ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ismail Niyaz Mohamed ᱨᱮᱱᱟᱜ Coming of Age ᱯᱷᱳᱴᱳᱜᱽᱨᱟᱯᱷᱤ

Ismail Niyaz Mohamed ᱨᱮᱱᱟᱜ Coming of Age ᱯᱷᱳᱴᱳᱜᱽᱨᱟᱯᱷᱤ ᱫᱚ ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ· 2020

Coming of Age ᱯᱷᱳᱴᱳᱜᱽᱨᱟᱯᱷᱤ

Ismail Niyaz Mohamed ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Ismail Niyaz Mohamed

ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#96148 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Coming of Age ᱯᱷᱳᱴᱳᱜᱽᱨᱟᱯᱷᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱡᱟᱯᱟᱱ ᱨᱮ, ᱵᱚᱭᱚᱥ ᱯᱩᱨᱟᱹᱣ ᱢᱟᱱᱟᱣ ᱫᱚ ᱠᱩᱲᱤ ᱟᱨ ᱠᱚᱲᱟ ᱠᱚ ᱵᱟᱨ ᱜᱮᱞ ᱥᱮᱨᱢᱟ ᱩᱢᱮᱨ ᱨᱮ ᱦᱩᱭᱩᱜᱼᱟ᱾ ᱱᱚᱣᱟ ᱫᱚ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱚᱠᱛᱚ ᱠᱟᱱᱟ ᱡᱚᱠᱷᱚᱱ ᱩᱱᱠᱩ ᱟᱠᱚᱣᱟᱜ ᱜᱤᱫᱽᱨᱟᱹ ᱩᱢᱮᱨ ᱵᱟᱹᱜᱤ ᱠᱟᱛᱮ ᱦᱚᱠ, ᱫᱟᱭᱤᱠ ᱟᱨ ᱯᱷᱩᱨᱜᱟᱹᱞ ᱥᱟᱶᱛᱮ ᱢᱟᱨᱟᱝ ᱦᱚᱲ ᱠᱚ ᱦᱩᱭᱩᱜᱼᱟ᱾ ᱱᱚᱣᱟ ᱫᱚ ᱢᱤᱫ ᱥᱚᱨᱠᱟᱨᱤ ᱡᱤᱭᱚᱱ ᱨᱮ ᱢᱤᱫ ᱫᱷᱟᱣ ᱜᱮ ᱦᱩᱭᱩᱜ ᱠᱟᱱ ᱵᱮᱵᱚᱥᱛᱟ ᱠᱟᱱᱟ᱾ ᱠᱩᱲᱤ ᱠᱚ ᱫᱚ ᱨᱤᱛᱤ ᱞᱮᱠᱟᱛᱮ ᱠᱤᱢᱳᱱᱳ ᱟᱨ ᱠᱚᱲᱟ ᱠᱚ ᱫᱚ ᱠᱤᱢᱳᱱᱳ ᱟᱨᱵᱟᱝ ᱯᱚᱪᱷᱤᱢ ᱯᱚᱥᱟᱠ ᱠᱚ ᱦᱚᱨᱚᱜᱼᱟ᱾ ᱥᱮᱨᱢᱟ ᱨᱮᱭᱟᱜ ᱡᱟᱱᱩᱣᱟᱨᱤ ᱪᱟᱸᱫᱚ ᱨᱮᱭᱟᱜ ᱫᱚᱥᱟᱨ ᱥᱳᱢᱵᱟᱨ ᱨᱮ ᱱᱚᱣᱟ ᱚᱠᱛᱚ ᱫᱚ ᱢᱟᱱᱟᱣ ᱦᱩᱭᱩᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Coming of Age ᱯᱷᱳᱴᱳᱜᱽᱨᱟᱯᱷᱤ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Coming of Age ᱯᱷᱳᱴᱳᱜᱽᱨᱟᱯᱷᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Coming of age day is a ceremony celebrated in Japan when they turn 20 years old, they are officially considered adults in the society and have more rights, responsibilities and liberties. It is a formal event held once in a lifetime which is held on every second Monday of January each year where girls wear Kimono's and boys wear suit and tie or a traditional men's kimono. It is also a spiritual event where many go to a Shrine to pray for health and prosperity.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Nikon D4
1/100 sec f2.8
14mm
ISO 160
ᱴᱮᱜ ᱠᱚ
japan, culture, traditional, kimono, bamboo
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Nikon D4 DSLR
AF-S NIKKOR 14-24mm F2.8G ED
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The most difficult part of this project was the crowd of tourists visiting the Bamboo garden. I had to make sure that no one was on the frame. Even then the background had people which had to be removed in the post production stage.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Bamboo has a lot of significance in the Japanese culture relating to human character. Bamboo is hollow inside how a young adult should ideally be when they leave their teens: leaving behind all the negativity of the teen years behind and receive knowledge and wisdom for the growth, and find wisdom in emptiness. The hard body of the bamboo firmly sways with the wind with harmony which is a symbol of humility. It is also a very strong tree which survives in in the harshest climates from extreme winters to hot summers. These characteristics are important in human life.
ᱯᱨᱮᱨᱚᱱᱟ
The photo shoot was taken in a Temple called Hokokuji in Kamakura. I chose this location because of the Bamboo Garden inside the temple.
Bamboo is a very strong plant and it is a symbol of prosperity and it is also a symbol of purity and innocence and good luck in Japanese culture. Bamboo trees are the fastest growing plants in the world and it is important to the culture and tradition of Japan.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
It was a day project starting and ending on 22 November 2015. The location was Hokokuji Temple, Kamakura, Japan
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
I took a full day to do this shoot as there were many factors involved in this project like Hair and makeup, kimono fitting, traveling etc. One of the biggest challenge was the crowd. I spent a lot of time waiting for the people to pass and to clear the area and had to do post processing to remove unwanted objects from the frame later.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Ismail Niyaz Mohamed (Photographer)
Ismail Niyaz Mohamed (Art Direction)
Nagisa Sakurai (Hair & Makeup Artist)
Misaki Kawaguchi (Model)
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Ismail Niyaz Mohamed (Photographer)

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ