Ling Zhou ᱨᱮᱱᱟᱜ Reading Tea ᱪᱟ ᱚᱲᱟᱜ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2020
Reading Tea ᱪᱟ ᱚᱲᱟᱜ
Ling Zhou ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Chongqing Zhou Decoration Design Co., Ltd.
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#96973 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Reading Tea ᱪᱟ ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱨᱤᱰᱤᱝ ᱴᱤ ᱫᱚ ᱪᱚᱝᱜᱠᱤᱝ ᱨᱮ ᱒᱘᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱠᱷᱚᱱ ᱵᱟᱹᱲᱛᱤ ᱞᱮᱠᱟᱛᱮ ᱓᱘᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱨᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱ ᱢᱤᱫ ᱪᱟ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱢᱟᱨᱮ ᱪᱤᱱ ᱡᱤᱱᱤᱥ ᱠᱚ ᱟᱨ ᱱᱟᱶᱟ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱨᱮᱭᱟᱜ ᱦᱚᱨ ᱠᱚ ᱢᱤᱫ ᱴᱮᱱ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱡᱤᱭᱚᱱ ᱠᱟᱴᱷ ᱵᱩᱴᱟᱹ ᱠᱚ ᱑᱐᱐ ᱢᱤᱞᱤᱢᱤᱴᱚᱨ ᱚᱥᱟᱨ ᱟᱨ ᱕ ᱢᱤᱞᱤᱢᱤᱴᱚᱨ ᱢᱚᱴᱟ ᱠᱟᱴᱷ ᱴᱩᱠᱨᱟᱹ ᱛᱮ ᱦᱟᱴᱤᱧ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱞᱚᱪᱚᱠ ᱴᱩᱠᱨᱟᱹ ᱠᱚ ᱵᱟᱝᱠᱟ ᱨᱩᱯ ᱛᱮ ᱠᱚ ᱵᱮᱸᱠᱟᱣ ᱟᱠᱟᱫᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱠᱟᱴᱷ ᱨᱮᱭᱟᱜ ᱜᱩᱱ ᱠᱚ ᱫᱚᱦᱚ ᱠᱟᱛᱮ ᱢᱤᱫ ᱱᱟᱶᱟ ᱡᱟᱭᱜᱟ ᱨᱩᱯ ᱠᱚ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱫᱟ᱾ ᱢᱤᱫ ᱨᱚᱝ ᱨᱮᱭᱟᱜ ᱠᱟᱴᱷ ᱠᱟᱸᱛᱷ ᱟᱨ ᱮᱥᱴᱮᱱᱞᱮᱥ ᱮᱥᱴᱤᱞ ᱠᱟᱸᱛᱷ ᱡᱟᱭᱜᱟ ᱠᱚ ᱡᱚᱲᱟᱣ ᱮᱫᱟ᱾ ᱡᱤᱭᱚᱱ ᱫᱷᱤᱨᱤ ᱫᱚ ᱠᱟᱴᱷ ᱥᱟᱶ ᱡᱩᱲᱟᱹᱣᱟᱜ ᱩᱪᱩ-ᱱᱤᱪᱩ ᱪᱮᱛᱟᱱ ᱛᱮ ᱨᱚᱜᱚᱲ ᱟᱠᱟᱱᱟ᱾ ᱢᱟᱭᱞᱟ ᱨᱚᱝ ᱟᱨ ᱜᱟᱸᱣᱛᱟ ᱞᱮᱠᱟᱱ ᱚᱛᱱᱚ ᱴᱟᱭᱤᱞ ᱛᱮ ᱱᱚᱶᱟ ᱥᱟᱦᱟᱨᱟᱣ ᱡᱟᱭᱜᱟ ᱯᱩᱨᱟᱹᱣ ᱮᱫᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Reading Tea ᱪᱟ ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Reading Tea ᱪᱟ ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Nowadays, most of the Chinese tea spaces are dominated by the traditional Chinese style. In order to break the fixed thinking, the designer uses the relationship between the wood wall and the stainless steel wall with the same tonality to connect the whole space, which seems to be independent but closely related to each other, so as to overlap the multiple levels of space and show the pure design details.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project covers a total of 380 square meters. In the entrance area, natural logs are used as the main materials. The designer divides the original logs into wood chips with a width of 100 mm and a thickness of 5 mm. The processed wood chips are flexible and can be bent and folded at will, which makes the design more possible.
- ᱴᱮᱜ ᱠᱚ
- Interior, Commercial, Tea House, Oriental Elements, Natural, Elegant, Cultural, Modern
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The circular space form made of wood chips retains the characteristics of woodiness, but people also see the formation of new space form. The designer hopes to break the tradition and keep it at the same time, so as to achieve the symbiosis of culture and architecture. The natural stone is polished to form the uneven surface, which also makes the visual sense of stone and wood more perfect and harmonious.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Under the premise of not replacing the original Chinese furniture, it is a big difficulty to renovate the shop in a modern way. Chinese window made of wood is our most common and traditional way, but in this space, the designer hopes that the traditional elements have changed, so the bronze stainless steel material instead of the traditional wood material, making Chinese window and style both Chinese direction and not too traditional.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The design purpose of this case is not simply to seek aesthetic changes. In addition to aesthetic feeling, we must also give consideration to practicality and durability, so that the space will last forever. For the designer, it is the most valuable thing to create a comfortable tea space and make users feel happy. He thinks that each material can present different forms of expression through design.
- ᱯᱨᱮᱨᱚᱱᱟ
- Party A hopes that the renovated space can retain the traditional Chinese elements, but does not want to see the traditional Chinese appearance. Therefore, the designer uses the spatial design method to create the state of the whole teahouse, and expresses to people that even the traditional Chinese materials can also have a different sense of design direction. He re sized the wood to create a new spatial framework, which is the highlight of the project.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in June 2019 in Chongqing and finished in October 2019 in Chongqing.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The spatial tone is made of gray, coupled with natural lying wood texture and rustic gray floor tiles, creating a simple fashion full of organic style, presenting a rustic and natural aesthetic point of view.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Ling Zhou, 2019.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Ling Zhou
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer Chuan He, Entrance Area, 2019.
Image #2: Photographer Chuan He, Entrance Area 2, 2019.
Image #3: Photographer Chuan He, Reception Desk, 2019.
Image #4: Photographer Chuan He, Box, 2019.
Image #5: Photographer Chuan He, Box 2, 2019.
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