ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Daisuke Nagatomo and Minnie Jan ᱨᱮᱱᱟᱜ Vibes Office Interior Design

Daisuke Nagatomo and Minnie Jan ᱨᱮᱱᱟᱜ Vibes Office Interior Design ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2020

Vibes Office Interior Design

Daisuke Nagatomo and Minnie Jan ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: MisoSoupDesign

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#93261 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Vibes Office Interior Design ᱵᱟᱵᱚᱛ ᱛᱮ

Vibes rebaɽ Taiwan reyaʼ Hsinchu ren tehen bemar (machine) sazaw kampani nagam bege ofis lobby ar cafeteria interior lekhaʼ akana. Ini nakshaʼ do digital khabar aḍiʼ chalaʼ akan ge inspire akaḍa, ar phaṛcaʼ ar chalaʼ lekaʼ akaar bebohar akana. Glass, dhiri (stone), ceramics ar dāru interior finishes lekhaʼ bebohar akana. Digitally milled dāru louvers lobby reʼ khula vertical jayga tayoṁ ḍhoṽ ḍhoṽ raka'kana. Bar floor barga reʼ mena'-akan khula jayga do staff-ko lāgitʼ katha bāt gaṇoṅ nāgam ge tayar akana. Basement reʼ menaʼ cafeteria do lem dāru surfaces bebohar akadea ar courtyard sereṅ khula akana. Blue rang-en accent do corporate image ce nawa laḍiʼ akana.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Vibes Office Interior Design ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Vibes Office Interior Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
To differentiate from other technology companies in Hsinchu, we re-evaluate the idea of branding and corporate identity, hoping to get away from heaviness of traditional image of the industry, yet making a brand new impression of how technology would be in the current time. Using the Syntec Blue as the accent color, it elevates the sense of fashion and activate corporate image.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Design Area
1st floor: 676 square meter
2nd floor: 425 square meter
Basement: 900 square meter
ᱴᱮᱜ ᱠᱚ
MisoSoupDesign, Daisuke Nagatomo, Minnie Jan, Syntec, OfficeDesign
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The general area uses glass, stone, ceramics, and wood for interior finishes. The open space vertical area at the lobby incorporate digitally milled wood louvers to create the impression of vibes. For the basement cafeteria area, it is emphasizing the more natural and comfortable feeling by applying warmer tone of wood surfaces.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The hardest part of this project is to understand old structure and figure out the possibility of new design.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The most important goal for this project is to show the possibility of utilizing the old structure and update to the current needs of the company to establish higher brand value.
ᱯᱨᱮᱨᱚᱱᱟ
The inspiration for the design for this office renovation is the flow of digital information. The company is one of the most outstanding CNC machine manufacturers in Taiwan, which is trying to renew the company identity and brand itself with a higher value. To archive a new branding image, the design incorporates a clean and fluid feeling as its strong vibes.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Design 2017 09-2018 01
Construction 2018-2019
Opening 2019 07
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The people who work in the space can communicate via the open space between ground level and second floor. The lobby entrance emphasizes the character of the company by creating a strong impression of the brand image. The cafeteria has a clear view of the courtyard in front to create a comfortable dining experience during their lunch break.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Daisuke Nagatomo
Minnie Jan
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Studio Millspace, 2019
Image #2: Photographer Studio Millspace, 2019
Image #3: Photographer Studio Millspace, 2019
Image #4: Photographer Studio Millspace, 2019
Image #5: Photographer Studio Millspace, 2019
Video Credits:MisoSoupDesign, 2019

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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