Translucence Nal Laalaada oo uu sameeyey Iestyn Davies

Naqshadda Translucence Nal Laalaada oo uu sameeyey Iestyn Davies waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Alaabta Iftiinka iyo Nalallada ee 2021 Abaalmarinta Dahabka ah ee A' Design Award.

DahabIftiin· 2021

Translucence Nal Laalaada

Iestyn Davies uu sameeyay

Macmiilka: Contemporary Chandelier Company

Ku Guuleystaha Abaalmarinta Dahabka ah ee A' Design Award ee Qaybta Iftiin

50,306

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #113498

Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Translucence Nal Laalaada

Translucence waa nal laalaada leh dabool quraarad ah oo gacanta lagu afuufay iyo il iftiin oo qarsoon. Quraarada waxaa lagu afuufaa qaab optic ah, kaas oo sameeya qaybo toosan oo qaro weyn iyo kuwo khafiif ah oo qabta oo faafiya iftiinka. Faahfaahin akriliig ah oo laysar lagu jaray oo bartamaha ku taal ayaa ku hareereysan qaybta LED-ka waxayna kordhisaa diiradda. Waxaa la bixiyaa saddex nooc oo kala duwan oo qaybta dhexe ah iyo saddex cabbir. Dabool kasta waxaa gacanta lagu sameeyaa, sidaas darteed shay kastaa wuu ka duwan yahay kuwa kale wax yar. Translucence keligiis ayaa loo isticmaali karaa ama waxaa lagu dhex kooxayn karaa nal weyn oo laalaada (chandelier).

Aqoonsiga

Wax ku saabsan Abaalmarinta Dahabka ah ee A' Design Award

Translucence Nal Laalaada waa guuleystaha Abaalmarinta Dahabka ah ee A' Design Award, aqoonsi sharaf aad u weyn oo la siiyo naqshado heerka koowaad ah, cajiib ah oo aan caadi ahayn. Guuleystayaasha Dahabka waa hal-abuurro cusub oo aad u badan, aragti fog leh oo si indho-qabsi ah u dhalaalaya, kuwaas oo ka tarjumaya caqli, xikmad iyo xirfadda naqshadeeyayaashooda. Translucence Nal Laalaada waa shaqo la filayo inay noqoto hal-abuur aad loo ammaano, dejisa isbeddello cusub oo weyn, keenta qiimo aan hore loo arag. Naqshadahan ku guuleystay Abaalmarinta Dahabka ah ee A' Design Award waa shaqo cajiib ah oo la ixtiraamo, waxtar weyn leh oo hormarisa xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Translucence Nal Laalaada waa shaqo abuurta dareenno xoog leh oo rabitaan ah, kicisa xiiso, dhiirigelisa hal-abuur una soo jiidata.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Each individual pendant light can be viewed as a unique bespoke object, each subtly different from the next. The laser-cut acrylic detail to the centre creates focus and further enhances the light source; emulating the same material properties of the main body yet offering precision, detail, and durability; not properties readily associated with glass on such a small scale. There are three variables of the intricate central section and the pendant has been designed to operate as a stand-alone design or within a multi-array feature chandelier. Future design considerations will include a wall light and a desk top version.
Cabbirka & Qaabaynta: Small - w: 120mm x d: 70mm x h: 120mm - approximately 100 lumens.
Medium - w: 170mm x d: 95mm x h: 170mm - approximately 100 lumens.
Large - w: 220mm x d: 110mm x h: 220mm - approximately 130 lumens.
Available in 2700K, 3000K or 5000K.
Materials: Glass (hand blown from 0% lead crystal,
Acrylic (housing for cob tape) LED cob tape
Mild steel threaded bar 2 x decorative lock-nut
Decorative cast acrylic laser-cut detail to centre Mirrored acrylic centre
Switch: customisable (via 12volt driver from mains supply) and mains dimmable.
Summado: Light, Pendant, Chandelier, glass, optical, aesthetic.
Tiknoloojiyada Soo Saarka: Firstly, we experimented with how to package the LED cob tape, creating the core of the design. We produced countless acrylic laser-cut variations whilst exploring numerous hot glass forms, at the furnace side, using different optic moulds, reheats, shapes and proportions. We then explored different shapes and thicknesses of the delicate laser cut centres that sit immediately around the light source. All components were then brought together and, several iterations and months later, we were finally satisfied that we had captured the required aesthetic.
Caqabadda Naqshadda: As a lighting designer/maker, I strive to create something that does not already exist elsewhere; ultimately encouraging the observer to hopefully question how is this made or even where the light comes from?
In this project I wished to explore how to produce around 100 lumens emanating from the smallest light source, creating an exciting aesthetic based around energy economy and longevity. The design became a balance between aesthetics and function.
The greatest challenge, however, is how to ensure what is essentially a handmade item can be fully reproduceable in volume. The glass shade is a bespoke element, relying entirely on the skills of the glassmaker to repeat what is intrinsically, a non-conformist process. The answer is to use due care and diligence, and two sets of callipers.
Cilmi-baadhis: We wished to design a luminaire around our own dedicated low energy light source. We generally prefer to hide the light source wherever possible and use its effect through the various substrates to provide illumination. When you shine light through a clear substrate, it passes straight through unless it hits an ‘interrupter’. In this design we use the thicker and thinner cross section of the glass to catch and transmit the light; when you blow a hot, round glass bubble into an optic mould, the glass blows into the vertical grooves forming thicker vertical stripes.
Dhiirrigelinta: Iestyn Davies is both a glassmaker and lighting designer; inspiration came from wishing to reinstate the traditional craft-based technique of hot glass to a bespoke contemporary process rather than that of mass production. The goal was ultimately to combine this singular material with the emerging LED cob technology, even though the light source was hidden from view:to explore the unique properties of variable thickness optical glass and experiment with the interplay between two interactive glass surfaces, natural and integral light and ultimately explore a luxury aesthetic.
Muddada Mashruuca: This project started in June 2020 in London, with a series of glassmaking trials and lighting tests. It then moved to the Contemporary Chandeliers’ main studio in Shropshire, in August 2020, as part of an ongoing investigation into sculptural glass components.
Socodka Hawlgalka: The LED cob light is rated at 50,000 hours and can be changed by removing the rear locknut and drawing out the assembly from the front. The cob unit can be disconnected via two screw terminals and another unit be introduced by reversing this process.
Xubnaha Kooxda: Designer : iestyn Davies
Technical Director: Simon Mewett
Technical Manager: Dan Nore
Glass Maker : Elliot Walker
Amaanta Sawirrada: Image 1 - Photographer, Simon Bruntnell, Translucence 1, 2021
Image 2 - Photographer, Simon Bruntnell, Translucence 2, 2021
Image 3 - Photographer, Simon Bruntnell, Translucence 3, 2021
Image 4 - Photographer, Simon Bruntnell, Translucence 4, 2021
Image 5 - Photographer, Steve Parry, Translucence 5, 2021