Julien Albertini and Alina Pimkina ᱨᱮᱱᱟᱜ Polyot ᱨᱮᱥᱴᱳᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱯᱞᱟᱴᱤᱱᱟᱢᱵᱷᱤᱛᱨᱤ· 2020
Polyot ᱨᱮᱥᱴᱳᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ
Julien Albertini and Alina Pimkina ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Asthetique
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#93228 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Polyot ᱨᱮᱥᱴᱳᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱯᱚᱞᱤᱭᱚᱛ ᱫᱚ ᱢᱚᱥᱠᱚ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱨᱮᱥᱴᱳᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱥᱟᱭᱮᱸᱥ ᱯᱷᱤᱠᱥᱚᱱ ᱯᱷᱤᱞᱢ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱞᱮᱠᱟ ᱩᱭᱦᱟᱹᱨ ᱚᱪᱚᱭᱮᱫᱟ᱾ ᱵᱚᱞᱚᱱ ᱫᱩᱣᱟᱹᱨ ᱨᱮ ᱪᱤᱠᱚᱱ ᱤᱥᱯᱟᱛ ᱨᱩᱯ ᱟᱨ ᱯᱚᱨᱴᱦᱚᱞ ᱠᱚ ᱛᱮ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱥᱯᱮᱥ ᱥᱟᱴᱚᱞ ᱨᱮᱭᱟᱜ ᱠᱮᱵᱤᱱ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜ ᱠᱟᱱᱟ᱾ ᱢᱤᱱᱤᱢᱟᱞᱤᱡᱚᱢ ᱫᱚ ᱢᱩᱬᱩᱛ ᱱᱤᱭᱚᱢ ᱠᱟᱱᱟ, ᱚᱱᱟᱛᱮ ᱠᱟᱸᱛ ᱠᱚ ᱨᱮ ᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱡᱤᱱᱤᱥ ᱠᱚ ᱨᱮ ᱯᱮᱴᱟᱨᱱ ᱟᱨ ᱥᱟᱡᱟᱣ ᱪᱤᱛᱟᱹᱨ ᱵᱟᱹᱱᱩᱜᱼᱟ᱾ ᱚᱱᱟ ᱵᱚᱫᱚᱞ ᱛᱮ ᱢᱟᱨᱟᱝ ᱡᱷᱚᱞᱠᱟᱣ ᱡᱤᱱᱤᱥ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱵᱚᱞᱚᱱ ᱫᱩᱣᱟᱹᱨ ᱨᱮ ᱥᱤᱢᱮᱴᱨᱤᱠ ᱠᱷᱩᱸᱴᱤ ᱪᱮᱛᱟᱱ ᱨᱮ ᱵᱟᱨᱭᱟ ᱨᱩᱯᱟᱹ ᱢᱩᱨᱛᱤ, ᱢᱤᱫ ᱢᱤᱫ ᱛᱮ ᱓.᱖ ᱢᱤᱴᱟᱨ ᱩᱥᱩᱞ, ᱛᱤᱸᱜᱩ ᱟᱠᱟᱱᱟ᱾ ᱡᱚᱛᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱟᱨ ᱢᱟᱨᱥᱟᱞ ᱡᱤᱱᱤᱥ ᱫᱚ ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱞᱟᱹᱜᱤᱫ ᱟᱞᱟᱫᱟ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Polyot ᱨᱮᱥᱴᱳᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱟᱢᱟᱱ ᱠᱷᱚᱱ ᱮᱴᱟᱜ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱫᱩᱱᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Polyot ᱨᱮᱥᱴᱳᱨᱮᱱᱴ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The interior of the ‘Polyot’ restaurant reminds the scenery for a sci-fi movie. The sleek steel shapes and portholes at the entrance make the room look like the cabin of a space shuttle. One of the main principles in the interior of ‘Polyot’ is minimalism. There is a lack of decor to which the audience in Moscow restaurants is so used, no patterns and ornaments on the walls and in design elements. Instead there are large shining objects.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Silver Martian Goddes - 3.6 meters each
Concrete art - 6 meters high - ᱴᱮᱜ ᱠᱚ
- futuristic restaurant, modern futurism
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Sailormoon chair by Asthetique,
V lighting by Asthetique,
Penguin chairs by Asthetique
All furniture and lighting was created and custom made special for this project. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The main problem of futurism projects is the feeling of coldness. Our task was to create - a cozy futurism.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- We studied the many futuristic movements of the 20th century to understand and create a restaurant in the style of "modern futurism". The greatest influence on us was made by the book "Dune" - this determined the main trend of the restaurant - to create the feeling of being on another planet.
- ᱯᱨᱮᱨᱚᱱᱟ
- We wanted to convey energy, speed, strength and dynamism to give the guests an opportunity to experience new emotions and futuristic vibes. Clear, but unusual geometry served as an important principle in the creation of this space. We used streamlined shapes, curved lines and asymmetrical angles.
Huge silver Martian goddesses like figures are installed on symmetric columns at the entrance. They can be easily placed in the decorations of the Hollywood movie about new civilizations. The interior does not press with its seriousness, but on the contrary inspires and gives wings. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in May 2018 and finished in July 2019. The restaurant is located at: 2 Khodynsky Boulevard, Russian Federation, Moscow, 125167
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This restaurant is already open for guests and successfully operates under the guidance of a restaurateur - Kira Baybakova.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Julien Albertini - co-founder, designer
Alina Pimkina - co-founder, designer
Ilya Mozgunov - architect
Anna Lutaeva - designer
Igor Khrupin - illustrator
Denis Kleimenov - technical designer - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photos by Mikhail Loskutov
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
