I took a deep dive into philology, literature, vocabulary, and translation. Only at the end of this exhausting yet exhilarating journey, did I start sketching and drawing until I reached to a simple clear iconography. - Инспирација
- The Grand Egyptian Museum hosts the most prominent collection of ancient Egyptian artifacts, dating back to various historical epochs. Developing a visual identity posed a great challenge; to represent the gravitas of the history while maintaining a modern and fresh look. The research and exploration process led to a rich identity inspired by the basic shapes of ancient Egyptian alphabets hieroglyphs. I incorporated hieroglyphs in the logotype and the signage system to invoke the ancient Egyptian culture and style. The viewer familiarizes with hieroglyphs without feeling foreign
- Трајање пројекта
- 2015 German University in Cairo, 3 months
During the pre-master in Graphic Design Degree. - Ток рада
- It Creates a unique visual experience, where it also introduces people to ancient Egyptian hieroglyphs through a modern yet simple corporate identity.
- Чланови тима
- none.
- Заслуге за фотографије
- credits to: Shutterstock and bensound
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