ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yang Su ᱨᱮᱱᱟᱜ Pierre De Ronsard ᱵᱮᱠᱟᱨᱤ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Yang Su ᱨᱮᱱᱟᱜ Pierre De Ronsard ᱵᱮᱠᱟᱨᱤ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2020

Pierre De Ronsard ᱵᱮᱠᱟᱨᱤ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Yang Su ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Nonezone Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

15,561

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#97726 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Pierre De Ronsard ᱵᱮᱠᱟᱨᱤ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱯᱤᱭᱮᱨ ᱫᱮ ᱨᱚᱱᱥᱟᱨᱰ ᱫᱚ ᱑᱑᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱨᱮ ᱯᱟᱥᱱᱟᱣᱟᱠᱟᱱ ᱢᱤᱫ ᱵᱮᱠᱟᱨᱤ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱢᱤᱫ ᱠᱷᱩᱞᱟ ᱟᱹᱠᱷᱨᱤᱧ ᱡᱟᱭᱜᱟ ᱨᱮ ᱵᱮᱠᱤᱝ ᱦᱚᱨᱟ ᱟᱨ ᱢᱤᱴᱷᱟ ᱡᱚᱢᱟᱜ ᱠᱚ ᱩᱫᱩᱜᱮᱫᱟ᱾ ᱢᱩᱬᱩᱛ ᱵᱤᱪᱟᱹᱨ ᱫᱚ ᱫᱚᱠᱟᱱ ᱟᱨ ᱥᱚᱯᱤᱝ ᱢᱚᱞ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱦᱚᱨ ᱛᱟᱞᱟ ᱨᱮ ᱢᱤᱫ ᱵᱟᱝ ᱥᱟᱯᱷᱟ ᱥᱤᱢᱟᱹ ᱠᱟᱱᱟ᱾ ᱢᱩᱬᱩᱛ ᱵᱚᱞᱚᱱ ᱫᱩᱣᱟᱹᱨ ᱥᱩᱨ ᱨᱮ ᱦᱟᱹᱛᱤᱧ ᱨᱚᱝ ᱛᱮ ᱨᱚᱝᱟᱠᱟᱱ ᱢᱤᱫ ᱴᱩᱴᱩᱲᱩ ᱟᱨ ᱵᱟᱹᱝᱠᱟᱣᱟᱠᱟᱱ ᱠᱟᱸᱛᱷ ᱛᱤᱸᱜᱩ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱴᱩᱴᱩᱲᱩ ᱠᱚᱣᱟᱜ ᱛᱟᱞᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱦᱩᱰᱤᱧ ᱦᱩᱰᱤᱧ ᱛᱮ ᱵᱚᱫᱚᱞᱚᱜ ᱠᱟᱱᱟ᱾ ᱟᱭᱢᱟ ᱩᱥᱩᱞ ᱨᱮᱭᱟᱜ ᱞᱮᱢᱤᱱᱮᱴᱮᱰ ᱢᱮᱰ ᱯᱟᱛᱟ ᱠᱚ ᱫᱚ ᱩᱫᱩᱜ ᱡᱤᱱᱤᱥ ᱫᱚᱦᱚ ᱡᱟᱭᱜᱟ ᱞᱮᱠᱟ ᱟᱨ ᱢᱤᱫ ᱤᱱᱴᱚᱨᱮᱠᱴᱤᱵᱽ ᱛᱮᱭᱟᱨ ᱞᱮᱠᱟ ᱠᱚ ᱠᱟᱹᱢᱤᱭᱟ᱾ ᱠᱮᱴᱮᱡ ᱪᱟᱺᱫᱜᱟ ᱠᱚ ᱫᱚ ᱛᱤᱸᱜᱩ ᱟᱠᱟᱱ ᱥᱤᱢᱟᱹ ᱡᱟᱭᱜᱟ ᱨᱮ ᱵᱚᱫᱚᱞ ᱠᱟᱛᱮ ᱫᱚᱦᱚᱭᱟᱠᱟᱱᱟ, ᱚᱱᱟᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱟᱨ ᱵᱟᱦᱨᱮ ᱡᱚᱱᱚᱲᱚᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Pierre De Ronsard ᱵᱮᱠᱟᱨᱤ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Pierre De Ronsard ᱵᱮᱠᱟᱨᱤ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
As a retail shop mainly for displaying the baking process and desserts, this project is designed to create a spatial feature with the concept, and establish the special atmosphere, so as to extend the possibility of the shop design. The relationship of mutual penetration endows the space with openness to some extent, and connects the internal and external space with the physical dissolution and fusion.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project covers a total of 110 square meters.
ᱴᱮᱜ ᱠᱚ
Interior, Commercial, Baking Shop, Boundary, Modern, Elegant, Simple, Intervention
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The laminated metal sheets with various heights play roles of displaying and interactive installation with customers.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
One side of the site faces the inner street of the shopping mall, and therefore starting from the thought of the boundary, a block is used to replace the interface, to obtain an ambiguous boundary of space by the minimalist design.
ᱜᱚᱵᱮᱥᱚᱱᱟ
As Martin Heidegger said, the boundary is not the stop of something, but the appearance of something new. As the case is located in an inner street facing shopping malls, designers take the boundary thinking as the starting point, replace the interface with body blocks, and blur the boundary of space through subtraction design.
ᱯᱨᱮᱨᱚᱱᱟ
Pierre de ronsard represents the well-known Eden Rosegem, and also the name of a modern French poet, who was widely spread for his description of human beings with a metaphor of flowers. It is selected for the name of a shop by the owner, as an extension of romantic meaning.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in July 2018 in Wuxi and finished in November 2010 in Wuxi.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Centered on the concept of ambiguous boundary, the perforated curved wall with ivory paint near the main entrance responds with the gradually varied spacing of holes.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Yang Su, 2018.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yang Su
Fengshuai Zhang
Daoxiang Gong
Hai Wang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Ming Chen, Display Rack, 2018.
Image #2: Photographer Ming Chen, Bar Counter, 2018.
Image #3: Photographer Ming Chen, Seat, 2018.
Image #4: Photographer Ming Chen, Display Rack, 2018.
Image #5: Photographer Ming Chen, Entrance, 2018.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ