ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Zhoumin Wei ᱨᱮᱱᱟᱜ Shuimolanting ᱠᱤᱨᱤᱧ ᱛᱟᱞᱢᱟ

Zhoumin Wei ᱨᱮᱱᱟᱜ Shuimolanting ᱠᱤᱨᱤᱧ ᱛᱟᱞᱢᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2020

Shuimolanting ᱠᱤᱨᱤᱧ ᱛᱟᱞᱢᱟ

Zhoumin Wei ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Hefei Wanling Architectural Decoration Design Engineering Co.,LTD.

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#94060 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Shuimolanting ᱠᱤᱨᱤᱧ ᱛᱟᱞᱢᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱱᱚᱶᱟ ᱠᱮᱥ ᱨᱮᱱᱟᱜ ᱪᱟᱭᱱᱤᱡᱽ ᱪᱷᱟᱸᱪ ᱫᱚ ᱢᱟᱨᱠᱮᱴ ᱨᱮ ᱧᱟᱢᱚᱜ ᱠᱟᱱ ᱦᱮᱸᱫᱮ ᱠᱚᱯᱷᱤ ᱟᱨᱟᱜ ᱜᱽᱨᱟᱣᱩᱸᱰ ᱫᱷᱤᱨᱤ ᱟᱨ ᱯᱷᱞᱳᱨ ᱣᱤᱱᱰᱳ ᱨᱮᱱᱟᱜ ᱡᱤᱣᱤᱫ ᱩᱡᱟᱹᱲ ᱨᱮᱱᱟᱜ ᱠᱷᱟᱹᱞᱤ ᱡᱟᱭᱜᱟ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ, ᱩᱡᱟᱹᱲ ᱟᱨ ᱧᱤᱫᱟᱹ, ᱧᱮᱞ ᱟᱨ ᱵᱟᱝ ᱧᱮᱞ ᱛᱟᱞᱟ ᱨᱮ ᱢᱤᱫ ᱵᱷᱮᱜᱟᱨ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱜᱼᱟ᱾ ᱵᱟᱝ ᱧᱮᱞ ᱟᱨ ᱮᱞᱭᱩᱢᱤᱱᱤᱭᱚᱢ ᱠᱟᱴ ᱜᱽᱨᱤᱞ, ᱫᱟᱜ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱟᱹᱢᱟᱹ ᱠᱟᱹᱢᱤ ᱠᱚᱢᱚᱞ ᱯᱟᱛᱟ ᱴᱩᱠᱩᱡ, ᱟᱨ ᱵᱤᱥᱨᱟᱹᱢ ᱡᱟᱭᱜᱟ ᱨᱮ ᱪᱟᱭᱱᱤᱡᱽ ᱪᱤᱠᱤ ᱵᱮᱱᱟᱣ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱠᱟᱞᱟ ᱫᱚ "ᱤᱧᱠ ᱚᱨᱠᱤᱰ ᱠᱳᱴ" ᱠᱮᱥ ᱨᱮᱱᱟᱜ ᱢᱩᱬ ᱴᱷᱟᱶ ᱠᱟᱱᱟ᱾ ᱵᱤᱥᱮᱥ ᱞᱮᱠᱟᱛᱮ, ᱪᱷᱟᱛ ᱨᱮᱱᱟᱜ ᱱᱟᱶᱟ ᱥᱟᱢᱜᱽᱨᱤ ᱵᱮᱵᱷᱟᱨ, ᱥᱟᱫᱷᱟᱨᱚᱱ ᱛᱟᱞᱟ ᱨᱮ ᱟᱥᱟᱫᱷᱟᱨᱚᱱ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨᱟ, ᱟᱨ ᱪᱟᱛᱩᱨᱤ ᱛᱮ ᱵᱟᱦᱨᱮ ᱠᱷᱚᱨᱚᱪ ᱠᱚᱢᱚᱜ ᱦᱚᱸ ᱟᱠᱟᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Shuimolanting ᱠᱤᱨᱤᱧ ᱛᱟᱞᱢᱟ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Shuimolanting ᱠᱤᱨᱤᱧ ᱛᱟᱞᱢᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This case illustrates the designer's understanding of China's cultural revival and decent way of life through the more modern thinking in contemporary Chinese ink paintings and the combination of western expressions. Design keynote thick ink heavy color, leave white natural, light and dark, false and real contrast has a degree, form atmosphere, luxurious visual impact, top surface processing one integrated mass, seamless, in the ordinary place shows extraordinary.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The net space size of the Sales Department of ink orchid Court: length: 46930mm, width: 20440mm, height: 4830, height of the empty part: 9030mm. The whole space is wide, mainly practical is beige marble: thickness 25m, length 900mm, width 450mm and 600mm. This can reduce the loss of stone. The top is made of imported imitation wood technology veneer. It is very environment-friendly, convenient for construction, and also saves a lot of construction time.
ᱴᱮᱜ ᱠᱚ
Sales department , New Oriental doctrine , Wanlin disigh , Shuimo Lanting , Zhoumin Wei
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Omega grey marble, wood veneer, Vienna grey marble, stainless steel
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
As far as possible not straightforward way to express the effect of ink, with modern materials to express meditation, xinyi environment.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Research Type: how to implicitly express oriental culture and make people of different ages like this environment.
The research goal is: the favorite type of consumption. Through the designer's design, the experiencer feels that such Orientalism is more what they want, rather than the old-fashioned way in the past. Just after the sales center opened, they basically sold out their houses. Consumers give recognition and trust to the development company.
ᱯᱨᱮᱨᱚᱱᱟ
Ink said picturesque environment, lanting meaning for the beautiful place of books. The designer chose its name to create a beautiful implication space with the meaning of shuimolanting. Can ink meaning, but no ink shape.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Time: June 2019 to August 2019
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Shuimolanting is an elegant sales exhibition space, Shuimo is a unique oriental culture. The designer wants to express the elegance and implicitly of Shuimo and let the experiencer feel their future home as wonderful as a paradise from the heart. Experience the space that the person likes very much, they buy a house in this kind of environment very happy and trust.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Miao Yuan
Weiwei Wang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photographer Jing Zhang
Photographed in September 10, 2019

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ