ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Liliang Shan ᱨᱮᱱᱟᱜ Lanzhou Wanda City ᱮᱜᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱸᱴᱟᱨ

Liliang Shan ᱨᱮᱱᱟᱜ Lanzhou Wanda City ᱮᱜᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱸᱴᱟᱨ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020

Lanzhou Wanda City ᱮᱜᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱸᱴᱟᱨ

Liliang Shan ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Greed Lotus Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

19,432

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#98206 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Lanzhou Wanda City ᱮᱜᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱸᱴᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱞᱟᱱᱡᱷᱚ ᱣᱟᱱᱰᱟ ᱥᱚᱦᱚᱨ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱞᱟᱱᱡᱷᱚ ᱨᱮ ᱢᱤᱫ ᱮᱜᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱸᱴᱟᱨ ᱠᱟᱱᱟ ᱾ ᱵᱷᱤᱛᱚᱨ ᱚᱠᱛᱚ ᱫᱚ ᱓᱐᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱡᱷᱤᱡ ᱟᱠᱟᱱᱟ ᱟᱨ ᱱᱚᱶᱟ ᱨᱮ ᱢᱤᱫ ᱟᱛᱟᱸᱜ ᱚᱰᱟ ᱟᱨ ᱟᱠᱨᱤᱧ ᱡᱟᱭᱜᱟ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱮᱴᱟᱜ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱰᱟᱱᱡᱷᱤᱭᱟ ᱵᱷᱩ-ᱟᱠᱟᱨ ᱟᱨ ᱥᱚᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱨᱮᱥᱚᱢ ᱟᱨ ᱵᱨᱚᱠᱮᱰ ᱨᱤᱛ-ᱨᱮᱣᱟᱡ ᱠᱷᱚᱱ ᱟᱜᱩ ᱟᱠᱟᱱᱟ ᱾ ᱞᱟᱦᱟᱛᱤ ᱠᱚᱸᱰᱮ, ᱛᱷᱟᱠ ᱛᱷᱟᱠ ᱡᱚᱢᱤᱛᱤ ᱟᱠᱟᱨ ᱟᱨ ᱥᱩᱫᱷᱟᱭ ᱚᱠᱛᱚ ᱠᱚ ᱫᱚ ᱢᱤᱫ ᱡᱩᱰᱟᱶ ᱟᱨ ᱥᱩᱫᱷᱟᱭ ᱦᱟᱶᱟ ᱛᱮᱭᱟᱨ ᱮᱫᱟ ᱾ ᱞᱟᱦᱟ ᱛᱷᱟᱠ ᱨᱮ ᱢᱤᱫ ᱥᱟᱢᱯᱮᱱ ᱥᱚᱱᱟ ᱨᱮᱞᱤᱝ ᱫᱚ ᱢᱟᱨᱟᱝ ᱯᱩᱸᱰ ᱵᱟᱠᱜᱨᱟᱩᱱᱰ ᱨᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱛᱷᱟᱠ ᱛᱷᱟᱠ ᱜᱷᱮᱨ ᱠᱚ ᱫᱚ ᱵᱟᱞᱤ ᱴᱮᱵᱩᱞ ᱨᱮᱭᱟᱜ ᱪᱮᱛᱟᱱ ᱨᱮ ᱢᱮᱱᱟᱜ ᱪᱷᱟᱴᱟ ᱫᱷᱟᱨᱮ ᱛᱮ ᱡᱚᱸ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱮᱥᱠᱮᱞᱮᱴᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱟᱨᱮᱭᱟᱜ ᱫᱷᱟᱨᱮ ᱛᱮ ᱩᱡᱩ ᱨᱤᱸ ᱠᱚ ᱛᱮᱞᱟ ᱟᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Lanzhou Wanda City ᱮᱜᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱸᱴᱟᱨ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Lanzhou Wanda City ᱮᱜᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱸᱴᱟᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
In this case, the design integrates local cultural and geomorphologic characteristics, introduces and transforms the western modernism aesthetic views into the emotion expression acceptable to the east with geometric aesthetics full of modelling sense, precise and unique materials, profound and ingenious design concept and presents the elegant layout and clam feeling tone required by modern CBD with profound professional foundation and precise art recognition.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project covers a total of 3000 square meters. Once visitors step in the reception hall, they can feel the classic and noble match colors, which greatly improves the style and level of the whole atmosphere. Set off by a large area of white background, the layered distribution of champagne golden fence on the second floor metaphors the typical Danxia landform again and uses the classic method of extending the appearance curves of the building to the interior spatial curves.
ᱴᱮᱜ ᱠᱚ
Interior, Commercial, Sales Center, Exhibition Center, Modern, Elegant, Simple, Lanzhou
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
After taking a panoramic view of the situation, it is not hard to find that the designer presents the modern aesthetic feeling among geometric prototypes simply by using the change of lines skillfully, hides space moods in abstract architectural language, creates an elegant and magnificent visual effect in virtue of space with no need for redundant decoration, uses indistinct and high aesthetic taste to make people have clear feelings.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The stepped modelling of the wall extends to the canopy, presents the posture of strong interattraction with the sand table right below along the greatly slant wall of the ridge, brings the vertical direction obvious rising feeling with visually modelling change, reflects the project's determination and efforts to boost local economy as the new blood rising abruptly out of the ground.
ᱜᱚᱵᱮᱥᱚᱱᱟ
In ancient time, Lanzhou was known as Gold City, which was derived from "Gold City Wall and Boiling Moat". Lanzhou has been an important node of the Silk Road since antiquity, and enjoys good reputations of "Pearl of the Yellow River" and "Summer Palace of the West" as one of five major key cities of China section of the New Eurasian Land Bridge at this late hour and important intersection of Yellow River Culture, Silk Road Culture, Central Plan Culture and Culture of China's Western Regions.
ᱯᱨᱮᱨᱚᱱᱟ
This case is located in Lanzhou. Taking the concept of Jade belt in the sunshine and red massifs, seeing from the angle of typical Danxia landform, the geographic business card of Gansu and keeping to the point in virtue of elegant silks and brocades, the cultural business card of Lanzhou. The designer expresses quiet and lasting space moods full of rhythms with peaceful and smooth curves, graceful structure and exquisite materials.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in April 2019 in Lanzhou and finished in October 2019 in Lanzhou.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The elevator hall of de-stylized design highlights the space implication of field domains with artistic installation full of modelling beauty and endows the quiet space with vivid artistry. The designer transforms the functional attributes of different areas in virtue of elevator hall and aims to metaphor that clients can encounter new modern urban life here.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Liliang Shan, 2019.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Liliang Shan
Li Dai
Liang Shi
Ningning Zhao
Lei Zhang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Lingyu Li, Reception Hall, 2019.
Image #2: Photographer Lingyu Li, Negotiation Area, 2019.
Image #3: Photographer Lingyu Li, Stand Table Area, 2019.
Image #4: Photographer Lingyu Li, Water Bar, 2019.
Image #5: Photographer Lingyu Li, Ceiling, 2019.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ