Tear and Discover Shaqada Aasaasiga ah: Rakibaadda Farshaxanka oo uu sameeyey Jie Gao and Hengguang Wu

Naqshadda Tear and Discover Shaqada Aasaasiga ah: Rakibaadda Farshaxanka oo uu sameeyey Jie Gao and Hengguang Wu waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Farshaxanka Wanaagsan iyo Rakibaadda Farshaxanka ee 2022 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasFarshaxan· 2022

Tear and Discover Shaqada Aasaasiga ah: Rakibaadda Farshaxanka

Jie Gao and Hengguang Wu uu sameeyay

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Farshaxan

10,222

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #136522

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Tear and Discover Shaqada Aasaasiga ah: Rakibaadda Farshaxanka

Qoraalka Buugga: Jeex oo Ogow waa rakibaad farshaxan ah oo ka samaysan afar alaab guri: koofur (speaker), laambad dhulka taagan, saacad iyo marwaxad. Alaab kastaa waxaa gebi ahaanba lugays leedar ku duuban tahay, si codka, iftiinka, waqtiga iyo socodka hawadu ay u qarsoodi noqdaan. Si booqdaha functionka u isticmaalo, waa inuu ka jaraa dabooshka leedarka ah. Leedarka iyo lebelladiisu waxay matalaan qiimaha astaan ah ee alaabta, halka qaybaha gudaha ku jira ay bixiyaan qiimaha isticmaalka. Dhammaan daboolladu waxaa gacanta lagu qaabeeyay leedar dhirta lagu dabaqay oo dhererkiisu yahay 1.5mm, waxaana ku haya taageero bir birinjileh ah oo daahsoon. Shaqadu waxay su'aal ka keentaa xiriirka ka dhexeeya calaamadda iyo functionka gudashada macaamil-siinta.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Tear and Discover Shaqada Aasaasiga ah: Rakibaadda Farshaxanka waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Tear and Discover Shaqada Aasaasiga ah: Rakibaadda Farshaxanka waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Tear and Discover Shaqada Aasaasiga ah: Rakibaadda Farshaxanka si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The work consists of four household products, speaker, floor lamp, clock, and fan, which are covered inside the leather. The leather and labels represent the symbolic value of the goods, while the functional components inside the leather deliver the use-value. This design emphasizes the contradiction between sign and function in the product consumption through a destructive interaction to 'cut' the signed cover and liberate the function.
Cabbirka & Qaabaynta: speaker,345*345*1427mm
floor lamp,372*305*1930mm
clock,455*140*100mm
fan，360*200*1610mm
Summado: art, craft, furniture, speaker, floor lamp, clock, fan
Tiknoloojiyada Soo Saarka: This work uses the leather wet shaping craft, the leather surface and stainless steel support form a strong visual tension. The whole set of products is all made of 1.5mm whole vegetable-tanned leather. After soaking for 8 hours, awakening the active protein of the leather and giving the leather better ductility. After it is wrapped on the shaping mold and shaped by hand, giving the product shapes a soft curve and organic sense.
Caqabadda Naqshadda: The most difficult part of this design is the expression of the mindset.
Firstly, how to express the idea through the design language? After many times discussion, The use of metaphorical forms of wrapping, highlighting and rupture, and contradictory interactions were confirmed.
Secondly, how to shape the leather into the form? This step took many material tests and prototypes before the final form was created.
Cilmi-baadhis: The work have taken the‘Consumption society’ as our research direction and the commodity as the object for our project. The design want to discuss the relationship between symbol, function, and commodity and reflected on the design. Through research the design aim to express the contradiction between symbolic value and use-value of products in the consumer society where signs are proliferating.
Dhiirrigelinta: Living in the current era of consumption, symbolic consumption has gradually changed our mindset of on-demand consumption, and the functions of products have been obscured by the virtual signs created by capital. The endless pursuit of the sign has accelerated the waste of material. Therefore the work rethought the relationship among signs, functions, and design.
Muddada Mashruuca: The project starts in November 2020 in Shanghai and is completed in 2021 in Shanghai, where it will be exhibited in June.
Socodka Hawlgalka: The work covered by leather, functions are hidden inside——the sound is obscured, the light is covered, the time is hidden, the wind is blocked, in order to use the functions, the user needs to cut the leather through destructive interactions and destroy the complete leather the user's thoughts will be aroused during the interaction.
Shatiyada: Jie Gao
Hengguang Wu
Xubnaha Kooxda: Jie Gao
Hengguang Wu
Amaanta Sawirrada: Jie Gao, Hengguang Wu