ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Sasank Gopinathan ᱨᱮᱱᱟᱜ Dhyan ᱵᱚᱥᱚᱱ ᱠᱩᱨᱥᱤ ᱠᱚᱱᱥᱮᱯᱴ

Sasank Gopinathan ᱨᱮᱱᱟᱜ Dhyan ᱵᱚᱥᱚᱱ ᱠᱩᱨᱥᱤ ᱠᱚᱱᱥᱮᱯᱴ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2020

Dhyan ᱵᱚᱥᱚᱱ ᱠᱩᱨᱥᱤ ᱠᱚᱱᱥᱮᱯᱴ

Sasank Gopinathan ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Karimeen Inc.

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

62,257

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#99292 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Dhyan ᱵᱚᱥᱚᱱ ᱠᱩᱨᱥᱤ ᱠᱚᱱᱥᱮᱯᱴ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱫᱷᱭᱟᱱ ᱞᱟᱣᱸᱡᱽ ᱠᱚᱱᱥᱮᱯᱴ ᱫᱚ ᱱᱟᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱥᱟᱢᱟᱝ ᱫᱤᱥᱚᱢᱟᱜ ᱢᱟᱨᱮ ᱵᱷᱟᱵᱽᱱᱟ ᱟᱨ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱱᱛᱤᱭᱟᱜ ᱩᱥᱩᱞ ᱫᱚ ᱡᱟᱹᱯᱩᱫ ᱠᱟᱛᱮ ᱧᱮᱞ ᱟᱠᱟᱫᱼᱟ᱾ ᱞᱤᱝᱜᱚᱢ ᱪᱤᱠᱤ ᱵᱮᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱦᱚᱥᱤᱭᱟᱹᱨ ᱞᱮᱠᱟᱛᱮ, ᱟᱨ ᱵᱳᱫᱷᱤ ᱫᱟᱨᱮ ᱟᱨ ᱡᱟᱯᱟᱱᱤᱡᱽ ᱵᱟᱜᱟᱱ ᱫᱚ ᱢᱳᱰᱩᱞ ᱨᱮᱭᱟᱜ ᱵᱩᱱᱤᱭᱟᱹᱫᱽ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ, ᱫᱷᱭᱟᱱ (ᱥᱟᱱᱥᱠᱨᱤᱛ: ᱫᱷᱭᱟᱱ ᱠᱚᱜ) ᱥᱟᱢᱟᱝ ᱫᱤᱥᱚᱢᱟᱜ ᱫᱟᱨᱥᱚᱱ ᱫᱚ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱡᱚᱲᱟᱣ ᱛᱮ ᱵᱚᱫᱚᱞ ᱟᱠᱟᱫᱼᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱮᱵᱷᱟᱨᱤᱭᱟᱹ ᱫᱚ ᱟᱡᱟᱜ ᱡᱮᱱ/ᱨᱤᱞᱮᱠᱥᱮᱥᱚᱱ ᱞᱟᱹᱜᱤᱫ ᱦᱚᱨ ᱵᱟᱪᱷᱚᱱ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾ ᱫᱟᱜ-ᱯᱳᱠᱷᱚᱨ ᱢᱳᱰ ᱨᱮ ᱵᱮᱵᱷᱟᱨᱤᱭᱟᱹ ᱫᱚ ᱫᱟᱜ ᱡᱟᱹᱨᱱᱤ ᱟᱨ ᱯᱳᱠᱷᱚᱨ ᱛᱮ ᱜᱮᱨᱮᱫ ᱛᱟᱦᱮᱸᱱᱟ, ᱡᱟᱦᱟᱸᱨᱮ ᱵᱟᱜᱟᱱ ᱢᱳᱰ ᱨᱮ ᱦᱟᱹᱨᱤᱭᱟᱹᱲ ᱛᱮ ᱜᱮᱨᱮᱫ ᱛᱟᱦᱮᱸᱱᱟ᱾ ᱥᱴᱟᱱᱰᱟᱨᱰ ᱢᱳᱰ ᱨᱮ ᱯᱞᱟᱴᱯᱷᱚᱨᱢ ᱞᱟᱛᱟᱨ ᱨᱮ ᱫᱚᱦᱚ ᱴᱷᱟᱶ ᱢᱮᱱᱟᱜᱼᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱮᱞᱯᱷ ᱞᱮᱠᱟ ᱠᱟᱹᱢᱤᱭᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Dhyan ᱵᱚᱥᱚᱱ ᱠᱩᱨᱥᱤ ᱠᱚᱱᱥᱮᱯᱴ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Dhyan ᱵᱚᱥᱚᱱ ᱠᱩᱨᱥᱤ ᱠᱚᱱᱥᱮᱯᱴ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
In order to alleviate stress and achieve relaxation and "zen", Dhyan's modularity provides users with 3 environments to choose from: Standard mode (with storage), Garden mode (with side planters) and Water-Pond mode (with waterfall fountain). The design amalgamates eastern philosophies by encouraging solace with the elements of nature. Garden mode surrounds you with plants/trees while Water-Pond mode surrounds you with water and the sound of falling water, which is relaxing and considered good feng shui.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
general dimensions of the concept: L 2010mm, W 1010mm, H 875mm (standard mode), H 1062mm (including LED lamp)
ᱴᱮᱜ ᱠᱚ
zen, relaxation, pond, waterfall, garden, meditation, contemplation
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
finding a way to maintain the original concept of a shiva-linga form while trying to make the design appear light and elegant was quite challenging. Initial designs had very bulky bases, until I was inspired by looking at premium European furniture, and decided to go in a minimalist and "light" direction.
ᱯᱨᱮᱨᱚᱱᱟ
For most working people, the daily stress of work is a hassle. Sometimes all you want at the end of the day is to relax in a contemplative/meditative environment. Inspired by the form of the Shiva Linga, the Bodhi Tree and Japanese gardens, the idea was to create a space where one's state of mind is at peace. It is quite apparent upon observation that proximity to nature brings about a more relaxing mindset, and I aimed to bring that into the home in a more intimate way, especially for urban dwellers who lack much contact with nature.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project is conceptual and took 3 months from idea to what you see now. It started as a sketch as a "shiva-linga"-inspired chair design, and later I discovered there was more potential in its form and spent the next few months refining the idea of the chair as a form of escape from stress.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The chair can be standalone or connected by a power source to power the USB charger on the tablet and LED lamp, as well as the water pump (pond mode). The lamp and tablet are optional extras, and can be retrofitted. standard mode has extra storage compartments behind and beside the seat.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ