Embrace The Poetry Of Self Nguo naJi Yibo

Dhizaini Embrace The Poetry Of Self Nguo naJi Yibo ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2025 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheFashoni, Zvipfeko neMbatya.

SimbiFashoni· 2025

Embrace The Poetry Of Self Nguo

na Ji Yibo

Mutengi: Nanjing University of the Arts

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheFashoni

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Nezvekwa Embrace The Poetry Of Self Nguo

Embrace the Poetry of Self ihoko yezvipfeko zvevakadzi inobva pandhumbu yenguo. Chimiro chehembe yechinyakare yevarume chakabatanidzwa mundhumbu yechikadzi, uye kucheka kwematatu-dhaimenshoni kunoshandiswa kubatanidza zvimiro zviviri izvi. Zvivakwa zvezvipfeko zvinodambudzwa uye zvigadziriswe zvakare kuti zvipedze miganhu iri pakati pezvipfeko zvevarume nezvevakadzi. Mhedzisiro ndeyekuti pane chipfeko chimwe chete chinogona kupfekwa nenzira dzakasiyana-siyana. Basa nechitarisiko zvakabatanidzwa muchinhu chimwe chete. Hoko iyi inofungisisa nezvezivo yechikadzi uye nezveukama hwenzvimbo pakati pezvipfeko nemuviri.

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Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne Embrace The Poetry Of Self Nguo, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. Embrace The Poetry Of Self Nguo inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, Embrace The Poetry Of Self Nguo inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: The delicate fabric subtly conveys the graceful curves of a woman while also carrying strong gender symbols. This collection deconstructs and reconstructs clothing structures, using three-dimensional cutting and deconstruction techniques to spatially reshape traditionally gendered garments such as men's shirts and suits, blurring the boundaries of gender and creating a limitless interactive space between clothing and the body.
Kukura & Kupakiwa: 25cm*2cm*80cm
Matagi: Apparel, Clothes, Fashion, Dress, Woman
Tekinoroji Yekugadzira: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Changamire yeDhizaini: Balancing fit and comfort can be challenging, as different body types have varying needs. Choosing fabrics that meet aesthetic, comfort, and functionality requirements is essential. Cost control is another difficulty, as high-quality materials and intricate craftsmanship can increase expenses. Additionally, the complexity of designs may affect production efficiency. Rapid changes in market trends require quick responses to keep up with fashion. Sustainability poses challenges as eco-friendly materials and processes often come with higher costs and limited technology. These difficulties demand that designers find the best balance between creativity, aesthetics, technology, and market demands.
Tsvakurudzo: Ergonomic analysis to optimize fit and comfort; material technology research to select breathable, waterproof, and antibacterial functional fabrics; fashion trend analysis to integrate market demands with stylish elements; craftsmanship and structural optimization to enhance tailoring techniques and durability; eco-friendly and sustainable design using recycled materials and environmentally friendly processes; and smart wearable technology with features such as temperature control and health monitoring. These research approaches ensure that clothing achieves the best balance of comfort, functionality, aesthetics, and sustainability.
Chikurudziro: The Embrace the Poetry of Self collection is inspired by a profound reflection on female identity and the spatial structure of the body. As a staple in women's daily wardrobes, the dress symbolizes both fashion and femininity.
Nguva yePurojekiti: The project started in September 2016 in Nanjing and finished in September 2017 in Nanjing, exhibiting in Nanjing University of the Arts.
Mafambiro eBasa: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Nhengo dzeTimu: Ji Yibo