Chia-I Tsai ᱨᱮᱱᱟᱜ Graceful Home ᱡᱷᱚᱛᱠᱟᱹᱵᱚᱱ ᱠᱚᱴᱷᱟ ᱵᱷᱤᱛᱚᱨᱠᱚ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020
Graceful Home ᱡᱷᱚᱛᱠᱟᱹᱵᱚᱱ ᱠᱚᱴᱷᱟ ᱵᱷᱤᱛᱚᱨᱠᱚ ᱰᱤᱡᱟᱭᱤᱱ
Chia-I Tsai ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Uzdesign
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#99345 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Graceful Home ᱡᱷᱚᱛᱠᱟᱹᱵᱚᱱ ᱠᱚᱴᱷᱟ ᱵᱷᱤᱛᱚᱨᱠᱚ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱜᱨᱮᱥᱯᱷᱩᱞ ᱦᱚᱢ ᱫᱚ ᱴᱟᱭᱯᱮ ᱥᱚᱦᱚᱨ ᱨᱮ ᱛᱷᱟᱯᱚᱱ ᱟᱠᱟᱱ ᱢᱤᱫ ᱡᱷᱚᱛᱠᱟᱹᱵᱚᱱ ᱠᱚᱴᱷᱟ ᱵᱷᱤᱛᱚᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮᱭᱟᱜ ᱡᱟᱜᱟ ᱫᱚ ᱔᱙.᱕ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ। ᱟᱨᱟᱢ ᱟᱨ ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱜᱟᱶᱛᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱦᱚᱨ ᱩᱫᱩᱜᱟᱭ। ᱵᱷᱤᱛᱚᱨ ᱡᱟᱜᱟ ᱦᱩᱰᱤᱧ ᱫᱚ ᱞᱮᱠᱟᱱ, ᱵᱟᱸᱠᱟᱭ ᱚᱛᱟᱠᱚ ᱫᱚ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱡᱟᱜᱟᱠᱚ ᱩᱫᱩᱜᱟᱭ, ᱡᱟᱜᱟ ᱫᱚ ᱴᱷᱤᱠ ᱞᱮᱠᱟ ᱵᱮᱣᱦᱟᱨ ᱟᱨ ᱧᱮᱞ ᱛᱮᱭᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱟᱛᱟᱜᱟᱭ। ᱞᱚᱦᱟ ᱨᱮᱭᱟᱜ ᱦᱩᱰᱤᱧ ᱠᱚ, ᱠᱚᱴᱤᱝ ᱟᱨ ᱵᱟᱦᱨᱮ ᱠᱷᱚᱱ ᱟᱜᱩᱟᱠᱟᱱ ᱴᱟᱭᱤᱞ ᱠᱚ ᱛᱮ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱴᱮᱠᱥᱪᱚᱨ ᱠᱚ ᱛᱮᱭᱟᱨᱚᱜ ᱠᱟᱱᱟ। ᱯᱚᱨᱤᱥᱠᱟᱨ ᱞᱟᱭᱤᱱ ᱠᱚ, ᱴᱷᱤᱠ ᱞᱮᱟᱩᱴ ᱠᱚ ᱟᱨ ᱠᱚᱢ ᱡᱤᱱᱤᱥ ᱛᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱ ᱱᱚᱨᱰᱤᱠ ᱪᱟᱞ ᱫᱚ ᱠᱚᱴᱷᱟ ᱠᱚ ᱟᱠᱟᱨ ᱮᱢᱟᱭ। ᱢᱟᱨᱟᱝ ᱡᱷᱟᱨᱚᱠᱟ ᱠᱚ ᱫᱚ ᱵᱷᱤᱛᱚᱨ ᱨᱮ ᱥᱤᱸ ᱢᱟᱨᱥᱟᱞ ᱟᱜᱩᱟᱭ ᱟᱨ ᱮᱱᱮᱡ ᱛᱟᱞᱠᱟ ᱫᱷᱟᱨᱛᱤ ᱛᱮ ᱡᱷᱤᱡ ᱮᱢᱟᱭ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Graceful Home ᱡᱷᱚᱛᱠᱟᱹᱵᱚᱱ ᱠᱚᱴᱷᱟ ᱵᱷᱤᱛᱚᱨᱠᱚ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Graceful Home ᱡᱷᱚᱛᱠᱟᱹᱵᱚᱱ ᱠᱚᱴᱷᱟ ᱵᱷᱤᱛᱚᱨᱠᱚ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This design project uses leisure and brightness as the main axis of space to interpret it, resorting to its own aesthetics here, allowing the original vitality to spread and grow in the cold-storied building, and gradually becomes the soft fertile ground of the modern soul.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The apartment is 49.5 square meters.
- ᱴᱮᱜ ᱠᱚ
- Interior Design, Residential, Apartment, Clear Cut, Minimalist
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Considering the house without capacious indoor space, the designer skillfully defines different areas with sloped surfaces that meanwhile effectively utilize entire space, magnify the sense of sight, and expose the enlivening Nordic charisma. With regard to materials, the iron adornments, coatings, imported tiles, lotos, etc. reciprocally develop the charms with distinct textures.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The slope surfaces act as boundaries, the dots and lines fabricate scenes, and the black and white represent stories.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The minimalist style cultivates the harmonious life, and creates the enlivening and delicate ambience. The combination of the clear-cut lines, the precise layouts, and aesthetic and functional design ideas grows the structure and vitality of space. The delicate textures of materials and changes of daylight demonstrate the delicate quality and the balanced medium. The public and private areas incorporating the open and independent layouts integrate the broaden sense of sight and the balanced effect.
- ᱯᱨᱮᱨᱚᱱᱟ
- Design is originated from life, and life changes for design, therefore harmonizing space, making design value for money, and accomplishing perfection with details.
The design project elucidating recreation and brightness as the principle of design carries out its aesthetics in this house, in which the primitive vitality grows in the cold atmosphere, furthermore conforming this place into a cozy home of modern spirits. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project finished on the 16th of December 2019, locates in Taipei City.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Space exists for people, whose desire for home reflects the embodiment of personality. The house owner aspiring to invigorating Nordic style brings about personal life needs and belief in home. As the sunlight scattering through the big windows broadly decorated in the house, the family immersed in the warm sunlight enjoy the great natural views outside the windows.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Director: Chia I Tsai
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
