Qinyin Tan ᱨᱮᱱᱟᱜ Industrial Bank Primary Function: ᱵᱮᱸᱠ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020
Industrial Bank Primary Function: ᱵᱮᱸᱠ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ
Qinyin Tan ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: JianFeng Construction & Interior Decoration Group
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#96906 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Industrial Bank Primary Function: ᱵᱮᱸᱠ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
Book Text: ᱤᱱᱰᱟᱥᱴᱨᱤᱭᱟᱞ ᱵᱮᱸᱠ ᱫᱚ ᱪᱟᱝᱪᱩᱱ ᱨᱮ ᱘᱙᱐ ᱵᱚᱨᱜᱟ ᱢᱤᱴᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱷᱟᱯᱮᱱ ᱢᱤᱫ ᱵᱮᱸᱠ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱠᱚᱱᱥᱮᱯᱴ ᱫᱚ ᱥᱚᱝ ᱨᱟᱡᱵᱚᱸᱥᱚ ᱨᱮᱭᱟᱜ ᱞᱮᱱᱰᱥᱠᱮᱯ ᱪᱤᱛᱟᱹᱨ ᱠᱷᱚᱱ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱚᱱᱚᱞ ᱦᱤᱲ, ᱨᱚᱝ, ᱨᱩᱯ ᱟᱨ ᱴᱮᱠᱥᱪᱟᱨ ᱛᱮᱭᱟᱜ ᱵᱚᱦᱟᱲ ᱪᱤᱱᱦᱟᱹ ᱵᱟᱝ ᱠᱷᱟᱱ ᱯᱟᱨᱟᱢᱯᱟᱨᱟ ᱪᱤᱱ ᱴᱷᱟᱶᱠᱟ ᱫᱚ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ ᱾ ᱪᱟᱸᱫᱚ ᱡᱩᱲᱩ ᱯᱩᱸᱰ, ᱪᱟᱭ ᱯᱩᱸᱰ ᱟᱨ ᱪᱟᱴᱚᱢ ᱜᱷᱟᱥ ᱡᱮᱞᱮᱠᱟᱱ ᱱᱤᱩᱴᱨᱟᱞ ᱨᱚᱝ ᱠᱚ ᱢᱤᱫ ᱥᱟᱱᱛᱤ ᱦᱟᱶᱟ ᱛᱮᱭᱟᱨ ᱠᱚ ᱛᱮᱭᱟᱨ ᱠᱚᱶᱟ, ᱟᱨ ᱦᱮᱸᱫᱮ ᱞᱤᱞ ᱟᱨ ᱛᱩᱨᱢᱮᱨᱤᱠ ᱨᱮᱭᱟᱜ ᱟᱠᱥᱮᱸᱴ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱟᱭᱟᱲ ᱰᱮᱥᱠ ᱫᱚ ᱥᱚᱦᱚᱡ ᱥᱯᱞᱟᱭᱥᱤᱝ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱱᱤᱪ ᱮᱞᱤᱢᱮᱸᱴ ᱠᱚ ᱠᱷᱚᱸᱴᱟ ᱟᱨ ᱠᱟᱺᱴᱷᱟ ᱠᱚ ᱦᱟᱹᱴᱤᱧᱟᱭ ᱾ ᱢᱤᱫ ᱟᱹᱰᱤ ᱠᱷᱩᱞᱟᱹ ᱠᱮᱞᱤᱜᱨᱟᱯᱷᱤ ᱟᱨ ᱪᱟᱭ ᱡᱟᱭᱜᱟ ᱫᱚ ᱞᱟᱭᱱᱟᱨ ᱞᱟᱭᱴᱤᱝ ᱛᱮ ᱟᱞᱜᱟ ᱦᱚᱭ ᱟᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Industrial Bank Primary Function: ᱵᱮᱸᱠ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Industrial Bank Primary Function: ᱵᱮᱸᱠ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- In this case, the designer deliberately played down the impression of traditional cultural symbols and conveyed the historical and cultural connotation through lines, colors, forms and textures. The combination of traditional Chinese element symbols and highly modern materials, combined with modern furniture craftsmanship, makes the shape and quality of different times seamlessly integrated, which not only inherits the classical ancient style, but also carries forward the innovation of art.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project covers a total of 890 square meters. The negotiation area organically combines the traditional and modern, simple and elegant aesthetic tastes to create a pleasant space atmosphere. The calligraphy and tea drinking area further soften the boundary of the edge by using smooth line lighting. Semi-open layout allows customers to enjoy the surrounding scenery while waiting.
- ᱴᱮᱜ ᱠᱚ
- Interior, Bank, Office, Oriental Elements, Natural, Elegant, Cultural
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The front desk abandons too many complicated decorations and creates a sense of end-view hierarchy with simple and intuitive splicing. The application of niche elements makes space division for some columns and walls. Under the conversion of light, it weakens the compression caused by stone materials, breaks the dull and serious atmosphere, and gives people a new and fresh experience.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The designer has made a new interpretation of the dignity and elegance of Chinese-style furniture, the calligraphy and painting tea room creates the oriental charm with the aesthetic needs of modern people, chooses the clear-cut and simplified wood lines to replace the complex carving patterns and ornaments, and combines the simple and comfortable cotton and linen, fashionable and personalized leather, elegant and gorgeous silk and other materials to improve the collocation of style.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- This case is located in Changchun City, Jilin Province, which is known as the "spring city of the northern kingdom", the mountain shadow here is muddy and heavy, and the pine and turbulent waves everywhere. You can hear pleasant sing from the birds. It has the quiet and gentle feeling of Chinese landscape painting. Through the level cooperation between regional forms, the modern Oriental aesthetic attitude is expressed in a progressive and backward way.
- ᱯᱨᱮᱨᱚᱱᱟ
- With the concept of "the landscape painting of Xuanhe Palace in Song Dynasty", designer takes the landscape as the place of feeling and integrates it into the dominant atmosphere of modernism, applies more diversified design language to have a dialogue with the space, and then transforms the abstract artistic expression into the perceptible space image, striving to create the harmonious beauty of tradition and modernity.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in December 2018 in Changchun and finished in April 2019 in Changchun.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The so-called "painting leaves three spaces, and the vitality follows". The appropriate blank space in the corridor area creates a comfortable space atmosphere, simple art ornaments and hanging paintings elaborate the meaning of luxury in a graceful way, so that the thin space is filled with rich rhythm and rhythm.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Qinyin Tan, 2019.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Qinyin Tan
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer Qinyin Tan, Negotiation Area, 2019.
Image #2: Photographer Qinyin Tan, Reception Hall, 2019.
Image #3: Photographer Qinyin Tan, Tea Room, 2019.
Image #4: Photographer Qinyin Tan, Bar, 2019.
Image #5: Photographer Qinyin Tan, Financial Room, 2019.
ᱥᱯᱚᱱᱥᱚᱨᱰ
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