12th Building Dhismaha La Deggan Yahay oo uu sameeyey Parviz Ghasemi

Naqshadda 12th Building Dhismaha La Deggan Yahay oo uu sameeyey Parviz Ghasemi waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qaab-dhismeedka, Dhismaha iyo Qaab-dhismeedyada ee 2023 Abaalmarinta Birta ah ee A' Design Award.

BirQaab-dhismeed· 2023

12th Building Dhismaha La Deggan Yahay

Parviz Ghasemi uu sameeyay

Macmiilka: Maand Architects

Ku Guuleystaha Abaalmarinta Birta ah ee A' Design Award ee Qaybta Qaab-dhismeed

10,044

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #141424

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan 12th Building Dhismaha La Deggan Yahay

Mashruucani waxa uu dib u qeexayaa qaab-dhismeedka dhisme la dego oo leh laba bevel oo labada dhinacba ah si kor loogu qaado tayada nolosha loogana hortago soo noqnoqda dhismayaasha la midka ah iyo kuwa deriska ah. Isku dayay in uu abuuro muuqaal firfircoon isagoo gooyay qaybo ka mid ah bevels iyo abuurista meelo buuxa oo madhan ciyaarta iftiinka iyo hooska iyo inkastoo qorshooyin la mid ah, qeexo aqoonsiga madaxbannaan ee cutubyada iyo dhismaha adigoo abuuraya aragti iyo aragti ka duwan, oo beddelo. sare u qaadista inta u dhaxaysa booska, si ay u sameeyaan sheekooyin kala duwan oo ku saabsan socodka nolosha ee gudaha dhismaha.

Aqoonsiga

Wax ku saabsan Abaalmarinta Birta ah ee A' Design Award

12th Building Dhismaha La Deggan Yahay waa guuleystaha Abaalmarinta Birta ah ee A' Design Award, aqoonsi sharaf leh oo la siiyo naqshado wanaagsan oo buuxiya shuruudaha xirfadeed iyo kuwa warshadeed ee laga filayo hal-abuurro si wanaagsan loo naqshadeeyay. Guuleystayaasha Birta waxay muujiyaan xirfad weyn, takhasus sare, fahan khabiir iyo awood hal-abuur oo abuurayaashooda. 12th Building Dhismaha La Deggan Yahay waa hal-abuur la filayo inuu noqdo mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, wax ku ool ah oo cusub. Naqshadahan ku guuleystay Abaalmarinta Birta ah ee A' Design Award wuxuu isku daraa hab-dhaqannada ugu wanaagsan warshadda wuxuuna leeyahay sifooyin farsamo oo karti leh oo ku xiran aqoon iyo hibo. Dhammaystirkeeda awgeed, 12th Building Dhismaha La Deggan Yahay waa mudan ixtiraam, waxaana loo naqshadeeyay inay keento hagaajin nololeed oo ka caawisa in adduunka laga dhigo meel ka wanaagsan.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: According to urban planning rules, buildings whose neighbors have observed the bevel in the elevation are required to observe this rule in the elevation. The gap created between the buildings by the bevels distorts the connection between the buildings as if the building has no desire to be close to its neighbors. This project redefines the morphology of a residential building with bevels on both sides to prevent repetition of similar adjacent buildings.
Cabbirka & Qaabaynta: Residential building on 9 floors. One basement with parking use, storage, facilities and entrance lobby, 7 residential floors with two units of 125 and 145 square meters per floor, on a land area of 476 square meters.
Summado: Architecture, Building, Structure, Residential, Elevation, 12th
Tiknoloojiyada Soo Saarka: By cutting the some parts of the bevel surfaces and turning them into flat surfaces, the two-part (terrace and kitchen window) division of each unit in the elevation, was transformed into three parts (window, terrace, kitchen window), In addition to the variety in the facade, closed spaces behind the outer wall Facade, to be formed after open and semi-open spaces and part of the life of the residents of each unit flows to the elevation .Due to the impossibility of openings in similar buildings ,the bevel surfaces remained unprocessed, became dynamic facades in this project.
Caqabadda Naqshadda: Neighbors of the project, in addition to complying with the bevel in the elevation (according to urban planning criteria), were simple buildings with uniform openings that had life behind them. Restrictions on bevel facades and mandatory stairwells and elevators due to the provision of parking, led the project to be similar to them. Turning the weakness of the project (bevel facades) into the strength of the project was the most challenging and difficult part of the project design.
Cilmi-baadhis: Buildings with a modern name, due to the type plans, are often simple boxes with uniform and unidentified windows and terraces. In this project, by creating diversity in the elevation, the units have an independent identity and by connecting vertically in the elevation to each other, the neighborhood relationship is emphasized and together they define the identity of the building. Efforts have also been made to define the relationship between the building and the open city.
Dhiirrigelinta: Buildings, as urban elements, have an inevitable impact on each other and the urban environment. Considering this effect, redefining the relationship between the building and the city was considered in the design process of this project. By creating visual dimension and depth, the elevation was transformed from a flat surface with an urban context into an in between space; In such a way that the elevation is a bed for the formation of different narratives of activities inside the building and life flows in the urban structure.
Muddada Mashruuca: The project was completed on September 18,2021 in Tehran, Iran
Socodka Hawlgalka: In this area, in terms of rising land prices, most buildings have risen in price due to materials and side spaces, but middle-income groups still live in it. In this project, an attempt has been made to provide a more suitable building for the residents of the area by using cheap materials, removing side spaces and increasing the quality of architecture. Attempts have been made to create a semi-open space in the elevation and transfer part of the life of the residents to the elevation, life flows in the body of the city and the user of the space and the city interact.
Xubnaha Kooxda: Architects : Parviz Ghasemi
Amaanta Sawirrada: Image #1,2,3,4,5: Photograph by Mohammad Hassan Ettefagh