ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Sheng Tao and Yi Zhang ᱨᱮᱱᱟᱜ Fight Together Office Interior

Sheng Tao and Yi Zhang ᱨᱮᱱᱟᱜ Fight Together Office Interior ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020

Fight Together Office Interior

Sheng Tao and Yi Zhang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: DeeSen Space Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#99552 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

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ᱰᱤᱡᱟᱭᱤᱱ

Fight Together Office Interior ᱵᱟᱵᱚᱛ ᱛᱮ

Fight Together ना Nanjing रे मेनাक্ কার্যালয়(office) रेयाঃ ভিতরি নকশা যাহাঁ ২৮০ বর্গমিটার এলেকা কে ছেকেদাক আ। এই পরিকল্পনা রেয়াঃ লাগিদ yin আর yang রেয়াঃ ভাবনা পেরेম বাকা(curved) রেখা কে বেবহার আকানা, বাহে জাগাহ কে বার মुख्य এলাকা আর পোন হिस्सा তে ভাগ আকানা। এক মেघের নিসান লেका ব্লক আর সমতল গঠন কে গादেয়াক ঠাঁর খালি বক্স রে ঢুকাও আকানা, আর আসবাব(furniture) এই বিন্যাস কে সম্পূর্ণ মেনাক্ কেদা। লাল আর সাদা ছাত এক পরিষ্কার তুলনা(contrast) বেনাও আকানা। কম চাকলা রেয়াঃ ঘন কর্মস্থল যোগাযোগ কে সহায়তা এম'আ আর জাগাহ রেয়াঃ ব্যবহার কে বাড়াও আ। বেবহার আকান জিনিস মেনাক্ কানা- স্টিলের কাঠামো, কার্পেট, কড়া কাচ (tempered glass) আর ল্যাটেক্স রং। আগেরে থাকা কাঠামোগত খুঁটি(columns) কেओ এই নকশা রে যুক্ত আকানা।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Fight Together Office Interior ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Fight Together Office Interior ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The designer use yin and yang to enclose the property with circular arc to divide the whole space into two major areas, four components, and completed the basic spatial planning. In the empty box of the original structure, a cloudlike structure composed of blocks and planes is inserted, and then supplement it with a series of furniture to complete the spatial form.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
280m²
ᱴᱮᱜ ᱠᱚ
red, office
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Steel frame, carpet, tempered glass, latex paint
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
At the beginning of the project, the structural columns that support the perfect shape of the architecture with a length of two meters are scattered indoors, which brings great challenges to the interior design. These columns damage the integrity of the space at a certain degree, so in the meantime, it is necessary to evade them, or make them "disappear" in the view and naturally blend into the interior design.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Most users of the space rely on mobile phones to do their daily task. Therefore, in the four parts of the working space, we chose to arrange it in a compact manner, and the streamlined work stations with narrower widths are more convenient for communication and mutual assistance. This concept has greatly improved the utilization rate and working efficiency of the space.In addition to the ingenuity of the station setting, the design also uses facial recognition access control system according to the characteristics of technological experience that the enterprise has been emphasizing. The dark glass access control maintains privacy and confidentiality of the space; the glass wall in the meeting room could adjust according to necessity, switching between atomization and transparent arbitrarily in traceless operation mode which superimposes the experiences.
ᱯᱨᱮᱨᱚᱱᱟ
The design cuts in from the basic functions, precise layout, and subdivides the regions in a subtle way to generate series connections; the progressive combination of block and plane elements at different levels release infinite tension. The sharp collision of red and white also stimulates a unique artistic feeling...
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in October 2018 in Nanjing and finished in April 2019 in Nanjing
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Designer made the whole space more widely adaptable and in line with the functional positioning of the department with artistic and practical design techniques, seeking individuality from rationality and expressing spirit in stability, meanwhile, using deconstructive techniques and elemental geometric relations to divide the space into large blocks. So as to giving the space a stronger directionality Modern technology-based smart office.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Sheng Tao
Yi Zhang
Hui Cai
Wan Huang

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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