Chopin Residue Funksioni Parësor: Kopertina e Albumit Muzikor nga Mariusz Szypura

Dizajni Chopin Residue Funksioni Parësor: Kopertina e Albumit Muzikor nga Mariusz Szypura është një fitues shumë i vlerësuar i çmimit prestigjioz 2026 Çmimi i Bronztë A' Design Award në Kategorinë e Konkurrimit Dizajni i Paketimit.

BronziPaketim· 2026

Chopin Residue Funksioni Parësor: Kopertina e Albumit Muzikor

nga Mariusz Szypura

Klienti: Black Element Label

Fitues i Çmimi i Bronztë A' Design Award në Kategorinë Paketim

7,551

Fitues i Verifikuar i Çmimit

Verifiko Statusin e Çmimit për #179587

Vizitoni Faqen Shikoni në A' Design Award Komunikatë për Shtyp Stema e Çmimit

Ngjyrat

Dizajni

Rreth Chopin Residue Funksioni Parësor: Kopertina e Albumit Muzikor

Teksti i Librit: Vepra artistike e paraqitur në fletëpalosjet e albumit dokumenton një seri pjesësh me format të madh të krijuara nga mbetjet e fijeve të prodhuara gjatë procesit të prerjes së vinilit me tornitje, negativi fizik i gungës. Dizajni e trajton paketimin si një zgjatim të muzikës, duke bashkuar tingullin, materialin dhe procesin në një objekt të vetëm fizik. Albumi riinterpreton veprat e Fryderyk Chopin me artistë të lidhur me Portishead, Sonic Youth, Battles, Beck, David Bowie dhe Tortoise.

Njohja

Rreth Çmimi i Bronztë A' Design Award

Chopin Residue Funksioni Parësor: Kopertina e Albumit Muzikor është fitues i Çmimit të Bronztë A' Design Award, një njohje shumë prestigjioze që u akordohet dizajneve të shquara, të dalluara për krijimtari, shpikësi dhe mprehtësi. Fituesit e Bronztë janë objekte shumë të aftë dhe goditëse në krijimtarinë e tyre, që vërtetojnë përvojën e gjerë, imagjinatën dhe shkathtësinë e dizajnerëve të tyre. Chopin Residue Funksioni Parësor: Kopertina e Albumit Muzikor pritet të jetë një objekt shumë i vlerësuar, i admiruar e i dashur, jashtëzakonisht profesional dhe inovativ. Ky dizajn fitues i Çmimit të Bronztë A' Design Award përfshin praktikat më të mira në art, shkencë, dizajn dhe teknologji dhe shquhet për vëmendjen ndaj detajeve. Chopin Residue Funksioni Parësor: Kopertina e Albumit Muzikor i plotëson shkëlqyeshëm nevojat, prek dëshirat, magjepson ndjenjat dhe tërheq kureshtjen.

Pas Dizajnit

Paketa për Shtyp

Kreditët, anëtarët e ekipit dhe detajet teknike të ofruara nga dizajneri.

Veçoritë Unike: The cover of Chopin Residue is generated from the album’s core idea: residue as what remains after deconstruction. Created through the same lathe-cut process that produces the sound, the artwork uses vinyl waste as its visual material. Reinterpreting the music of Fryderyk Chopin with artists linked to projects such as Portishead, Sonic Youth, Battles, Beck, David Bowie, and Tortoise, the package becomes a physical extension of the composition, uniting sound, material, and process.
Dimensionet & Paketimi: Physical formats include: Vinyl LP sleeve approx. 315 x 315 x 5 mm; CD digipack approx. 142 x 125 x 10 mm; cassette case approx. 110 x 70 x 17 mm. All formats were designed as tactile objects, with dimensions following industry standards to emphasize material presence and consistency across editions.
Etiketat: residue concept, album packaging design, lathe-cut vinyl, material-driven design, experimental music artwork, process-based design, sound as material, physical music object
Teknologjia e Prodhimit: The design was developed through a process-based methodology, treating sound recording as a material practice. Vinyl shavings produced during the lathe-cut process were collected, preserved, and used to create physical artworks. These works were then photographed and translated into the album packaging. The production emphasized minimal intervention, tactile materials, and small-batch manufacturing, allowing process and material to define the visual language.
Sfida e Dizajnit: The main challenge was translating an abstract musical concept into a physical object without illustration or decoration. Internally, this required rethinking historical album design and treating sound production as material practice. Externally, limitations included small-scale manufacturing, legal constraints of physical formats, and the unpredictability of lathe-cut processes. Balancing conceptual clarity with technical constraints required continuous testing and adaptation.
Kërkimi: Type of Research: practice-based artistic research.
Research Objectives: to translate musical deconstruction into physical form.
Methodology: sound recording treated as a material process.
Data & Tools: lathe-cut vinyl recording, material observation, photography.
Participants: the artist and collaborating musicians.
Results: vinyl residue became visual material.
Insights & Impact: the research links sound, object, and design, showing how production traces can shape meaning in music packaging and contemporary design.
Frymëzimi: The project was inspired by the idea of residue as a creative outcome - what remains after a process of reduction and transformation. The design emerged from research into lathe-cut vinyl as a physical recording method, treating sound production as material practice. The motivation was to translate an abstract musical concept into a tangible object, where recording, waste, and form become a unified design language.
Kohëzgjatja e Projektit: The project was developed between 2023 and 2025. Music recording and vinyl cutting were carried out during this period, followed by the creation of the visual artworks and packaging design. The album and its physical editions were completed and released in November 2025, accompanied by exhibitions in NY and Osaka and presentations of the related artworks.
Rrjedha e Operimit: The object is experienced by opening, holding, and listening. The package reveals the music while visually showing traces of how it was made. Images and materials guide the user from sound to its physical remains. Interaction is slow and tactile, encouraging attention and reflection. By connecting listening with touch and sight, the object creates a deeper, more memorable experience than a standard album cover.
Patentat: Copyrights belong to Mariusz Szypura, 2025
Kreditë e Imazheve: Image #1: Photo by TAKT, Chopin Residue, 2025.
Image #2: Photo by TAKT, Chopin Residue, 2025.
Image #3: Photo by TAKT, Chopin Residue, 2025.
Image #4: Photo by TAKT, Chopin Residue, 2025.
Image #5: Photo by TAKT, Chopin Residue, 2025.

Video Credits: Concept, Direction, Music, and Visuals by Mariusz Szypura, 2025.