Porous Manifold Japonska Čajnica – avtor Ryumei Fujiki and Yukiko Sato

Delo Porous Manifold Japonska Čajnica avtorja Ryumei Fujiki and Yukiko Sato je izjemno cenjeni dobitnik prestižne nagrade 2019 Srebrna nagrada A' Design Award v tekmovalni kategoriji Likovna umetnost in umetniške instalacije.

SrebrnaLikovna umetnost· 2019

Porous Manifold Japonska Čajnica

avtor/ica: Ryumei Fujiki and Yukiko Sato

Naročnik: F.A.D.S + Fujiki Studio, KOU::ARC

Dobitnik nagrade Srebrna nagrada A' Design Award v kategoriji Likovna umetnost

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Dizajn

O dizajnu Porous Manifold Japonska Čajnica

To je začasna japonska čajnica, ki je bila razstavljena na trienalu umetnosti Echigo-tsumari 2018 in ima ugnezdeno strukturo z dvema tatamijema, ki sta vdelana v 10 kvadratnih metrov. Na tokratni razstavi so bili arhitekti pozvani, naj odgovorijo na temo, kako preseči koncept homogenega prostora, ki je prevladoval v 20. stoletju. Okostje je bilo zasnovano z uporabo naključnega vzorca, ki se je imenoval Voronoi Division, da bi izkrivljal homogeni prostor. Predlagano je bilo, da se arhitektura z velikim številom lukenj odpira in zapira po potrebi, da komunicira z zunanjostjo kot živo bitje.

Priznanje

O nagradi Srebrna nagrada A' Design Award

Porous Manifold Japonska Čajnica je prejemnik Srebrne nagrade A' Design Award, izjemno prestižnega priznanja, ki se podeljuje čudovitim, impresivnim vrhunskim oblikovanjem. Prejemniki Srebrne nagrade so izjemno briljantna in zelo ustvarjalna dela, ki ponazarjajo izjemno strokovnost, talent in bistrost svojih oblikovalcev. Od Porous Manifold Japonska Čajnica se pričakuje, da bo čudovito, zgledno delo, opazno profesionalno in globoko inovativno. To oblikovanje, nagrajeno s Srebrno nagrado A' Design Award, je zelo opazen, občudovan izum, ki koristi in premika meje umetnosti, znanosti, oblikovanja in tehnologije. Porous Manifold Japonska Čajnica je stvaritev, ki ji mnogi zavidajo, ki prebuja želje, prinaša pozitivna čustva in vzbuja začudenje in občudovanje.

V ozadju dizajna

Komplet za medije

Zasluge, člani ekipe in tehnične podrobnosti, ki jih je posredoval oblikovalec.

Edinstvene lastnosti: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimenzije in embalaža: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Oznake: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Proizvodna tehnologija: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Oblikovalski izziv: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Raziskave: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspiracija: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Trajanje projekta: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Potek delovanja: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patenti: F.A.D.S + Fujiki Studio, KOU::ARC
Člani ekipe: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Zasluge za slike: Masahiro Hoshida, Fujiki Studio, KOU::ARC