National Gallery Athens Matxaf oo uu sameeyey Parmenidis Longuepee Mari Team

Naqshadda National Gallery Athens Matxaf oo uu sameeyey Parmenidis Longuepee Mari Team waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qolalka Gudaha iyo Bandhigyada ee 2022 Abaalmarinta Dahabka ah ee A' Design Award.

DahabGudaha· 2022

National Gallery Athens Matxaf

Parmenidis Longuepee Mari Team uu sameeyay

Macmiilka: National Gallery of Greece

Ku Guuleystaha Abaalmarinta Dahabka ah ee A' Design Award ee Qaybta Gudaha

28,692

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #129529

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan National Gallery Athens Matxaf

Dhismaha casriga ah ee 60-aadkii ee Qallinka Qaranka ee Athens, qolalka bandhiga waxaa loo qaabeeyey sida socod bannaan oo meel furan. Gudaha waxaa loo qaabeeyey sidii taxane ah oo leh meelo gudbinta oo alwaax ku dhafan oo loogu talagalay macluumaad, iyo qolal caddaan ah oo leh saqafyo sudhman oo si gaar ah loogu naqshaddeeyey shaqo kasta oo bandhig ah. Xakameynta jihooyinka araggida, qoto-dheeraanta aragga qolalka iyo xagga magaalada, iftiinka guud oo ku xiran iftiinka dibadda, iyo hoosaysiinta walxaha iyo faahfaahinta farsamada si loo muujiyo shaqooyinka farshaxanka, meeshu waxay bixisaa dareenka doorashada xorta ah.

Aqoonsiga

Wax ku saabsan Abaalmarinta Dahabka ah ee A' Design Award

National Gallery Athens Matxaf waa guuleystaha Abaalmarinta Dahabka ah ee A' Design Award, aqoonsi sharaf aad u weyn oo la siiyo naqshado heerka koowaad ah, cajiib ah oo aan caadi ahayn. Guuleystayaasha Dahabka waa hal-abuurro cusub oo aad u badan, aragti fog leh oo si indho-qabsi ah u dhalaalaya, kuwaas oo ka tarjumaya caqli, xikmad iyo xirfadda naqshadeeyayaashooda. National Gallery Athens Matxaf waa shaqo la filayo inay noqoto hal-abuur aad loo ammaano, dejisa isbeddello cusub oo weyn, keenta qiimo aan hore loo arag. Naqshadahan ku guuleystay Abaalmarinta Dahabka ah ee A' Design Award waa shaqo cajiib ah oo la ixtiraamo, waxtar weyn leh oo hormarisa xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. National Gallery Athens Matxaf waa shaqo abuurta dareenno xoog leh oo rabitaan ah, kicisa xiiso, dhiirigelisa hal-abuur una soo jiidata.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Cabbirka & Qaabaynta: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Summado: museography, interior space, gaze, minimalism
Tiknoloojiyada Soo Saarka: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Caqabadda Naqshadda: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Cilmi-baadhis: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Dhiirrigelinta: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Muddada Mashruuca: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Socodka Hawlgalka: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Xubnaha Kooxda: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Amaanta Sawirrada: All photos own to the team.