ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yusuke Kinoshita ᱨᱮᱱᱟᱜ EN Skincare ᱥᱤᱸᱜᱟᱨ ᱥᱟᱢᱟᱱ ᱫᱚᱠᱟᱱ, ᱥᱩᱜᱩᱲᱟᱹᱭ ᱥᱟᱞᱩᱱ

Yusuke Kinoshita ᱨᱮᱱᱟᱜ EN Skincare ᱥᱤᱸᱜᱟᱨ ᱥᱟᱢᱟᱱ ᱫᱚᱠᱟᱱ, ᱥᱩᱜᱩᱲᱟᱹᱭ ᱥᱟᱞᱩᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱯᱞᱟᱴᱤᱱᱟᱢᱵᱷᱤᱛᱨᱤ· 2020

EN Skincare ᱥᱤᱸᱜᱟᱨ ᱥᱟᱢᱟᱱ ᱫᱚᱠᱟᱱ, ᱥᱩᱜᱩᱲᱟᱹᱭ ᱥᱟᱞᱩᱱ

Yusuke Kinoshita ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Archiee

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

308,810

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#93094 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

EN Skincare ᱥᱤᱸᱜᱟᱨ ᱥᱟᱢᱟᱱ ᱫᱚᱠᱟᱱ, ᱥᱩᱜᱩᱲᱟᱹᱭ ᱥᱟᱞᱩᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

En Skincare ᱫᱚ ᱯᱮᱨᱤᱥ ᱴᱟᱣᱩᱱ ᱛᱟᱞᱟ ᱨᱮ ᱢᱮᱱᱟᱜ 18 ᱥᱟᱭ ᱥᱮᱨᱢᱟ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱ ᱢᱤᱫ ᱥᱤᱸᱜᱟᱨ ᱥᱟᱢᱟᱱ ᱫᱚᱠᱟᱱ ᱟᱨ ᱤᱞᱟᱡᱽ ᱥᱟᱞᱩᱱ ᱠᱟᱱᱟ᱾ En ᱧᱩᱛᱩᱢ ᱨᱮᱭᱟᱜ ᱢᱮᱱᱮᱛ ᱡᱟᱯᱟᱱᱤ ᱯᱟᱹᱨᱥᱤ ᱛᱮ ᱥᱩᱜᱩᱲᱟᱹᱭ, ᱟᱨ ᱚᱱᱟ ᱜᱚᱞ ᱟᱨ ᱡᱚᱲᱟᱣ ᱦᱚᱸ ᱢᱮᱱᱮᱛ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱯᱮᱭᱟ ᱢᱮᱱᱮᱛ ᱠᱚ ᱛᱮ ᱱᱚᱶᱟ ᱫᱤᱡᱟᱭᱤᱱ ᱨᱮᱭᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ᱾ ᱜᱚᱞ ᱯᱤᱛᱲᱟᱹ (ᱵᱨᱟᱥ) ᱦᱟᱹᱴᱤᱧ ᱠᱚ ᱛᱮ 150 ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱡᱟᱭᱜᱟ ᱫᱚ ᱵᱟᱨᱭᱟ ᱛᱚᱞᱟ ᱨᱮ ᱯᱩᱱᱭᱟ ᱠᱩᱴᱷᱤ ᱛᱮ ᱦᱟᱹᱴᱤᱧ ᱟᱠᱟᱱᱟ᱾ ᱢᱟᱨᱥᱟᱞ ᱯᱞᱟᱥᱴᱚᱨ ᱛᱮ ᱛᱮᱭᱟᱨᱟᱠᱟᱱ ᱵᱟᱨᱭᱟ ᱠᱩᱴᱷᱤ ᱫᱚ ᱞᱟᱛᱟᱨ ᱛᱚᱞᱟ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ, ᱟᱨ ᱵᱮᱥᱢᱮᱱᱴ ᱨᱮ ᱫᱷᱤᱨᱤ ᱠᱟᱱᱛᱷ ᱟᱨ ᱜᱚᱞᱟᱭᱟᱱ ᱪᱟᱹᱛᱚᱢ ᱫᱚ ᱫᱚᱦᱚᱭ ᱟᱠᱟᱱᱟ᱾ ᱦᱤᱲᱤᱧᱤᱭᱟᱹ ᱠᱚ ᱢᱤᱫ ᱮᱸᱜᱮᱡᱟᱠᱟᱱ ᱦᱚᱨ ᱛᱮ ᱡᱚᱛᱚ ᱤᱞᱟᱡᱽ ᱡᱟᱭᱜᱟ ᱛᱮ ᱠᱚ ᱥᱮᱱᱚᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱧᱟᱢ ᱛᱮ ᱟᱹᱛᱤᱛᱷ ᱥᱮᱣᱟ ᱨᱮᱭᱟᱜ ᱡᱟᱯᱟᱱᱤ ᱩᱭᱦᱟᱹᱨ ᱮ ᱩᱫᱩᱜ ᱮᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

EN Skincare ᱥᱤᱸᱜᱟᱨ ᱥᱟᱢᱟᱱ ᱫᱚᱠᱟᱱ, ᱥᱩᱜᱩᱲᱟᱹᱭ ᱥᱟᱞᱩᱱ ᱫᱚ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱟᱢᱟᱱ ᱠᱷᱚᱱ ᱮᱴᱟᱜ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱫᱩᱱᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ EN Skincare ᱥᱤᱸᱜᱟᱨ ᱥᱟᱢᱟᱱ ᱫᱚᱠᱟᱱ, ᱥᱩᱜᱩᱲᱟᱹᱭ ᱥᱟᱞᱩᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Designed for new Japanese cosmetics brand En, the store occupies of an 18th-century building in the centre of the French capital. The name "En" translates as "beauty" in Japanese, but can also mean "circle" and "connection". These three translations all inspired the design of the store. On the ground floor are two bright minimal spaces, furnished with curving brass partitions and furniture. Meanwhile the basement reveals the building's history, with exposed stone walls and a vaulted ceiling.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The existing 150 square meter spaces were divided into 4 main rooms: 2 rooms with stone vaulted spaces in the basement and 2 rooms finished with white plaster on the ground floor. A different scale of circles is composed for each room to create a functional plan. Room1: the entrance and the boutique, Room2: the counseling and the treatment space, Room3: the hall and the massage space, Room4: the product gallery and the blending counter.
ᱴᱮᱜ ᱠᱚ
Skincare, brass, paris, japan
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The external surfaces of the circle partitions are finished in polished brass to bring a distorted and warm reflection. This beautiful expanded space creates the feeling for the visitor step into an elegant and extraordinary world.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Merging two history and culture, between French and Japanese. Mixing culture in a strong clear story is always a challenge. Once we could figure out this strong idea, then we believe this new story could attract the people.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The site has prime Parisian location, in the 6th arrondissement steps from the Jardin de Luxembourg. We preserved most of the existing structure of the 18th-century building, adding a series of circular partitions across four rooms and two levels to gently define the various functions of the space. This leans into the Japanese hospitality principal of discovery; patrons must wind through the store to find each treatment area, rather than walking into an obvious open-plan. The unusual geometric forms serve to spark curiosity in the customer, enchanting them to delve deeper into the store.
ᱯᱨᱮᱨᱚᱱᱟ
Adding a series of circular partitions across four rooms and two levels to gently define the various functions of the space. This leans into the Japanese hospitality principal of discovery; patrons must wind through the store to find each treatment area, rather than walking into an obvious open-plan. The unusual geometric forms serve to spark curiosity in the customer. The concept of ‘beauty’ by choosing golden polished brass for the circular partitions and accent pieces throughout the store.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Project started in December 2017 and opened to public at July 2019 in paris. 7 Rue de Condé75006 Paris
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The space cut off by the circle partitions connects all the required functions. This remaining space between the existing walls and the integrated circle partitions creates a geometrically curious form and an original circulation with an aesthetical experience. The customer cannot get into each service rooms directly, but must walk along a winding path toward the destination. This method that let the visitors walk along and enhance his expectation is typical Japanese way of hospitality, as in the traditional tea culture.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Photography is by David Foessel
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yusuke Kinoshita
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photography is by David Foessel

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ