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Hua Chenyu Mars Concert Dhizaini yeChikuva cheKonzati naPeng Guo, Ka Ping Kwok and Bin Li

Dhizaini Hua Chenyu Mars Concert Dhizaini yeChikuva cheKonzati naPeng Guo, Ka Ping Kwok and Bin Li ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2025 Mubairo weGoridhe we A' Design Award muChikwata cheKukwikwidza cheMitambo yePaSiteji, Maitiro neNzvimbo.


GoridheMitambo yePaSiteji· 2025

Hua Chenyu Mars Concert Dhizaini yeChikuva cheKonzati

na Peng Guo, Ka Ping Kwok and Bin Li

Mutengi: Beijing Yamei Times Culture Media Co. Ltd

Mukundi weMubairo weGoridhe we A' Design Award muChikwata cheMitambo yePaSiteji

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Dhizaini

Nezvekwa Hua Chenyu Mars Concert Dhizaini yeChikuva cheKonzati

Hua Chenyu Mars Concert idhizaini yechikuva chekonzati chepanze yakagadzirirwa nzvimbo huru yekunze. Marongero acho akarongwa munzvimbo ina: chikuva chikuru chine hupamhi hwemamita 106 nekureba kwemamita 28.5 chine mataera mashanu enzvimbo yekuita mitambo, chikuva chepakati chakatenderera chine dhayamita yemamita 19, chikuva chekuwedzera chakareba mamita 30 chinoyambuka nzvimbo yevaoni, uye chivakwa chakatenderera chine dhayamita yemamita 100 chinokomberedza nzvimbo yese. Mascreen eLED anopenya seghirazi akasanganiswa nezvikuva zvinofamba uye zvinhu zvemichina. Zvinhu zvinopenya nezvinoonesa mukati zvinobatanidza chikuva nemamiriro ekubuda kwezuva.

Kuzivikanwa

Nezve Mubairo weGoridhe we A' Design Award

Mubairo weGoridhe we A' Design Award wakahwinwa ne Hua Chenyu Mars Concert Dhizaini yeChikuva cheKonzati, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini ekutanga, anoshamisa uye akanakisa. Vakunda veGoridhe mabasa ane zvitsva zvakawanda, ane chiratidzo uye anopenya, anoratidza njere, uchenjeri nehunyanzvi hwevagadziri vawo. Hua Chenyu Mars Concert Dhizaini yeChikuva cheKonzati inotarisirwa kuva chigadzirwa chinorumbidzwa kwazvo, chinoita mafambiro matsva uye chakakura, chinopa kukosha kusati kwamboonekwa. Dhizaini iyi yakahwina Mubairo weGoridhe we A' Design Award basa rinoshamisa, rinoremekedzwa, rinobatsira zvikuru uye rinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Hua Chenyu Mars Concert Dhizaini yeChikuva cheKonzati inomutsa manzwiro akasimba ekuda, inomutsa mwoyo, inokurudzira kugadzira uye inotikwezva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana
To present this visually stunning effect, the design team ingeniously integrates the performance area, installations, and structures within the venue, collectively creating a "Martian civilization" that is both epic and futuristic. Here, every audience member can feel the charm of Hua Chenyu's music and his dedication and passion for music.
Kukura & Kupakiwa
In terms of stage layout, we meticulously planned four major zones: the main stage, the "home stage," the extension stage connecting the main stage and the "home stage," and a massive circular structure enveloping the entire setup. The main stage is 106 meters wide and reaches a height of 28.5 meters, divided into 5 levels of performance space. The background consists of 10 sets of movable platform mechanisms, creating a versatile spatial effect. The "home stage" is a circular stage with a diameter of 19 meters and a top structure height of 16 meters, resembling an "interstellar device" from the "Martian civilization." The extension stage, serving as a bridge in the "Martian civilization," spans the audience seating area, naturally connecting the main stage and the "home stage," with a total length of 30 meters and an internal mechanical slope of 11 meters. The massive circular structure has a diameter of 100 meters, encompassing all the aforementioned spatial structures, presenting a rich and vibrant stage effect.
Matagi
Stage, Hua Chenyu, Concert, Shandong
Tekinoroji Yekugadzira
The main stage combines state-of-the-art self-developed mirrored LED screens with mechanical elements, forming a stable and poised structure imbued with infinite possibilities for transformation. On the "home stage," a blend of natural and science fiction atmospheres triggers a magical chemical reaction. The viewing angle tends towards a miniature "four-sided stage," offering a broader perspective for the audience and facilitating interactive and relaxed performances. Serving as a bridge connecting the main stage, the extension stage features a massive circular structure enveloping the entire venue, enhancing immersion and symbolizing the mutual dedication between Hua Chenyu and his fans. The immense circular installation in the fourth section embraces the entire stage, providing the audience with a sense of departing from home, wandering, and returning to their own abode.
Changamire yeDhizaini
The stage has a very high load-bearing capacity, numerous transformation effects, and the plan needs to be adjusted according to weather changes.
Tsvakurudzo
In the process of stage design, safety has always been our top priority. From the initial stages of the design concept, we completed safety technology assessments for the structure, mechanics, and other hardware to ensure that all designs meet safety standards. During the construction process, we strictly adhere to safety regulations and conduct rigorous fire safety certification for all materials used. Additionally, we continuously monitor natural weather conditions such as rain and wind in real-time and have developed corresponding emergency plans.
Chikurudziro
This concert is the realization of a three-year promise between Hua Chenyu and his fans, as well as a heartfelt tribute to their mutual emotions. The theme of the stage design echoes Hua Chenyu's classic masterpiece "Born to Be Wild," drawing inspiration from the magnificent cities of mythological realms, evoking a sense of harmony with nature and a longing for the unknown.
Nguva yePurojekiti
It is published on 02, April, 2024 and in Shandong, China.
Mafambiro eBasa
In terms of implementation, we have adopted a variety of innovative technologies. Firstly, we have independently developed the technology that combines mirrored LED screens with mechanical elements, allowing the stage to accommodate infinite changes and possibilities within a stable and poised structure. Secondly, we have utilized a large amount of reflective and transparent materials to seamlessly integrate the stage with the natural sunrise landscape. Additionally, by combining conventional movable platforms with unconventional moving forms and utilizing unconventional materials, we have created an extremely rich stage transformation. The application of these innovative technologies has enabled the realization of the entire stage design and the presentation of unique effects.
Nhengo dzeTimu
Beijing Yamei Times Culture Media Co Ltd
Peng Guo
Ka Ping Kwok
Bin Li

Yakatsigirwa

Ongorora Kupfuura Designers.org

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