Zhulin Shi طرفان Sense Move بنيادي ڪارج: ناچ جو لباس انتهائي معتبر 2020 A' Design Award چاندي انعام جو فاتح آهي فيشن، لباس ۽ پوشاڪ ڊيزائن مقابلي جي درجي ۾.
چانديفيشن· 2020
Sense Move بنيادي ڪارج: ناچ جو لباس
Zhulin Shi طرفان
ڪلائنٽ: Last Lab Inc.
فيشن درجي ۾ A' Design Award چاندي انعام فاتح
تصديق ٿيل ايوارڊ فاتح
ڊزائين #90799 لاءِ ايوارڊ جي حيثيت جي تصديق ڪريوڊزائن
Sense Move بنيادي ڪارج: ناچ جو لباس بابت
سينس موو هڪ روشني ڏيندڙ لباس آهي جيڪو ناچ ڪندڙن لاءِ ٺاهيو ويو آهي. هي لباس هندسي شڪلين ۾ سلوٽجي وڃي ٿو جيڪي جسم جي حرڪت جي پيروي ڪن ٿيون، ۽ اسٽيج تي هڪ حرڪت واري مجسمي جي صورت اختيار ڪن ٿيون. روشنيءَ جا اثر بدلجندڙ جذبن جو اظهار ڪن ٿا. آهستي مدھم ٿيڻ ساھ کڻڻ جو اشارو ڏئي ٿو، ۽ چمڪ جوش جو اشارو ڏئي ٿي. لباس جي حصي طور هڪ محسوس ڪندڙ دستانو (سينسنگ گلو) پڻ شامل آهي. جڏهن ناظرين مان ڪو فرد ناچ ڪندڙ جي هٿ کي ڇُهي ٿو، ته روشني ان ڇُهاءَ جي جواب ۾ بدلجي وڃي ٿي. هن ڊزائين جو مقصد اداڪارن ۽ ڏسندڙن جي وچ ۾ جذباتي رشتي کي مضبوط ڪرڻ آهي.
سڃاڻپ
A' Design Award چاندي انعام بابت
Sense Move بنيادي ڪارج: ناچ جو لباس A' Design Award چاندي انعام جو کٽيندڙ آهي، غير معمولي حد تائين معزز اعتراف جيڪو اعليٰ ترين درجي جي، شاندار ۽ متاثر ڪندڙ ڊيزائنن کي ڏنو وڃي ٿو. چاندي جا کٽيندڙ تمام گهڻا روشن ۽ انتهائي تخليقي ڪم آهن، جيڪي پنهنجي ڊيزائنرن جي شاندار مهارت، صلاحيت ۽ ذڪاوت کي ظاهر ڪن ٿا. Sense Move بنيادي ڪارج: ناچ جو لباس کان اميد ڪئي وڃي ٿي ته اهو هڪ شاندار نمائشي ڪم هوندو، قابل ذڪر حد تائين پيشه ورانه ۽ ڳوڙهي جدت وارو. هي ڊيزائن جنهن A' Design Award چاندي انعام کٽيو آهي، هڪ انتهائي قابل ذڪر، ساراهيل ايجاد آهي جيڪا فائدو ڏئي ٿي ۽ فن، سائنس، ڊيزائن ۽ ٽيڪنالاجي جون حدون وڌائي ٿي. Sense Move بنيادي ڪارج: ناچ جو لباس هڪ اهڙي تخليق آهي جنهن تي گهڻا حسد ڪن ٿا، جيڪا خواهشون جاڳائي ٿي، مثبت جذبا آڻي ٿي ۽ حيرت ۽ تعجب جي چڻنگ ٻاري ٿي.
ڊزائن جي پسمنظر
پريس ڪِٽ
ڊزائنر طرفان فراهم ڪيل ڪريڊٽس، ٽيم ميمبرز ۽ ٽيڪنيڪل تفصيلات.
- منفرد خاصيتون
- Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
- ماپ ۽ پيڪيجنگ
- Width 70mm x Depth 30mm x Height 150mm
- ٽيگ
- wearable technology, led lighting costume, kinetic sculpture
- پيداواري ٽيڪنالاجي
- In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
- ڊزائين چيلينج
- The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
- تحقيق
- I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance. - الهام
- With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
- منصوبي جو عرصو
- The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
- عمل جو فلو
- The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
- تصوير ڪريڊٽ
- Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou
اسپانسرڊ
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