Delo Shany Abdallah Naji Primarna funkcija: Serija grafičnih umetnin avtorja Shany Dvora je izjemno cenjeni dobitnik prestižne nagrade 2021 Srebrna nagrada A' Design Award v tekmovalni kategoriji Grafično oblikovanje, ilustracija in vizualna komunikacija.
SrebrnaGrafika· 2021
Shany Abdallah Naji Primarna funkcija: Serija grafičnih umetnin
avtor/ica: Shany Dvora
Dobitnik nagrade Srebrna nagrada A' Design Award v kategoriji Grafika
Potrjeni dobitnik nagrade
Preverite status nagrade za #121320Dizajn
O dizajnu Shany Abdallah Naji Primarna funkcija: Serija grafičnih umetnin
Shany Abdallah Naji je serija grafičnih del, ki oživlja družinsko tradicijo poimenovanja. Tradicija, ki se je končala, ko se je družina preselila iz Iraka v Izrael, je novorojenčku dala osebno ime, ki so mu sledila imena očeta in dedka. Serija je nastala po odkritju starih družinskih priseljenskih dokumentov. Pet del v mešani tehniki, štiri v velikosti 50 krat 70 centimetrov in eno v velikosti 75 krat 70 centimetrov, prepleta podobe s hebrejsko kaligrafijo, ki jo navdihujejo hebrejski rokopisi iz Iraka, Jemna in Maroka, ustvarjeni med 12. in 15. stoletjem.
Priznanje
O nagradi Srebrna nagrada A' Design Award
Shany Abdallah Naji Primarna funkcija: Serija grafičnih umetnin je prejemnik Srebrne nagrade A' Design Award, izjemno prestižnega priznanja, ki se podeljuje čudovitim, impresivnim vrhunskim oblikovanjem. Prejemniki Srebrne nagrade so izjemno briljantna in zelo ustvarjalna dela, ki ponazarjajo izjemno strokovnost, talent in bistrost svojih oblikovalcev. Od Shany Abdallah Naji Primarna funkcija: Serija grafičnih umetnin se pričakuje, da bo čudovito, zgledno delo, opazno profesionalno in globoko inovativno. To oblikovanje, nagrajeno s Srebrno nagrado A' Design Award, je zelo opazen, občudovan izum, ki koristi in premika meje umetnosti, znanosti, oblikovanja in tehnologije. Shany Abdallah Naji Primarna funkcija: Serija grafičnih umetnin je stvaritev, ki ji mnogi zavidajo, ki prebuja želje, prinaša pozitivna čustva in vzbuja začudenje in občudovanje.
V ozadju dizajna
Komplet za medije
Zasluge, člani ekipe in tehnične podrobnosti, ki jih je posredoval oblikovalec.
- Edinstvene lastnosti
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimenzije in embalaža
- 4 works 50*70 cm
1 work 75*70 cm - Oznake
- Calligraphy, Typography, Hebrew, Eastern
- Proizvodna tehnologija
- Mixed Media
- Oblikovalski izziv
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- Raziskave
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiracija
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Trajanje projekta
- 2018-2019, Israel
- Potek delovanja
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- Patenti
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- Člani ekipe
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- Zasluge za slike
- Shany Dvora
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