Naqshadda Haragana Kursi Fadhiye oo uu sameeyey Tobias Kappeler waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Farnijarka ee 2022 Abaalmarinta Naxaasta ah ee A' Design Award.
NaxaasFarnijar· 2022
Haragana Kursi Fadhiye
Tobias Kappeler uu sameeyay
Macmiilka: Tobias Kappeler Design
Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Farnijar
Ku Guuleystaha Abaalmarinta La Xaqiijiyey
Xaqiiji Xaaladda Abaalmarinta #127610Naqshadeynta
Wax ku saabsan Haragana Kursi Fadhiye
Haragana waa kursi fadhiye ka samaysan tuubooyin bir ah oo la qalloociyay iyo saxammo cork ah. Kursigu waxa uu ku koobnaan yahay qaab-dhismeedkiisa aasaasiga ah, taas oo micnaheedu yahay in aan la isticmaalin barkimo ama dabool. Muuqaalka guud wuxuu u eg yahay kursi gacmo leh, in kastoo gacmo-hoystayaal la'aan yihiin. Booska hoose ee fadhiga, oo dhererkiisu yahay 28 sentimeetir, wuxuu dadka ku dhiirigelinayaa inay dhabarka ku tiirsadaan oo ay indha-indheeyaan deegaankooda muddo dheer. Qaab-dhismeedka furan ayaa kursiga ka dhigaya mid muuqaal ahaan fudud, isla markaana u oggolaanaya inuu ku habboonaado meelaha gudaha guryaha iyada oo aan aad u soo jiidin indhaha. Saxammada cork-ka ee fudud waxay si cad ugaga soo muuqdaan qaab-dhismeedka tuubooyinka qalloocan. Kursi kastaa waxaa gacanta lagu qalloociyaa, lagu tolaa (welding), oo lagu tirtiraa.
Aqoonsiga
Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award
Haragana Kursi Fadhiye waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Haragana Kursi Fadhiye waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Haragana Kursi Fadhiye si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.
Gadaasha Naqshadeynta
Xirmada Warbaahinta
Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.
- Sifooyinka Gaarka ah
- The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
- Cabbirka & Qaabaynta
- The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
- Summado
- Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
- Tiknoloojiyada Soo Saarka
- The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
- Caqabadda Naqshadda
- The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
- Cilmi-baadhis
- The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
- Dhiirrigelinta
- We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests. - Muddada Mashruuca
- The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
- Socodka Hawlgalka
- Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
- Xubnaha Kooxda
- Tobias Kappeler
Maalgeliye
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