Eduardo Dulla ᱨᱮᱱᱟᱜ Pass On ᱯᱮᱥ ᱚᱱ ᱫᱚ ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱠᱟᱥᱟᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ· 2020

Pass On ᱯᱮᱥ ᱚᱱ

Eduardo Dulla ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Eduardo Dulla

ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#96678 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Pass On ᱯᱮᱥ ᱚᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱯᱮᱥ ᱚᱱ ᱢᱮᱱᱛᱮ ᱢᱤᱭᱟᱫ ᱫᱚ ᱟᱠᱚᱛᱟ ᱨᱮ ᱵᱚᱸᱫ ᱠᱟᱱ ᱢᱮᱥᱮᱡᱽ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱨ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱ ᱢᱤᱫ ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤᱠ ᱥᱤᱨᱤᱡᱽ ᱠᱟᱱᱟᱭ । ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱪᱤᱛᱟᱨ ᱫᱚ ᱢᱤᱫ-ᱢᱤᱫ ᱫᱚ ᱨᱮᱭᱟᱜ ᱛᱮ ᱩᱫᱩᱜ ᱠᱟᱱᱟᱭ, ᱡᱮᱞᱮᱠᱟᱛᱮ ᱟᱥᱟ ᱟᱨ ᱵᱟᱭ, ᱟᱨ ᱟᱭᱢᱟ ᱟᱨᱛᱷ ᱵᱟ ᱥᱟᱨᱤ ᱜᱷᱚᱴᱚᱱᱟ ᱛᱮ ᱚᱱᱟ ᱨᱮᱭᱟᱜ ᱩᱫᱩᱜ ᱪᱤᱱᱟᱹᱲ ᱠᱟᱱᱟᱭ । ᱢᱤᱫ ᱦᱚᱸ ᱯᱮ ᱜᱚᱴᱟ ᱨᱮᱭᱟᱜ ᱟᱨᱠᱟᱛᱮ - ᱢᱤᱫ ᱢᱮᱥᱮᱡᱽ, ᱢᱤᱫ ᱟᱨᱠᱟᱛᱮ ᱟᱨ ᱫᱟᱜ - ᱚᱲᱟᱜ ᱚᱲᱟᱜ ᱪᱤᱛᱟᱨ ᱨᱮ ᱦᱩᱭᱩᱜᱼᱟᱭ, ᱛᱮᱱᱟᱜ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱵᱤᱥᱚᱭ ᱫᱚ ᱟᱭᱢᱟ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱠᱟᱱᱟ । ᱪᱤᱛᱟᱨ ᱠᱚ ᱞᱟᱜᱮᱫ ᱥᱮᱴ, ᱚᱠᱚᱭᱟᱜ ᱮᱠᱠᱩᱮᱨᱤᱭᱟᱢ ᱟᱨ ᱚᱠᱚᱭ ᱡᱟᱱᱛᱨᱟ ᱠᱚ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ । ᱰᱤᱡᱤᱴᱟᱞ ᱪᱤᱛᱟᱨ ᱠᱚ ᱦᱚᱲᱟᱸ ᱟᱨ ᱪᱤᱛᱟᱨ ᱢᱤᱥᱟᱹᱣ ᱟᱠᱟᱱ ᱛᱮ ᱵᱚᱸᱰᱲᱟᱹ ᱠᱟᱱᱟ, ᱟᱨ ᱥᱮᱢᱚᱸᱢᱮᱫ ᱠᱟᱹᱜᱚᱡ ᱦᱚᱲᱟᱨ ᱨᱮ ᱤᱸᱠᱡᱮᱴ ᱛᱮ ᱪᱷᱟᱯᱟ ᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Pass On ᱯᱮᱥ ᱚᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Pass On ᱯᱮᱥ ᱚᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: This photographic project seeks to present and represent "words" in a photograph, combining the literal and the subjective.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: digital photography, printed with inkjet on cotton paper the photographs have variable format, long side about 800mm
ᱴᱮᱜ ᱠᱚ: message in a bottle, photo digital, photo manipulation, mankind,
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: Photos made with Canon digital camera and lenses. In studio, lighting equipment from Broncolor, Elinchron, Arri and Dedolight was used. All photos of this series have interference and image fusion.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The same elements were used, message, bottle and water in all images but the themes were treated differently, make viable the means of production and adapted to the meaning or inspiring event of the photo.
ᱜᱚᱵᱮᱥᱚᱱᱟ: Each photo in this series is inspired by a word and, to represent it, has been chosen, an event or its own meaning.
Books, movies, newspaper news, served as a reference for the realization of this project.
Then the idealization of the image, the roughs in drawings and from there the effective and specific production for each photo.
Experiments were performed, set designs were built, special aquariums were set up, specific mechanisms were created for these photos.
ᱯᱨᱮᱨᱚᱱᱟ: The initial idea of this series of photographs is the story about the isolated castaway throwing overboard its perhaps ultimate distress call.
Despair? It can be considered one of the greatest displays of hope possible.
The photos of the messages on the bottles were inspired by their very meaning or a specific event such as "Same Blood" for terrorist attacks in Paris; "Reverse of Courage" for the terrible disasters in Mariana and Brumadinho.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project started in July 2017 and is yet in progress.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The photos were taken with the intention of proposing reflection on our attitudes towards the message written inside the bottle, questioning whether these messages are really important and worth sharing.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Collaborator and set designer:Regiane Mancini.
Collaborator:Judite Scholz.
photography assistant:Tiago Matos.
image handling and manipulation: Adilson Tucão.
image handling and manipulation: Jujuba Digital.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: all photos Eduardo Dulla