Craft as Time Capsule Bhuku naHsiao-Wen Hu

Dhizaini Craft as Time Capsule Bhuku naHsiao-Wen Hu ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2021 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheKudhinda neZvakadhindwa.

SirivhaKudhinda· 2021

Craft as Time Capsule Bhuku

na Hsiao-Wen Hu

Mutengi: Pratt Institute

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheKudhinda

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Mavara

Dhizaini

Nezvekwa Craft as Time Capsule Bhuku

Iyi purojekiti ndeyekupedzisira zvinyorwa zveHsiao-Wen's thesis tsvakiridzo yekugadzira hunyanzvi senzira yekuchengetedza muzera razvino redhijitari. Iri bhuku rine zvikamu zvitatu, kuongorora shanduko pakati peiyo yenyama uye yechokwadi, zvinhu uye data, kubatanidzwa kwevashandisi uye ruzivo kubva pakuona kwekugadzira hunyanzvi nekuchengetedza. Sezvo nyika yaichinja kubva kumabasa emuviri kuenda kukudyidzana chaiko, zvidikanwi zvitsva uye mafomu ekubatana nenzvimbo dzakatipoteredza zvakakurudzirwa. Shanduko yakadaro haingoratidzi chete kuburikidza nechinhu uye tekinoroji, asiwo tsika yese pamwero.

Kuzivikanwa

Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne Craft as Time Capsule Bhuku, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. Craft as Time Capsule Bhuku inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Craft as Time Capsule Bhuku chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
Kukura & Kupakiwa: The dimension of the book is in US letter size: 216 mm x 279 mm.
Matagi: design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
Tekinoroji Yekugadzira: The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
Tsvakurudzo: This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
Chikurudziro: This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
Nguva yePurojekiti: This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.