Tianmianshang Paviri naArt Institute of Xiaoyan

Dhizaini Tianmianshang Paviri naArt Institute of Xiaoyan ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2025 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheAkitekicha, Zvivako neZvivakwa.

BronziAkitekicha· 2025

Tianmianshang Paviri

na Art Institute of Xiaoyan

Mutengi: Art Institute of Xiaoyan

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheAkitekicha

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Mavara

Dhizaini

Nezvekwa Tianmianshang Paviri

Tianmianshang ipaviri iri muHuizhou City, Guangdong Province. Paviri iyi inomira kumashure kwomunda wemioranji uye inopa nzvimbo ine runyararo yokuzorora mukusamira uye vhu. Dhizaini iyi inobvunza mutsauko wakajairika uripo pakati pefuroro, denga uye deniro rememba, uye pakati pemukati nekunze. Mafuro nemadenga anofamba senge mafungu anoumba nzvimbo dzakati wandei dzokupinda. Madziro mana makuru anosungwa nemadziro maviri emukonikiri akaiswa nenzira isina kutevedza chirongwa, pamwe nembiru dzemukonikiri, izvo zvinovhenganisa miganhu yenzvimbo uye zvinowedzera zvidimbu mukati. Denga irisimbi imwe chete yakareruka ine mitsetse yakachena.

Kuzivikanwa

Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne Tianmianshang Paviri, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Tianmianshang Paviri inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Tianmianshang Paviri inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Art Institute School of Xiaoyan wants to challenge the notion of floor, roof/ceiling, interiority and exteriority. The undulating floor and roof/ceiling create various threshold spaces within. Planar permutation of walls and columns makes interiority versus exteriority a little harder to parse. AIXY hopes this design becomes a stimulus for an organic formation of partiality from the users towards various subspace within, against the backdrop of a seemingly uniform-in-concept arrangement.
Matagi: Rural Design, Cultural Design, Public Space
Tekinoroji Yekugadzira: Its column, using concrete structure, in addition to the four main walls created for the interior space, also added two irregularly arranged concrete walls, which are not simply used to separate the space but blur the boundaries of the space, forming a spatial structure from unorganized to shaped. This design not only enhances the stability of the building but also gives the whole space more layers of change.
A one-piece, lightweight steel structure is used for the roof. This design not only visually presents clean and smooth lines but also strengthens the sense of unity and lightness of the building as a whole, making the building seem to float in the surrounding natural environment. It not only conforms to the aesthetics of modern architecture but also interprets the architectural concept of man and nature.
Changamire yeDhizaini: This project was completed by the students and tutors of Art Institute School of Xiaoyan, during which the communication and design of the program, as well as the coordination between the students was challenging.
Tsvakurudzo: When a space is abstracted to its elementary components, people are given a chance to decompose and re-examine these components on a more fundamental level.
Since mankind adopted the concept of shelter as a tradition, “the threshing floor was a place of work but also a place of gathering, dancing, ritual, and worship” (Elements of Architecture, Rem Koolhaas).
Art Institute School of Xiaoyan intended for the project to be a space of action and gathering. Approaching the request with its intended abstractedness, they want to challenge the notion of floor, roof/ceiling, interiority and exteriority. The undulating floor and roof/ceiling create various threshold spaces within. Planar permutation of walls and columns makes interiority versus exteriority a little harder to parse. They hope this design becomes a stimulus for an organic formation of partiality from the users towards various subspace within, against the backdrop of a seemingly uniform-in-concept arrangement.
Chikurudziro: From plaza to apartment floors to parliament floor, the idea of floor has been a fundamental symbol for action, be it the more private types or more public types such as a place for negotiation, congregation. Similarly, the roof or ceiling (in this case Art Institute of Xiaoyan is intentionally obscuring the distinction between the two), is the reciprocal of floor, completing the concept of a sheltered space, and has evolved in recent years to being an envelope for practicality (hidden structural system, HVAC system, false ceiling etc)
Nguva yePurojekiti: It is located in Huizhou City, Guangdong Province.
Mafambiro eBasa: Art Institute School of Xiaoyan wants to create a space that breaks traditional boundaries, a building that is not just a physical entity but an experience. This pavilion is situated behind an orange grove, where people can temporarily disconnect from the hustle and bustle and experience nature.
Nhengo dzeTimu: Jianguo Dong
Jinjun Zhang
John Barton
Simba Xu
Michaël Dooley
Zhixuan Luo
Jintao Li
Yawen Wang
Xiwu Chen
Na Ou
Yanjun Zhang
Yaqi Wang
Yuezhuo Hu
Tsingz Huang
Ziqi Wang
Yueyao Huang
Ziyu Zhou
Zimo Zhao
Yiyi Yang
Peichen Dong
Hao Geng
Langbo Shi
Shanghong Shi
Haoxiang Yuan
Xinlei Liu
Chenyu Lai
Yaxin Zhang
Junning Zhang
Zhishun Min
Jiashu Xiang
Zichang Guo
Yanjie Zhu
Yutong Yao
Qixuan Yang
Zixi Liu
Anni Zheng
Ziyan Wang
Zixi Chen
Ziying Chen
Chuyue Li