ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Daisuke Nagatomo and Minnie Jan ᱨᱮᱱᱟᱜ Cotton Spate ᱰᱤᱥᱯᱞᱮ ᱠᱚᱱᱥᱚᱞ

Daisuke Nagatomo and Minnie Jan ᱨᱮᱱᱟᱜ Cotton Spate ᱰᱤᱥᱯᱞᱮ ᱠᱚᱱᱥᱚᱞ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2020

Cotton Spate ᱰᱤᱥᱯᱞᱮ ᱠᱚᱱᱥᱚᱞ

Daisuke Nagatomo and Minnie Jan ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: MisoSoupDesign

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#96991 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Cotton Spate ᱰᱤᱥᱯᱞᱮ ᱠᱚᱱᱥᱚᱞ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱠᱚᱴᱚᱱ ᱥᱯᱮᱴ ᱢᱮᱱᱴᱮ ᱢᱤᱭᱟᱹᱠ ᱰᱤᱥᱯᱞᱮ ᱠᱚᱱᱥᱚᱞ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱢᱤᱫ ᱯᱚᱯ-ᱟᱯ ᱮᱥᱴᱚᱨ ᱞᱟᱹᱜᱤᱫ ᱰᱤ�devised ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚᱱᱥᱚᱞ ᱨᱮ ᱚᱠᱛᱚ ᱞᱮᱠᱟᱱ ᱯᱨᱚᱰᱚᱠᱴ ᱠᱚ ᱫᱮᱠᱷᱟᱣ ᱟᱠᱟᱱᱟ, ᱛᱟᱹᱦᱮᱸᱱ ᱡᱟᱦᱟᱸ ᱛᱮ ᱦᱟᱨ ᱢᱤᱫ ᱡᱤᱱᱤᱥ ᱨᱮ ᱡᱚᱛᱚᱨ ᱛᱟᱦᱮᱸᱱᱟ᱾ ᱟᱭᱢᱟ ᱨᱚᱡ ᱯᱮᱨᱩ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱫᱟᱦᱟᱨ ᱴᱷᱮᱱ ᱚᱨᱜᱟᱱᱤᱠ ᱯᱤᱢᱟ ᱠᱚᱴᱚᱱ ᱯᱷᱩᱞ ᱨᱮᱭᱟᱜ ᱠᱷᱮᱛ ᱠᱷᱚᱱ ᱦᱩᱭᱮᱱ ᱠᱟᱱᱟ᱾ ᱢᱤᱫ ᱯᱩᱭᱞᱩᱭ ᱛᱤᱱ-ᱰᱤᱢᱮᱱᱥᱚᱱᱟᱞ ᱴᱷᱟᱶᱟᱜ ᱥᱟᱨᱤᱯᱷᱮᱥ ᱨᱮ ᱦᱟᱹᱨᱩ ᱜᱚᱞ ᱢᱮᱴᱟᱞ ᱯᱞᱮᱴ ᱠᱚ ᱰᱷᱟᱨᱟᱣ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱡᱤᱱᱤᱥ ᱠᱚ ᱠᱟᱹᱨᱭᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱴᱷᱟᱶᱟᱜ ᱦᱤᱥᱥᱟ ᱦᱟᱭ ᱰᱮᱱᱥᱤᱴᱭ ᱯᱷᱚᱢ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱠᱚᱢᱯᱭᱩᱴᱟᱨ ᱢᱚᱰᱮᱞ ᱠᱷᱚᱱ ᱛᱤᱭᱩ ᱛᱮ ᱟᱠᱟᱨ ᱮᱢ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱯᱞᱮᱴ ᱠᱚ ᱯᱩᱭᱞᱩᱭ ᱨᱚᱝ ᱢᱮᱴᱟᱞ ᱠᱟᱱᱟ᱾ ᱠᱟᱩᱱᱴᱟᱨ ᱟᱨ ᱵᱟᱦᱨᱮ ᱮᱸᱠᱞᱚᱡᱚᱨ ᱥᱟᱲᱢ ᱛᱮ ᱛᱚᱬᱚᱜ ᱠᱟᱱᱟ᱾ ᱴᱷᱟᱶᱟᱜ ᱥᱟᱨᱤᱯᱷᱮᱥ ᱢᱩᱬᱩᱛ ᱨᱮ ᱟᱹᱛᱩᱨ ᱡᱟᱭᱜᱟ ᱛᱚᱭᱚᱢ ᱟᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Cotton Spate ᱰᱤᱥᱯᱞᱮ ᱠᱚᱱᱥᱚᱞ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Cotton Spate ᱰᱤᱥᱯᱞᱮ ᱠᱚᱱᱥᱚᱞ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The typical pop-up store console place too many products that the customer loses their interest in those products immediately when they see the messy condition. However, the Cotton Spate minimizes the amount to emphasize the importance of products by the purity.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Length: 375 cm
Width: 90 cm
Height: 100 cm
ᱴᱮᱜ ᱠᱚ
MisoSoupDesign, Daisuke Nagatomo, Minnie Jan, Olivia Yves
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The wavy material is high-density foam and crafted by hand by referencing a three-dimensional computer model. The circular surface is white painted metal inserted into the high-density foam. The counter and outside enclosure of the console is crafted by the carpenter with wood.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The hardest part of this project is to compose the right material and tools for archiving a three-dimensional surface portion due to the budget limitation. Usually, the best ways to compose such a design, it is best to utilize CNC digital fabrication, however, it costs too much for this pop-up shelf. In the end, the attentive solution is to incorporate other industry master craftsmen to cut the high-density foam by hand by referencing the computer model.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The main objective of this project is to find the most efficient ways to craft a three-dimensional surface by choosing the right material and crafting tools. By incorporating other industry skills, the design archive the minimum expanse to assemble the shelf.
ᱯᱨᱮᱨᱚᱱᱟ
The inspiration for the design is the filed of organic Pima cotton flower which the brand exclusively used for its product. The Pima cotton flower grows by the lake in Peru and it creates a strong impression of purity. The shelf incorporates the identity of the brand by creating a white three-dimensional wavy surface and host circular thin metal plates to present their items.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The design phase started in July, finished construction in September and opened to the public on October 2019.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The customer accesses from the front side to the items, while the store operator stands behind the counter. There is also storage space underneath of wavy surface console to keep their stock for sales.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Minnie Jan
Daisuke Nagatomo
Zoe Li

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ