Didactics of Typography Yesainzi Monographi naPawel Krzywdziak

Dhizaini Didactics of Typography Yesainzi Monographi naPawel Krzywdziak ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2020 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheKudhinda neZvakadhindwa.

SimbiKudhinda· 2020

Didactics of Typography Yesainzi Monographi

na Pawel Krzywdziak

Mutengi: Jan Matejko Academy of Fine Arts in Cracow, Poland

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheKudhinda

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Shanyira Saiti Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

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Nezvekwa Didactics of Typography Yesainzi Monographi

Didactic yeTechnology: Kudzidzisa Tsamba / Kudzidzisa neTsamba kunozivisa nzira uye zvinogoneka zvekudzidzisa kunyora uye typography muzvikoro zvakasarudzwa zvekupenda. Iri bhuku rinobatanidza syllabus dzakasiyana siyana, pamwe chete nezviratidziro uye hurukuro dzemigumisiro yekudzidzisa yakavakirwa pane zvakatemwa mudzidzi zvirongwa. Maitiro ekugadzira aisanganisira kuronga zvakasiyana, zvemitauro miviri uye kupa zvakajeka zvinyorwa zvemukati uye zvinoratidzwa kurondedzera. Orange macentents mune dhizaini yemonchromatic color pa Palete inotungamira kutarisisa kwevaverengi kuburikidza nenyika inonakidza yekutapa.

Kuzivikanwa

Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne Didactics of Typography Yesainzi Monographi, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. Didactics of Typography Yesainzi Monographi inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, Didactics of Typography Yesainzi Monographi inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: The modest form of this scientific monograph contains a layout organizing articles with a diverse structure, all describing different teaching insights. It was necessary to place the Polish and English versions of the text in parallel, as well as many illustrations of student work and photos from the studios. The visual style of the publication was obtained by a monochrome color palette with orange accents, printed on the uncoated surface of a cream white paper.
Kukura & Kupakiwa: Format: 200 x 17 x 260 mm, 180 pages
Matagi: Didactics, Learning, Teaching, Lettering, Typography, Calligraphy, Typeface, History, Fonts, Hand-lettering
Tekinoroji Yekugadzira: Soft cover with flaps, book printed in Pantone 021U and offset black, paper: Munken Pure 120, 300 g/m2 by Arctic Paper
Changamire yeDhizaini: The design challenge was to find typographic and graphic solutions, that would both unify articles and illustrations within the publication, but also distinguish various elements like data, lists, schemes, and individual student work. To maintain bilingual narration, the text is set in two coordinated columns, with different width and font size.
Tsvakurudzo: The project started with a conference, which aimed to exchange experiences related to teaching typography to art and design students. Afterwards, materials from the speakers were collected – their reflections, curriculums, student works, and conclusions concerning other speeches. The edition was supposed to correspond with the discourse – it was not meant to be a catalogue of students portfolios, but a notation of different insights, giving a holistic view on typography teaching in Poland.
Chikurudziro: "Didactics of Typography. Teaching the Letter / Teaching with the Letter" is an attempt to present the methods and outcomes of teaching lettering and typography. The authors hope that it may serve as a springboard for a broader debate on the current state and future of the discipline, as well as the place of typography in contemporary design art. The volume contains outlines of various syllabuses, as well as presentations and discussions of teaching outcomes based on specific student projects.
Nguva yePurojekiti: The project started in April 2018 with a typographic conference in Cracow, Poland. The publication was issued in 2019.
Mafambiro eBasa: The book includes 12 illustrated chapters, 10 of which are related to different typographic studios. In order to facilitate navigation through the publication, the chapters have been separated by sections comprehensively presenting the most important information about the studios and the profiles of teachers. The text layout allows both to focus on reading the articles and to simultaneously have an overview on illustrations and diagrams relevant to particular issues. The narration is carried out by colour accents, drawing the reader's attention to the most important elements related to the topic.
Zvikwereti zveMifananidzo: Paweł Krzywdziak, 2019.