Dinkum Shaqada Koowaad: Barnaamij Mobayl ah oo uu sameeyey Tobias Kappeler

Naqshadda Dinkum Shaqada Koowaad: Barnaamij Mobayl ah oo uu sameeyey Tobias Kappeler waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Tiknoolajiyada Moobiilka, Abikaasyoonada iyo Softweyrka ee 2022 Abaalmarinta Birta ah ee A' Design Award.

BirMoobiil· 2022

Dinkum Shaqada Koowaad: Barnaamij Mobayl ah

Tobias Kappeler uu sameeyay

Macmiilka: Tobias Kappeler Design

Ku Guuleystaha Abaalmarinta Birta ah ee A' Design Award ee Qaybta Moobiil

22,117

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #127093

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Dinkum Shaqada Koowaad: Barnaamij Mobayl ah

Qoraalka Buugga: Dinkum waa barnaamij mobayl ah oo loogu talagalay isgaarsiinta cod-bannaanka ah (spatial audio). Dinkum wuxuu wadahadallada fog geliyaa gudaha deegaanno cod ah oo la habayn karo. Isticmaalayaashu waxay dooran karaan mid ka mid ah saddex cabbir oo qol ah, kuwaas oo lagu tilmaamo saaxiibtinimo, fudud, iyo dhiirranaan. Isticmaalayaashuna waxay sidoo kale dooran karaan codadka dabaqa ee ambisonic, oo ah nooc cod-hareeraysan oo buuxa (full sphere surround sound), kaas oo waafaqsan nooca wadahadalka iyo ka qaybgalayaasha. Fogaanta u dhaxaysa ka qaybgalayaasha kale waa la beddeli karaa intii wicitaanka socdo. Ujeeddadu waa in la kordhiyo dareenka joogitaanka iyo in wadahadallada fog laga dhigo kuwo dabiici ah oo si fudud u socda.

Aqoonsiga

Wax ku saabsan Abaalmarinta Birta ah ee A' Design Award

Dinkum Shaqada Koowaad: Barnaamij Mobayl ah waa guuleystaha Abaalmarinta Birta ah ee A' Design Award, aqoonsi sharaf leh oo la siiyo naqshado wanaagsan oo buuxiya shuruudaha xirfadeed iyo kuwa warshadeed ee laga filayo hal-abuurro si wanaagsan loo naqshadeeyay. Guuleystayaasha Birta waxay muujiyaan xirfad weyn, takhasus sare, fahan khabiir iyo awood hal-abuur oo abuurayaashooda. Dinkum Shaqada Koowaad: Barnaamij Mobayl ah waa hal-abuur la filayo inuu noqdo mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, wax ku ool ah oo cusub. Naqshadahan ku guuleystay Abaalmarinta Birta ah ee A' Design Award wuxuu isku daraa hab-dhaqannada ugu wanaagsan warshadda wuxuuna leeyahay sifooyin farsamo oo karti leh oo ku xiran aqoon iyo hibo. Dhammaystirkeeda awgeed, Dinkum Shaqada Koowaad: Barnaamij Mobayl ah waa mudan ixtiraam, waxaana loo naqshadeeyay inay keento hagaajin nololeed oo ka caawisa in adduunka laga dhigo meel ka wanaagsan.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Dinkum is a spatial audio communication tool that allows users to immerse themselves in customisable audio environments. Users can select from three room sizes (intimate, casual, adventurous) and different ambisonic (full-sphere surround sound format) background sounds that match the type of conversation and people they are speaking to. People can change their distance to other participants throughout the conversation, which adds an extra layer of interaction to remote conversations. Dinkum can increase participants sense of presence and intimacy in the conversation and increase conversation fluency.
Cabbirka & Qaabaynta: Dinkum was developed using the 3D Tune-In Toolkit real-time binaural spatialisation tool. This was utilised as a VST plugin within Ableton Live. The 3D Tune in Toolkit simulates the reverberation of different room sizes, the distance to the listener and the direction to the sound source. For user testing, I’ve developed a signal processing path that allows me to send an audio recording from a binaural microphone through Zoom.
Summado: Communication, Spatial Audio, Interaction design, Immersive experiences, Audio & Sound, Mobile application, Teleconferencing, Conversations,
Tiknoloojiyada Soo Saarka: The project was developed through iterative prototyping, intensive user testing and a strong collaboration between academia and industry. I used different plugins for the spatialisation of mono audio files in a DAW (Digital Audio Workstation) and tested the experiences with different people. Furthermore, I built a binaural microphone for in-depth user testing with multiple people. I established a signal-processing path that allowed me to test with various users while being remote.
Caqabadda Naqshadda: The challenge was to create an environment that allowed me to test with the necessary fidelity and change the audio in real-time. An additional challenge was the visual representation of a 3D space with characters on a small smartphone screen which is easy to understand, interact with and is visually pleasing and unique. I overcame this through prototyping the interactions on the phone while affecting the audio and visual interface in real-time through OSC protocol and user feedback.
Cilmi-baadhis: The project started with an academic literature review and interviews on real-time spatialisation technologies. After intensive ideation on different applications, I moved into early experimentation and prototyping to get a better feel and understanding of the technology and its value. I used an iterative and human-centred design approach focusing on the experience. Experiments were analyzed with questionnaires with a Likert scale focusing on the presence and intimacy.
Dhiirrigelinta: Throughout the pandemic, I realised the difficulties of remote collaboration and the lack of attention to the audio side of the experience. We are flooded with visual stimuli but a lot of these experiences lack the emotional aspect of the experience. User research and secondary research into spatial audio technologies strongly informed the development. As a music producer and DJ, I’m fascinated by the emotional characteristics of audio.
Muddada Mashruuca: The project started in January 2021 and was developed by myself for my MA/MSc Innovation Design Engineering until June 2021. The project will be exhibited at the yearly graduation show of the Royal College of Art and Imperial College London in June 2021.
Socodka Hawlgalka: To start a conversation, select the participants you want to speak to, select the room size which matches your conversations and participants, (Intimate, Casual, Adventurous) select the ambisonic background sounds and then start the call. Users can leave the room and create a new room during the conversations with individual participants. For recurring conversations, users can save groups and settings. In case a conversation drastically changes the topic.
Xubnaha Kooxda: Tobias Kappeler