Architectural Traces Bhuku naStjepko Rosin

Dhizaini Architectural Traces Bhuku naStjepko Rosin ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2022 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheKudhinda neZvakadhindwa.

SimbiKudhinda· 2022

Architectural Traces Bhuku

na Stjepko Rosin

Mutengi: Naklada Boskovic

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheKudhinda

12,336

Mukundi weMubairo Akasimbiswa

Simbisa Mamiriro eMubairo we#126347

Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

Mavara

Dhizaini

Nezvekwa Architectural Traces Bhuku

Architectural Traces ibhuku rinotaura nezvebasa remuvaki wezvivakwa (architect) wekuDalmatia. Chivharo chine rutivi rwakarereka rwakafanana nedenga rine zvidhina zveRoma zvakajairika kana zvichionekwa uri kure. Kana waswedera pedyo, mufananidzo unobuda seminanidzo yechokwadi yekuongorora musana wemuvaki iyoyo yakaitwa neMagnetic Resonance (MRI). Chinonzi optical illusion ichi chinoratidza chokwadi chakavanzika uye chinorwadza chiri seri kwezvivakwa zvinoyemurwa. Bhuku iri rine size inosvika 270 mm ne270 mm ne35 mm uye rakadhindwa papepa reoffset rine hard stitched binding pasina kunge rakaputirwa nechimwe chinhu kunze. Chivharo chinosvika pakumira zvakarereka pakati pekushandiswa kwaro.

Kuzivikanwa

Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne Architectural Traces Bhuku, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. Architectural Traces Bhuku inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, Architectural Traces Bhuku inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Looking from a distance at the sloping side of the cover, we recognize a roof with typical Dalmatian Roman tiles. It is created by the optical illusion of images of the actual Magnetic resonance of the architect's spine, which can be seen when we approach the book. They reveal the hidden and painful reality of a responsible Dalmatian architect, the one behind the buildings we admire.
Kukura & Kupakiwa: Dimensions are 270 mm x 270 mm x 35 mm
Matagi: Book, Architecture, Spine, Traces, Dalmatian, Roman
Tekinoroji Yekugadzira: The format of the book was chosen as the one that corresponds to the difference in proportions and quality content of the publication, not too large for the convenience of leafing. It is printed on quality offset paper, hard, stitched binding without the outer paper wrapper.
Changamire yeDhizaini: The challenge was how to show the life of an architect who is not easy. To show it true in a society that has prejudices against responsible architects and that perceives architecture in the wrong way. Show that not all architects are the same.
Tsvakurudzo: Almost a lifelong experience, living in the same household with an architect, talking many times about architecture, I witnessed many successes but also injustice, misunderstanding, pressure, threats, sleepless nights, and consequently health problems.
Chikurudziro: The Dalmatian architecture disappears under the trends. The authors of the book, called Architectural Traces, describe the works of a renowned Dalmatian architect Jerko Rosin, as modest, considerate, rational, responsible for the area, without unnecessary trendy views. And on the spine that has not bent in front of insatiable investors, which are consistency, stress, and years spent in a chair, I notice some different architectural, more painful, traces.
Nguva yePurojekiti: The project started in October 2019 in Split and finished in January 2020 in Split, and was exhibited in Hotel Park congress hall in January 2020.
Mafambiro eBasa: The book is not designed flat. Although it communicates even when closed, it comes to full expression during use, when opening the book, when the cover comes into its open oblique position.
Zvikwereti zveMifananidzo: Image #1: Photographer Stjepko Rosin, 2021
Image #2: Photographer Stjepko Rosin, 2021
Image #3: Photographer Stjepko Rosin, 2021
Image #4: Photographer Stjepko Rosin, 2021
Image #5: Photographer Stjepko Rosin, 2021