Foam of Desire Primary Function: Dhizaini reZvipfeko naKaiqi Zhang

Dhizaini Foam of Desire Primary Function: Dhizaini reZvipfeko naKaiqi Zhang ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheZvipfeko zveNhaka neZvipfeko zveChivanhu.

BronziDhizaini yeZvipfeko· 2026

Foam of Desire Primary Function: Dhizaini reZvipfeko

na Kaiqi Zhang

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheDhizaini yeZvipfeko

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Mavara

Dhizaini

Nezvekwa Foam of Desire Primary Function: Dhizaini reZvipfeko

Book Text: Yakavakirwa pakutsoropodza zvishuwo nokushaya zvinotsanangura kutenga kwemazuva ano, chidimbu ichi chinoshandisa dhizaini yezvipfeko kuti chiongorore kuparadzaniswa kunokura mukati mehupfumi hwezvinhu. Chinofungidzira patsva nguo dzemakurukota dzezana ramakore regumi nemanomwe, kuumba jira rinogona kuumbwa kuita chimiro chakanaka chinotevedzera muviri wakapedzwa nezvishuwo. Mavara eturquoise blue, anopesana neruvara rwepink rwakatapira neruvara rweyellowish green rune utachiona, anogadzira chinhu chinonyengedza pamusoro asi chakavhiringidza zvakadzama. Kupesana uku kunokoka vatariri kuti vafunge nezvechimiro chezvishuwo.

Kuzivikanwa

Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne Foam of Desire Primary Function: Dhizaini reZvipfeko, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Foam of Desire Primary Function: Dhizaini reZvipfeko inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Foam of Desire Primary Function: Dhizaini reZvipfeko inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Inspired by Epicure Mammon from The Alchemist, this piece reimagines European aristocratic attire from the 17th century to question the concept of decadent luxury. Using a specially engineered moldable fabric, the garment swells into a bloated silhouette reminiscent of bubbles, evoking bodies consumed by desires. Vivid turquoise blue and pink create a visual allure that is both jarring and seductive, with a sugary quality that prompts viewers to reflect on overconsumption and inner emptiness.
Kukura & Kupakiwa: approximately 175 centimeters high, 140 centimeters wide and 80 centimeters deep
Matagi: Clothing Design, Materializing Desires, Material Experimentation, Visual Metaphor, Irregular Forms, Visual Tension
Tekinoroji Yekugadzira: A specially engineered moldable fabric, adhesive when wet, allows for intuitive hand sculpting of volumetric forms. By laminating foam into the fabric and injecting air, this approach creates irregular organic bubbles with a unique hybrid texture, which is both translucent and semi rigid. When illuminated, these forms look like a second skin, materializing the concept of internal collapse festering beneath a surface of opulence.
Changamire yeDhizaini: The key challenge was to lead viewers from visual seduction to psychological unease, and the answer lay in color use. A rational turquoise blue base is invaded by lush pink accents that embody swelling desires, while traces of sickly yellowish green underneath hint at decay and exposure. The contrast between high saturation and low brightness, paired with matte and pearly finishes, creates a tension between a sweet appearance and hidden unease, turning initial allure into disquieting reflection.
Tsvakurudzo: This work critiques the consumerist era by framing its core maladies: swelling desires and inner voids. Using the structure of seventeenth century aristocratic attire, the piece presents bloated, bubble like forms that symbolize a body consumed by insatiable desires. Jarring color combinations then guide viewers from visual seduction to psychological disquiet, ultimately revealing the spiritual barrenness hidden behind a luxurious facade.
Chikurudziro: This piece takes its cue from Epicure Mammon, an embodiment of insatiable desires in the play The Alchemist. It deconstructs the symbolic language of seventeenth century aristocratic attire to pose a question about beauty in excess. Each element becomes a visual narrative around the body, speaking of desires that swell, promises that prove false, and the inescapable reality of decay.
Nguva yePurojekiti: The project commenced in October 2023 in London, United Kingdom. The initial toile was completed in December 2023, and the project concluded in March 2024 with the completion of the final garment.
Mafambiro eBasa: This work redefines clothing from a mere covering for the body into an aggressive entity that devours it. The doublet, with its dramatically exaggerated chest and shoulders, achieves a swollen, voluptuous contour that makes inner desires visibly manifest in the flesh. The asymmetrically reshaped ruff collar, when illuminated, casts an encircling shadow, mirroring the confinement in a prison built from greed and vanity.
Nhengo dzeTimu: Kaiqi Zhang