Ying Zhang ᱨᱮᱱᱟᱜ Light Bikri Kacahri Bhitar ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2020
Light Bikri Kacahri Bhitar
Ying Zhang ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Fenhom·Urodesign studio
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#96471 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Light Bikri Kacahri Bhitar ᱵᱟᱵᱚᱛ ᱛᱮ
Book Text: Light ge okoe Shenzhen, China re menaḳ' okto sales office bhitar kana, jaha 1,200 square meter jayga kohor kana. Design reyaḱ' badalak' oṛaḱ' po̯raoc' ko em' okoe rasika reaḱ' babo dhoṛom hormo. Sedae saloh (entrance hall) do sant ar sundor kana, ar arc bostu ko meṛed'ic' latar sereń khon nel neḿ. Sand table jayga do santa ar khula kana, jahaḱ' oṛaḱ' aṭh meter haga menaḳ', jahaḱ' majhi sand table re c̣et' at'ń kate. Negotiation jayga do khula kana, jahaḱ' model ko madhya rekha barabar tainaḳ' akaḍa. Bostu ko re bir dāru khoncao, marble, brushed stainless steel ar dāru grating menaḳ'a.
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Light Bikri Kacahri Bhitar ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Light Bikri Kacahri Bhitar ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Through the design of light changes, in each space produced in the emotional is different. The lighting atmosphere in the entrance hall is quiet and elegant, and the arc elements guide people's eyes to follow. After entering the sand table area is calm and atmospheric, into the space after the eyes will be attracted by the central sand table ; Turn to the rest negotiation area, the space is open, the models as a space separated in the center line, can be noticed by everyone passing by...
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Area: 1, 200sqm
68000mmx32600mmx10000mm - ᱴᱮᱜ ᱠᱚ
- Sales Office，light，Interior，
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- wood finishings,marble, brushed stainless steel, wooden grating
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- In the space, we will consider the influence and change of light on the interior, hoping to convey different space atmosphere through the design according to the space function: quiet or lively? For example, in the reception area at the entrance, we extracted elements from the relatively low-key and plain fence with a sense of enclosure. Through deliberate design, the facade shape with a unique sense of ceremony was formed. In the central core tube, we added the use of light curtain in the upper and lower part, so that the visual focus of the whole space was concentrated on the front desk. ... From "static" to "dynamic" an atmosphere change, we do a lot of research and deliberation.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The key to our research is to use light in different ways to guide and create different feelings of interior space.
- ᱯᱨᱮᱨᱚᱱᱟ
- The project was inspired by the changing relationship of light in the building. In the space, the light will change with different architectural structures, like a dancer on the stage, sometimes quiet and sometimes lively, showing us her beauty.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project site is in Shenzhen City, China. Now the design is completed and expected to begin construction in October 2020.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The whole sales office meeting includes sand table area, negotiation area, reception area and other display and commercial functions. The whole space is divided into the first reception area. Turn right into an empty sand table area with a height of 8 meters and the reception area.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Designed by Fenhom·Urodesign
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Chief Designer: Ying Zhang and Design Team: Mingzhi Chen
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Fenhom·Urodesign studio
Image #2: Fenhom·Urodesign studio
Image #3: Fenhom·Urodesign studio
Image #4: Fenhom·Urodesign studio
Image #5: Fenhom·Urodesign studio
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
